Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44146 |
Resumo: | The work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrification, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy. |
id |
UEL-4_377e3148ee21b336ab202418703754a9 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/44146 |
network_acronym_str |
UEL-4 |
network_name_str |
Discursos Fotográficos |
repository_id_str |
|
spelling |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelasBelleza y fatalidad. Otra propuesta de aproximación a la obra de Dionisio González a través de las favelas brasileñas.BeautyPhotographyFatalityFavelaBellezaFotografíaFatalidadFavelaThe work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrification, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy.La obra de Dionisio González (Gijón, 1965) se inserta en el debate de la arquitectura, el hogar y la vivienda, la gentrificación y la especulación inmobiliaria, el poorism (turismo de la pobreza), las posibilidades de desarrollo sociocultural de un territorio, etc. En este artículo abordamos la serie fotográfica sobre favelas brasileñas Cartografías para a Remoçao, realizada entre 2004 y 2007, desde otro punto de vista: el de la belleza. Analizamos su trabajo sobre la base de binomios, destacando de entre ellos la dicotomía belleza-peligro y/o belleza-fatalidad.Universidade Estadual de Londrina2021-08-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresArtículo de Investigaciónapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/4414610.5433/1984-7939.2021v17n30p28Discursos Fotograficos; v. 17 n. 30 (2021); 28-411984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44146/pdfCopyright (c) 2021 Discursos Fotograficoshttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccessSáez Pradas, Fernando2023-04-17T14:51:31Zoai:ojs.pkp.sfu.ca:article/44146Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2023-04-17T14:51:31Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas Belleza y fatalidad. Otra propuesta de aproximación a la obra de Dionisio González a través de las favelas brasileñas. |
title |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas |
spellingShingle |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas Sáez Pradas, Fernando Beauty Photography Fatality Favela Belleza Fotografía Fatalidad Favela |
title_short |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas |
title_full |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas |
title_fullStr |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas |
title_full_unstemmed |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas |
title_sort |
Beauty and doom. Another proposal for an approach to the work of Dionisio González through the Brazilian favelas |
author |
Sáez Pradas, Fernando |
author_facet |
Sáez Pradas, Fernando |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sáez Pradas, Fernando |
dc.subject.por.fl_str_mv |
Beauty Photography Fatality Favela Belleza Fotografía Fatalidad Favela |
topic |
Beauty Photography Fatality Favela Belleza Fotografía Fatalidad Favela |
description |
The work of Dionisio González (Gijón, 1965) is inserted in the debate of architecture, home, and housing, gentrification, and real estate speculation, poorism (poverty tourism), the possibilities of socio-cultural development of a territory, etc. In this article we approach the photographic series of Brazilian favelas Cartografías para a Remoçao, made between 2004 and 2007, from another point of view: the beauty. We analyze his work based on binomials, highlighting among them the beauty-danger and/or beauty-fatality dichotomy. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares Artículo de Investigación |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44146 10.5433/1984-7939.2021v17n30p28 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44146 |
identifier_str_mv |
10.5433/1984-7939.2021v17n30p28 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/44146/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Discursos Fotograficos http://creativecommons.org/licenses/by-nc/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Discursos Fotograficos http://creativecommons.org/licenses/by-nc/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 17 n. 30 (2021); 28-41 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315410438324224 |