Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait

Detalhes bibliográficos
Autor(a) principal: Silva Jr., José Afonso
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36038
Resumo: The text has as its starting corpus a studio portrait by Chichico Alkmim made in Diamantina, MG, around the 1910s. The dynamics of visual organization are approached according to the concept of photography’s technological and ideological program; the border functions that operate the image frame in relation to framing, composition and outline; and the outside frame. Based on the coexistence of two disparate social groups appearing in the image, initial elaborations and outlines on the notion of framing and compositional misunderstanding are sought. Thus, with the support of historiographic data, the objective is to demonstrate that marginal occupation in peripheral portions of the photographic image corresponds to internalized and elaborated social segregation dynamics which came from the 19th century and continue in the historical pathway of photography.
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spelling Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portraitDiante de uma foto de Chichico Alkmim: equívocos entre as molduras de enquadramento e composição no retrato fotográficoFotografiaRetratoComposiçãoExtraquadroEnquadramento.The text has as its starting corpus a studio portrait by Chichico Alkmim made in Diamantina, MG, around the 1910s. The dynamics of visual organization are approached according to the concept of photography’s technological and ideological program; the border functions that operate the image frame in relation to framing, composition and outline; and the outside frame. Based on the coexistence of two disparate social groups appearing in the image, initial elaborations and outlines on the notion of framing and compositional misunderstanding are sought. Thus, with the support of historiographic data, the objective is to demonstrate that marginal occupation in peripheral portions of the photographic image corresponds to internalized and elaborated social segregation dynamics which came from the 19th century and continue in the historical pathway of photography.O texto tem como corpus de partida um retrato de estúdio de autoria de Chichico Alkmim feito em Diamantina, MG, por volta dos anos 1910. Problematiza-se a dinâmica de organização visual segundo o conceito de programa tecnológico e ideológico da fotografia; das funções das molduras que operam o quadro da imagem em relação ao enquadramento, composição e contorno; e de extraquadro. A partir da coexistência de dois grupos sociais díspares que aparecem na imagem, buscam-se elaborações e contornos iniciais sobre a noção de equívoco de enquadramento e composicional. Assim, objetiva-se, com apoio de dados historiográficos, demonstrar que a ocupação marginal em parcelas periféricas da imagem fotográfica corresponde a dinâmicas de segregação social internalizadas e elaboradas ainda no século XIX e que se prolongam no percurso da fotografia.Universidade Estadual de Londrina2020-04-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos parespesquisa histórica, crítica estéticaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/3603810.5433/1984-7939.2019v15n26p13Discursos Fotograficos; v. 15 n. 26 (2019); 13-351984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36038/pdfCopyright (c) 2020 Discursos Fotográficosinfo:eu-repo/semantics/openAccessSilva Jr., José Afonso2020-07-17T22:43:36Zoai:ojs.pkp.sfu.ca:article/36038Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2020-07-17T22:43:36Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
Diante de uma foto de Chichico Alkmim: equívocos entre as molduras de enquadramento e composição no retrato fotográfico
title Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
spellingShingle Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
Silva Jr., José Afonso
Fotografia
Retrato
Composição
Extraquadro
Enquadramento.
title_short Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
title_full Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
title_fullStr Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
title_full_unstemmed Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
title_sort Facing a photo by Chichico Alkmim: mistakes between framing and composition in the photographic portrait
author Silva Jr., José Afonso
author_facet Silva Jr., José Afonso
author_role author
dc.contributor.author.fl_str_mv Silva Jr., José Afonso
dc.subject.por.fl_str_mv Fotografia
Retrato
Composição
Extraquadro
Enquadramento.
topic Fotografia
Retrato
Composição
Extraquadro
Enquadramento.
description The text has as its starting corpus a studio portrait by Chichico Alkmim made in Diamantina, MG, around the 1910s. The dynamics of visual organization are approached according to the concept of photography’s technological and ideological program; the border functions that operate the image frame in relation to framing, composition and outline; and the outside frame. Based on the coexistence of two disparate social groups appearing in the image, initial elaborations and outlines on the notion of framing and compositional misunderstanding are sought. Thus, with the support of historiographic data, the objective is to demonstrate that marginal occupation in peripheral portions of the photographic image corresponds to internalized and elaborated social segregation dynamics which came from the 19th century and continue in the historical pathway of photography.
publishDate 2020
dc.date.none.fl_str_mv 2020-04-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
pesquisa histórica, crítica estética
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36038
10.5433/1984-7939.2019v15n26p13
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36038
identifier_str_mv 10.5433/1984-7939.2019v15n26p13
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36038/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2020 Discursos Fotográficos
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Discursos Fotográficos
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 15 n. 26 (2019); 13-35
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
_version_ 1799315410320883712

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