Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)

Detalhes bibliográficos
Autor(a) principal: Ambrogi, Lucas Dias Martinez
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/12943
Resumo: The current work aims to analyze two discussions regarding musical nationalism produced between 1920 and 1940. These discussions maintained dialogues with the concepts of art and earlier Brazilian nation, forged largely by Brazilian romanticism of the second half of the nineteenth century. Amid discussions of musical nationalism in Brazil were, in different contexts, firstly Mario de Andrade during the 1920s and later on with members of the group Música Viva around 1940, two specific concepts of national music that, although diverging in many aspects, resembled in many others and showed the tense dialogue locked between these two groups as well as the continuities and ruptures present in their talks.
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spelling Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)Tensões sonoras: embates entre dois discursos sobre o nacionalismo musical no Brasil - Mário de Andrade e o grupo Música Viva (1920 – 1950).MusicMário de AndradeMúsica vivaNationalismVargasMúsicaMário de AndradeMúsica vivaNacionalismoVargasThe current work aims to analyze two discussions regarding musical nationalism produced between 1920 and 1940. These discussions maintained dialogues with the concepts of art and earlier Brazilian nation, forged largely by Brazilian romanticism of the second half of the nineteenth century. Amid discussions of musical nationalism in Brazil were, in different contexts, firstly Mario de Andrade during the 1920s and later on with members of the group Música Viva around 1940, two specific concepts of national music that, although diverging in many aspects, resembled in many others and showed the tense dialogue locked between these two groups as well as the continuities and ruptures present in their talks.O presente trabalho tem por objetivo analisar dois discursos sobre o nacionalismo musical produzidos nas décadas de 1920 e 1940. Esses discursos mantiveram diálogos com as concepções de arte e nação brasileira anteriores, forjadas, em boa parte, pelo romantismo brasileiro da segunda metade do século XIX. Em meio às discussões sobre o nacionalismo musical no Brasil, surgiram, em contextos distintos, primeiramente com Mário de Andrade durante a década de 1920, e, posteriormente, com os membros do grupo Música Viva, por volta dos anos de 1940, duas concepções de música nacional específicas as quais, mesmo divergindo em muitos aspectos, se aproximavam em tantos outros e evidenciavam o tenso diálogo travado entre esses grupos bem como as permanências e rupturas presentes em suas falas.Universidade Estadual de Londrina2012-08-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/1294310.5433/1984-3356.2012v5n9p495Antíteses; Vol. 5, n. 9, jan./jun. 2012 - Dossiê: Humor Gráfico; 495-496Antíteses; Vol. 5, n. 9, jan./jun. 2012 - Dossiê: Humor Gráfico; 495-4961984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/12943/11423Copyright (c) 2012 Antítesesinfo:eu-repo/semantics/openAccessAmbrogi, Lucas Dias Martinez2022-05-03T11:41:55Zoai:ojs.pkp.sfu.ca:article/12943Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-05-03T11:41:55Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
Tensões sonoras: embates entre dois discursos sobre o nacionalismo musical no Brasil - Mário de Andrade e o grupo Música Viva (1920 – 1950).
title Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
spellingShingle Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
Ambrogi, Lucas Dias Martinez
Music
Mário de Andrade
Música viva
Nationalism
Vargas
Música
Mário de Andrade
Música viva
Nacionalismo
Vargas
title_short Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
title_full Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
title_fullStr Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
title_full_unstemmed Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
title_sort Sound Clash: conflicts between two discourses about musical nationalism in Brazil - Mário de Andrade and the group Música Viva (1920 - 1950)
author Ambrogi, Lucas Dias Martinez
author_facet Ambrogi, Lucas Dias Martinez
author_role author
dc.contributor.author.fl_str_mv Ambrogi, Lucas Dias Martinez
dc.subject.por.fl_str_mv Music
Mário de Andrade
Música viva
Nationalism
Vargas
Música
Mário de Andrade
Música viva
Nacionalismo
Vargas
topic Music
Mário de Andrade
Música viva
Nationalism
Vargas
Música
Mário de Andrade
Música viva
Nacionalismo
Vargas
description The current work aims to analyze two discussions regarding musical nationalism produced between 1920 and 1940. These discussions maintained dialogues with the concepts of art and earlier Brazilian nation, forged largely by Brazilian romanticism of the second half of the nineteenth century. Amid discussions of musical nationalism in Brazil were, in different contexts, firstly Mario de Andrade during the 1920s and later on with members of the group Música Viva around 1940, two specific concepts of national music that, although diverging in many aspects, resembled in many others and showed the tense dialogue locked between these two groups as well as the continuities and ruptures present in their talks.
publishDate 2012
dc.date.none.fl_str_mv 2012-08-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/12943
10.5433/1984-3356.2012v5n9p495
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/12943
identifier_str_mv 10.5433/1984-3356.2012v5n9p495
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/12943/11423
dc.rights.driver.fl_str_mv Copyright (c) 2012 Antíteses
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2012 Antíteses
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 5, n. 9, jan./jun. 2012 - Dossiê: Humor Gráfico; 495-496
Antíteses; Vol. 5, n. 9, jan./jun. 2012 - Dossiê: Humor Gráfico; 495-496
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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