Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.

Detalhes bibliográficos
Autor(a) principal: Fiore, Adriano Alves
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13088
Resumo: The language of Rock has the nature of parody, allegory, carnival and imagery. A typology of image content is obtained through the concept of carnivalization as stated by Mikhail Bakhtin, and by means of it, this text analyses the use and significance of pictures containing grotesque, physical deformities, monsterized types in the visual language of Hard Rock and Heavy Metal worlds. The presence and function of the skull and demon are included and appraised in their connection respectively to death and hell as illustrative factors. The theoretical fundaments are enhanced with the contributions from Vilém Flusser and Junito de Souza Brandão. The stigmaof the rebel behavior from Hard Rock and Heavy Metal spreads and reinforces their influence with the steady popularization of these musical genders – which have been enthusiastically portrayed through vigorous imagery appeals – as a consequence of the bands’ marketing staffs always sustaining, in visual support, linkages to rule breach and search for liberty. Image reading is empowered through elements such as laugh, grotesque view of the human body and obsene gestures.
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spelling Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.Carnavalização bakhtiniana do grotesco em imagens do hard rock e heavy metalVisual languageCarnivalization of the grotesqueImage readingHard RockHeavy MetalBakhtin.Teses e Dissertações. Filosofia da Linguagem. Carnavalização. Grotesco. Hard Rock. Heavy Metal. Mikhail Bakhtin - Filósofo.The language of Rock has the nature of parody, allegory, carnival and imagery. A typology of image content is obtained through the concept of carnivalization as stated by Mikhail Bakhtin, and by means of it, this text analyses the use and significance of pictures containing grotesque, physical deformities, monsterized types in the visual language of Hard Rock and Heavy Metal worlds. The presence and function of the skull and demon are included and appraised in their connection respectively to death and hell as illustrative factors. The theoretical fundaments are enhanced with the contributions from Vilém Flusser and Junito de Souza Brandão. The stigmaof the rebel behavior from Hard Rock and Heavy Metal spreads and reinforces their influence with the steady popularization of these musical genders – which have been enthusiastically portrayed through vigorous imagery appeals – as a consequence of the bands’ marketing staffs always sustaining, in visual support, linkages to rule breach and search for liberty. Image reading is empowered through elements such as laugh, grotesque view of the human body and obsene gestures.A linguagem do Rock é essencialmente paródica, alegórica,carnavalesca e imagética. Uma tipologia de conteúdo de imagens é obtida por meio do conceito de carnavalização enunciado por Mikhail Bakhtin e, com ela, este trabalho analisa o emprego e a significação de figuras do campo do grotesco, das deformidades físicas e das monstruosidades na linguagem visual do universo do Hard Rock e Heavy Metal. São tambémavaliadas a presença e a função da figura da caveira e do diabo acompanhadas da representação respectivamente da morte e do inferno como fatores ilustrativos. O corpo teórico é ampliado com as contribuições de Vilém Flusser e de Junito de Souza Brandão. O estigma rebelde do Hard Rock e do HeavyMetal multiplica-se e revigora sua influência com a popularização crescente desses gêneros musicais – que vêm sendo efusivamente retratados por meio de vigoroso apelo imagético – como consequência de os responsáveis pelomarketing das bandas invocarem, sempre mais, o auxílio visual nas figuras que contêm alusões à quebra de regra e de busca pela liberdade. Obtém-se uma condição de leitura de imagens por meio de elementos como o riso, a visão grotesca do corpo humano e a gestualidade obscena.Universidade Estadual de Londrina2012-09-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo não avaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1308810.5433/1984-7939.2012v8n13p275Discursos Fotograficos; v. 8 n. 13 (2012); 275-2761984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13088/11309Fiore, Adriano Alvesinfo:eu-repo/semantics/openAccess2017-08-22T19:20:59Zoai:ojs.pkp.sfu.ca:article/13088Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-08-22T19:20:59Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
Carnavalização bakhtiniana do grotesco em imagens do hard rock e heavy metal
title Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
spellingShingle Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
Fiore, Adriano Alves
Visual language
Carnivalization of the grotesque
Image reading
Hard Rock
Heavy Metal
Bakhtin.
Teses e Dissertações. Filosofia da Linguagem. Carnavalização. Grotesco. Hard Rock. Heavy Metal. Mikhail Bakhtin - Filósofo.
title_short Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
title_full Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
title_fullStr Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
title_full_unstemmed Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
title_sort Bakhtinian carnivalization on grotesque images from Hard Rock e Heavy Metal.
author Fiore, Adriano Alves
author_facet Fiore, Adriano Alves
author_role author
dc.contributor.author.fl_str_mv Fiore, Adriano Alves
dc.subject.por.fl_str_mv Visual language
Carnivalization of the grotesque
Image reading
Hard Rock
Heavy Metal
Bakhtin.
Teses e Dissertações. Filosofia da Linguagem. Carnavalização. Grotesco. Hard Rock. Heavy Metal. Mikhail Bakhtin - Filósofo.
topic Visual language
Carnivalization of the grotesque
Image reading
Hard Rock
Heavy Metal
Bakhtin.
Teses e Dissertações. Filosofia da Linguagem. Carnavalização. Grotesco. Hard Rock. Heavy Metal. Mikhail Bakhtin - Filósofo.
description The language of Rock has the nature of parody, allegory, carnival and imagery. A typology of image content is obtained through the concept of carnivalization as stated by Mikhail Bakhtin, and by means of it, this text analyses the use and significance of pictures containing grotesque, physical deformities, monsterized types in the visual language of Hard Rock and Heavy Metal worlds. The presence and function of the skull and demon are included and appraised in their connection respectively to death and hell as illustrative factors. The theoretical fundaments are enhanced with the contributions from Vilém Flusser and Junito de Souza Brandão. The stigmaof the rebel behavior from Hard Rock and Heavy Metal spreads and reinforces their influence with the steady popularization of these musical genders – which have been enthusiastically portrayed through vigorous imagery appeals – as a consequence of the bands’ marketing staffs always sustaining, in visual support, linkages to rule breach and search for liberty. Image reading is empowered through elements such as laugh, grotesque view of the human body and obsene gestures.
publishDate 2012
dc.date.none.fl_str_mv 2012-09-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo não avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13088
10.5433/1984-7939.2012v8n13p275
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13088
identifier_str_mv 10.5433/1984-7939.2012v8n13p275
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13088/11309
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 8 n. 13 (2012); 275-276
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
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