To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor
Autor(a) principal: | |
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Data de Publicação: | 2006 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1487 |
Resumo: | Photography is credited as a means to capture moments and to caress memory: in its essence, it is a fragment of reality embalmed in time. On the other hand, photographic reality seen as reality of the death, caresses life by remembering it of its losses. In this article, photography is thought of – in its time-space clips – as an object of rupture with daily reality. The aim is also to present the “death theater” of Polish stage director Tadeusz Kantor and reflect on the nature of this theater and photographic language. |
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oai:ojs.pkp.sfu.ca:article/1487 |
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Discursos Fotográficos |
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To prevent forgetfulness: from photography to the death theater of Tadeusz KantorPara salvar do esquecimento: da fotografia ao teatro da morte de Tadeusz KantorPhotographyTheaterMemory and deathAnálise Fotográfica. Teatro. Memória. Morte.Photography is credited as a means to capture moments and to caress memory: in its essence, it is a fragment of reality embalmed in time. On the other hand, photographic reality seen as reality of the death, caresses life by remembering it of its losses. In this article, photography is thought of – in its time-space clips – as an object of rupture with daily reality. The aim is also to present the “death theater” of Polish stage director Tadeusz Kantor and reflect on the nature of this theater and photographic language.A fotografia é acreditada como meio de registrar momentos para acariciar a memória; é em sua essência um fragmento da realidade embalsamado no tempo. No entanto a realidade fotográfica, entendida como realidade da morte, acaricia a vida lembrando-a de suas perdas. No decorrer desse artigo pretende-se pensar a fotografia – por seu corte espaço-temporal – como um objeto de ruptura com a realidade cotidiana. Propõe-se também a apresentar o “teatro da morte” do encenador polonês Tadeusz Kantor refletindo sobre a natureza desse teatro e a linguagem fotográfica.Universidade Estadual de Londrina2006-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/148710.5433/1984-7939.2006v2n2p237Discursos Fotograficos; v. 2 n. 2 (2006); 237-2531984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1487/1233D’Abronzo, Thais HelenaSouza, Maria Irene Pellegrino de Oliveirainfo:eu-repo/semantics/openAccess2017-07-13T17:40:52Zoai:ojs.pkp.sfu.ca:article/1487Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-07-13T17:40:52Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor Para salvar do esquecimento: da fotografia ao teatro da morte de Tadeusz Kantor |
title |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor |
spellingShingle |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor D’Abronzo, Thais Helena Photography Theater Memory and death Análise Fotográfica. Teatro. Memória. Morte. |
title_short |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor |
title_full |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor |
title_fullStr |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor |
title_full_unstemmed |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor |
title_sort |
To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor |
author |
D’Abronzo, Thais Helena |
author_facet |
D’Abronzo, Thais Helena Souza, Maria Irene Pellegrino de Oliveira |
author_role |
author |
author2 |
Souza, Maria Irene Pellegrino de Oliveira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
D’Abronzo, Thais Helena Souza, Maria Irene Pellegrino de Oliveira |
dc.subject.por.fl_str_mv |
Photography Theater Memory and death Análise Fotográfica. Teatro. Memória. Morte. |
topic |
Photography Theater Memory and death Análise Fotográfica. Teatro. Memória. Morte. |
description |
Photography is credited as a means to capture moments and to caress memory: in its essence, it is a fragment of reality embalmed in time. On the other hand, photographic reality seen as reality of the death, caresses life by remembering it of its losses. In this article, photography is thought of – in its time-space clips – as an object of rupture with daily reality. The aim is also to present the “death theater” of Polish stage director Tadeusz Kantor and reflect on the nature of this theater and photographic language. |
publishDate |
2006 |
dc.date.none.fl_str_mv |
2006-12-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1487 10.5433/1984-7939.2006v2n2p237 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1487 |
identifier_str_mv |
10.5433/1984-7939.2006v2n2p237 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1487/1233 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 2 n. 2 (2006); 237-253 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315408521527296 |