The institutionalization of funk carioca and culture as creative invention

Detalhes bibliográficos
Autor(a) principal: Mizrahi, Mylene
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21711
Resumo: The article shows the creative way funk carioca responds the institutionalization process by which it came through the last decade. This institutionalization is accompanied by an immobilization and selection of certain meanings in an attempt to turn funk more legitimate whereas some of its subversive traits are neutralized. However, the funk subjects in their desire to make their knowledge and creations circulate give in contrast creative responses to the demands of the surrounding society. We depart from the lyrics and its semantic meaning to get to the body and sound. The funk artist seeks the path of ambiguity, stating both their identity and difference while shaping their productions in order to make them more permeable to the official taste. Funk transforms and stays true to itself.
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spelling The institutionalization of funk carioca and culture as creative inventionA institucionalização do funk carioca e a invenção criativa da culturaAestheticsBodySoundCreativityPassinho danceEstéticaCorpoSomCriatividadeDança do passinhoThe article shows the creative way funk carioca responds the institutionalization process by which it came through the last decade. This institutionalization is accompanied by an immobilization and selection of certain meanings in an attempt to turn funk more legitimate whereas some of its subversive traits are neutralized. However, the funk subjects in their desire to make their knowledge and creations circulate give in contrast creative responses to the demands of the surrounding society. We depart from the lyrics and its semantic meaning to get to the body and sound. The funk artist seeks the path of ambiguity, stating both their identity and difference while shaping their productions in order to make them more permeable to the official taste. Funk transforms and stays true to itself.O artigo mostra o modo criativo com que o funk carioca respondeu ao processo de institucionalização pelo qual veio passando na última década. Essa institucionalização se faz acompanhar de uma tentativa de imobilização e seleção de determinados significados em detrimento de outros, gerando como desdobramento uma maior legitimação do funk como manifestação cultural a partir da neutralização de alguns de seus traços subversivos. Contudo os sujeitos funk, em sua vontade de fazer seus saberes e criações circularem, concedem em contrapartida respostas criativas às demandas da sociedade envolvente. Partimos das letras das músicas e seu significado semântico para chegarmos ao corpo e à sonoridade. O artista funk busca o caminho da ambiguidade, afirmando sua identidade e diferença ao mesmo tempo em que moldando suas produções e tornando-as mais permeáveis ao gosto oficial. O funk se transforma mantendo-se fiel a si mesmo.Universidade Estadual de Londrina2015-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticleArtigoapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/2171110.5433/1984-3356.2015v8n15p398Antíteses; Vol. 8 No. 15 (2015): 50 anos de golpe: arte, cultura e poder; 398-422Antíteses; v. 8 n. 15 (2015): 50 anos de golpe: arte, cultura e poder; 398-4221984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21711/16590Copyright (c) 2015 Antíteseshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMizrahi, Mylene2022-11-03T16:46:57Zoai:ojs.pkp.sfu.ca:article/21711Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-11-03T16:46:57Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The institutionalization of funk carioca and culture as creative invention
A institucionalização do funk carioca e a invenção criativa da cultura
title The institutionalization of funk carioca and culture as creative invention
spellingShingle The institutionalization of funk carioca and culture as creative invention
Mizrahi, Mylene
Aesthetics
Body
Sound
Creativity
Passinho dance
Estética
Corpo
Som
Criatividade
Dança do passinho
title_short The institutionalization of funk carioca and culture as creative invention
title_full The institutionalization of funk carioca and culture as creative invention
title_fullStr The institutionalization of funk carioca and culture as creative invention
title_full_unstemmed The institutionalization of funk carioca and culture as creative invention
title_sort The institutionalization of funk carioca and culture as creative invention
author Mizrahi, Mylene
author_facet Mizrahi, Mylene
author_role author
dc.contributor.author.fl_str_mv Mizrahi, Mylene
dc.subject.por.fl_str_mv Aesthetics
Body
Sound
Creativity
Passinho dance
Estética
Corpo
Som
Criatividade
Dança do passinho
topic Aesthetics
Body
Sound
Creativity
Passinho dance
Estética
Corpo
Som
Criatividade
Dança do passinho
description The article shows the creative way funk carioca responds the institutionalization process by which it came through the last decade. This institutionalization is accompanied by an immobilization and selection of certain meanings in an attempt to turn funk more legitimate whereas some of its subversive traits are neutralized. However, the funk subjects in their desire to make their knowledge and creations circulate give in contrast creative responses to the demands of the surrounding society. We depart from the lyrics and its semantic meaning to get to the body and sound. The funk artist seeks the path of ambiguity, stating both their identity and difference while shaping their productions in order to make them more permeable to the official taste. Funk transforms and stays true to itself.
publishDate 2015
dc.date.none.fl_str_mv 2015-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Article
Artigo
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21711
10.5433/1984-3356.2015v8n15p398
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21711
identifier_str_mv 10.5433/1984-3356.2015v8n15p398
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21711/16590
dc.rights.driver.fl_str_mv Copyright (c) 2015 Antíteses
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Antíteses
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 8 No. 15 (2015): 50 anos de golpe: arte, cultura e poder; 398-422
Antíteses; v. 8 n. 15 (2015): 50 anos de golpe: arte, cultura e poder; 398-422
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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