Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga:
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Terra Roxa e Outras Terras: Revista de Estudos Literários |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44882 |
Resumo: | Animal Critical Studies as an investigation field has gained large contributions in recent decades by paying attention to relationships between human and non-human animals. Using theoretical contributions focusing on animals and nature in literature, like studies by Kerridge and Sammells (1998), Culler (2016), Agamben (2004), Singer (2010), Berger (2003), Maciel (2007) and Bravo (2011), this article investigates how animals are represented in Lygia Bojunga’s O sofá estampado (1980), regarding the domination promoted by human beings. By analyzing and discussing the characters of the book, we found three faces of the representation of animals in relation to the dominant power of human beings, the first of which refers to the figure of the animal dominated by the human being. Secondly, the dominated animal overcomes this condition, but reproduces the behavior of the human dominator. Finally, the animal is aware of human domination and engaged in the fight for the rights of animals and nature. |
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Terra Roxa e Outras Terras: Revista de Estudos Literários |
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Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: Representação animal e dominação humana: uma leitura da obra "O sofá estampado", de Lygia Bojunga: Estudos AnimaiszooliteraturaLygia Bojunga.Animal Critical Studies as an investigation field has gained large contributions in recent decades by paying attention to relationships between human and non-human animals. Using theoretical contributions focusing on animals and nature in literature, like studies by Kerridge and Sammells (1998), Culler (2016), Agamben (2004), Singer (2010), Berger (2003), Maciel (2007) and Bravo (2011), this article investigates how animals are represented in Lygia Bojunga’s O sofá estampado (1980), regarding the domination promoted by human beings. By analyzing and discussing the characters of the book, we found three faces of the representation of animals in relation to the dominant power of human beings, the first of which refers to the figure of the animal dominated by the human being. Secondly, the dominated animal overcomes this condition, but reproduces the behavior of the human dominator. Finally, the animal is aware of human domination and engaged in the fight for the rights of animals and nature.O campo de investigação dos Estudos Críticos Animais tem ganhado grandes contribuições nas últimas décadas ao se atentar às relações existentes entre os animais humanos e não humanos. Aplicando os conceitos dos aportes teóricos que focam nos animais e na natureza na Literatura, como os estudos de Kerridge e Sammells (1998), Culler (2016), Agamben (2004), Singer (2010), Berger (2003), Maciel (2007) e Bravo (2011), este artigo objetiva investigar a maneira como os animais são representados na obra O sofá estampado (1980), de Lygia Bojunga, no que tange à dominação promovida pelos seres humanos. Com a análise e a discussão das personagens da obra foram constatadas três faces da representação dos animais em relação ao poder dominante dos seres humanos, sendo que a primeira se refere à figura do animal dominado pelo ser humano. Em seguida, outra representação observada é do animal dominado que supera essa condição, mas reproduz o comportamento do dominador humano. Por fim, a última face trata-se da personagem animal consciente da dominação humana e engajada na luta pelos direitos dos animais e da natureza. Programa de Pós-graduação em Letras2022-09-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/4488210.5433/1678-2054.2022v42p57-67Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 42 No. 1 (2022): Zooliterature, vulnerability, and animal resistance, politics of insurrection; 57-67Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 42 Núm. 1 (2022): Zooliteratura, vulnerabilidad y resistencia animal, políticas de insurrección; 57-67Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 42 n. 1 (2022): Zooliteratura, vulnerabilidade e resistência animal: políticas de insurreição; 57-671678-2054reponame:Terra Roxa e Outras Terras: Revista de Estudos Literáriosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44882/47726Copyright (c) 2022 Terra Roxa e Outras Terras: Revista de Estudos Literárioshttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBortoletto, Fernanda FavaroLibanori, Evely Vânia2022-09-28T21:00:50Zoai:ojs.pkp.sfu.ca:article/44882Revistahttp://www.uel.br/revistas/uel/index.php/terraroxa/indexPUBhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/oaiterraroxa.uel@gmail.com1678-20541678-2054opendoar:2023-01-13T10:37:22.691846Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: Representação animal e dominação humana: uma leitura da obra "O sofá estampado", de Lygia Bojunga: |
title |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: |
spellingShingle |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: Bortoletto, Fernanda Favaro Estudos Animais zooliteratura Lygia Bojunga. |
title_short |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: |
title_full |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: |
title_fullStr |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: |
title_full_unstemmed |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: |
title_sort |
Animal representation and human domination: a study on "O sofá estampado". by Lygia Bojunga: |
author |
Bortoletto, Fernanda Favaro |
author_facet |
Bortoletto, Fernanda Favaro Libanori, Evely Vânia |
author_role |
author |
author2 |
Libanori, Evely Vânia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Bortoletto, Fernanda Favaro Libanori, Evely Vânia |
dc.subject.por.fl_str_mv |
Estudos Animais zooliteratura Lygia Bojunga. |
topic |
Estudos Animais zooliteratura Lygia Bojunga. |
description |
Animal Critical Studies as an investigation field has gained large contributions in recent decades by paying attention to relationships between human and non-human animals. Using theoretical contributions focusing on animals and nature in literature, like studies by Kerridge and Sammells (1998), Culler (2016), Agamben (2004), Singer (2010), Berger (2003), Maciel (2007) and Bravo (2011), this article investigates how animals are represented in Lygia Bojunga’s O sofá estampado (1980), regarding the domination promoted by human beings. By analyzing and discussing the characters of the book, we found three faces of the representation of animals in relation to the dominant power of human beings, the first of which refers to the figure of the animal dominated by the human being. Secondly, the dominated animal overcomes this condition, but reproduces the behavior of the human dominator. Finally, the animal is aware of human domination and engaged in the fight for the rights of animals and nature. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44882 10.5433/1678-2054.2022v42p57-67 |
url |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44882 |
identifier_str_mv |
10.5433/1678-2054.2022v42p57-67 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44882/47726 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Terra Roxa e Outras Terras: Revista de Estudos Literários http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Terra Roxa e Outras Terras: Revista de Estudos Literários http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras |
publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras |
dc.source.none.fl_str_mv |
Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 42 No. 1 (2022): Zooliterature, vulnerability, and animal resistance, politics of insurrection; 57-67 Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 42 Núm. 1 (2022): Zooliteratura, vulnerabilidad y resistencia animal, políticas de insurrección; 57-67 Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 42 n. 1 (2022): Zooliteratura, vulnerabilidade e resistência animal: políticas de insurreição; 57-67 1678-2054 reponame:Terra Roxa e Outras Terras: Revista de Estudos Literários instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Terra Roxa e Outras Terras: Revista de Estudos Literários |
collection |
Terra Roxa e Outras Terras: Revista de Estudos Literários |
repository.name.fl_str_mv |
Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
terraroxa.uel@gmail.com |
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1797047361571127296 |