Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema

Detalhes bibliográficos
Autor(a) principal: Picoli, Daniele Saifert
Data de Publicação: 2008
Outros Autores: Boni, Paulo Cesar
Tipo de documento: Artigo
Idioma: por
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1508
Resumo: The environmental concern is an important issue in the contemporary media. The media provide diferent messages to influence the spectators to form their opinions, acting in nature defence. This study presents an aesthetic analysis on two visual media, in order to understand how these medias represent the environment issue by different approaches, technical resources and languages. The research objects are the documentary film An inconvenient truth, by Al Gore, and the documentary photography Genesis by Sebastião Salgado. However, the both medias have the same objective, they work with different aesthetic approaches, exploring the audience emotion.
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spelling Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinemaA estética da imagem e o discurso de proteção ambiental: a produção de sentido na fotografia e no cinemaEnvironment PreservationAestheticsPhotographyMovieAnálise Fotográfica. Preservação Ambiental. Estética.The environmental concern is an important issue in the contemporary media. The media provide diferent messages to influence the spectators to form their opinions, acting in nature defence. This study presents an aesthetic analysis on two visual media, in order to understand how these medias represent the environment issue by different approaches, technical resources and languages. The research objects are the documentary film An inconvenient truth, by Al Gore, and the documentary photography Genesis by Sebastião Salgado. However, the both medias have the same objective, they work with different aesthetic approaches, exploring the audience emotion.A preocupação ambiental é um dos principais temas da mídia contemporânea, que se articula e se transforma, para constituir mensagens que influenciem os espectadores a formar suas opiniões e agir em defesa da natureza. O presente estudo apresenta uma análise estética de duas mídias visuais, visando à compreensão de como ambas representam a temática ambiental com diferentes enfoques, recursos técnicos e linguagens. Os objetos de pesquisa deste trabalho são o filme documentário Uma verdade inconveniente, idealizado por Al Gore, e o documentário fotográfico Genesis, de Sebastião Salgado. Foi possível constatar que, embora ambos tenham o mesmo objetivo, trabalham com abordagens estéticas diferenciadas, que exploram a emotividade nos espectadores.Universidade Estadual de Londrina2008-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/150810.5433/1984-7939.2008v4n4p99Discursos Fotograficos; v. 4 n. 4 (2008); 99-1261984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1508/1254Picoli, Daniele SaifertBoni, Paulo Cesarinfo:eu-repo/semantics/openAccess2017-07-13T18:48:35Zoai:ojs.pkp.sfu.ca:article/1508Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-07-13T18:48:35Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
A estética da imagem e o discurso de proteção ambiental: a produção de sentido na fotografia e no cinema
title Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
spellingShingle Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
Picoli, Daniele Saifert
Environment Preservation
Aesthetics
Photography
Movie
Análise Fotográfica. Preservação Ambiental. Estética.
title_short Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
title_full Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
title_fullStr Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
title_full_unstemmed Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
title_sort Aesthetics of the image and the discourse on environment protection: the production of meaning in photography and cinema
author Picoli, Daniele Saifert
author_facet Picoli, Daniele Saifert
Boni, Paulo Cesar
author_role author
author2 Boni, Paulo Cesar
author2_role author
dc.contributor.author.fl_str_mv Picoli, Daniele Saifert
Boni, Paulo Cesar
dc.subject.por.fl_str_mv Environment Preservation
Aesthetics
Photography
Movie
Análise Fotográfica. Preservação Ambiental. Estética.
topic Environment Preservation
Aesthetics
Photography
Movie
Análise Fotográfica. Preservação Ambiental. Estética.
description The environmental concern is an important issue in the contemporary media. The media provide diferent messages to influence the spectators to form their opinions, acting in nature defence. This study presents an aesthetic analysis on two visual media, in order to understand how these medias represent the environment issue by different approaches, technical resources and languages. The research objects are the documentary film An inconvenient truth, by Al Gore, and the documentary photography Genesis by Sebastião Salgado. However, the both medias have the same objective, they work with different aesthetic approaches, exploring the audience emotion.
publishDate 2008
dc.date.none.fl_str_mv 2008-12-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1508
10.5433/1984-7939.2008v4n4p99
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1508
identifier_str_mv 10.5433/1984-7939.2008v4n4p99
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1508/1254
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 4 n. 4 (2008); 99-126
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
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