Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/46075 |
Resumo: | Photographic creation depends on pictures that exist in the immediacy of digital media and its connectivity. New devices and digital paradigm have overcome traditional print media in order to adapt themselves to SMPs (Social Media Platforms), where every picture becomes a self-portrait of themselves. This study focuses on the portrait process conditioned by that type of construction, taking into account pictures from Kito Muñoz on Instagram —made for himself or for any brand—. Kito’s photography on the Net is analyzed to know whether its objective is to achieve a documentary or advertising purpose. |
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Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on InstagramEl retrato publicitario como ejercicio documental en la conectividad digital. Kito Muñoz y la intermedialidad en InstagramKito MuñozInstagramRetratoFotografíaPhotographic creation depends on pictures that exist in the immediacy of digital media and its connectivity. New devices and digital paradigm have overcome traditional print media in order to adapt themselves to SMPs (Social Media Platforms), where every picture becomes a self-portrait of themselves. This study focuses on the portrait process conditioned by that type of construction, taking into account pictures from Kito Muñoz on Instagram —made for himself or for any brand—. Kito’s photography on the Net is analyzed to know whether its objective is to achieve a documentary or advertising purpose.La democratización tecnológica, los nuevos dispositivos y el paradigma digital han desbancado los medios de comunicación tradicionales para adaptarse a unas redes sociales donde todo individuo y su imagen se convierten en retratos de un «yo» publicitario. El presente estudio pretende arrojar luz sobre el proceso del retrato condicionado por este panorama en aquellos medios digitales que se apoderan de la imagen, como es el caso de Instagram, teniendo en cuenta la creación de uno de los fotógrafos con más proyección en el panorama actual. De este modo, se analizarán los retratos de Kito Muñoz, de su método y el de sus coetáneos, para cuestionar su proceso creativo, en tanto que su naturaleza puede ser más documental que publicitaria.Universidade Estadual de Londrina2022-07-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresReviisón histórica, Análisis de contenidoapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/4607510.5433/1984-7939.2022v19n32p157Discursos Fotograficos; v. 19 n. 32 (2022); 157-1811984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/46075/49044Copyright (c) 2023 Discursos Fotograficoshttp://creativecommons.org/licenses/by-nc/4.0/info:eu-repo/semantics/openAccessGarcía-Ergüin Maza, Marcos2023-08-17T18:58:51Zoai:ojs.pkp.sfu.ca:article/46075Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2023-08-17T18:58:51Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram El retrato publicitario como ejercicio documental en la conectividad digital. Kito Muñoz y la intermedialidad en Instagram |
title |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram |
spellingShingle |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram García-Ergüin Maza, Marcos Kito Muñoz Retrato Fotografía |
title_short |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram |
title_full |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram |
title_fullStr |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram |
title_full_unstemmed |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram |
title_sort |
Advertising Portrait Photography as a Documentary Exercise in Digital Connectivity. Kito Muñoz and Intermediality on Instagram |
author |
García-Ergüin Maza, Marcos |
author_facet |
García-Ergüin Maza, Marcos |
author_role |
author |
dc.contributor.author.fl_str_mv |
García-Ergüin Maza, Marcos |
dc.subject.por.fl_str_mv |
Kito Muñoz Retrato Fotografía |
topic |
Kito Muñoz Retrato Fotografía |
description |
Photographic creation depends on pictures that exist in the immediacy of digital media and its connectivity. New devices and digital paradigm have overcome traditional print media in order to adapt themselves to SMPs (Social Media Platforms), where every picture becomes a self-portrait of themselves. This study focuses on the portrait process conditioned by that type of construction, taking into account pictures from Kito Muñoz on Instagram —made for himself or for any brand—. Kito’s photography on the Net is analyzed to know whether its objective is to achieve a documentary or advertising purpose. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares Reviisón histórica, Análisis de contenido |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/46075 10.5433/1984-7939.2022v19n32p157 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/46075 |
identifier_str_mv |
10.5433/1984-7939.2022v19n32p157 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/46075/49044 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Discursos Fotograficos http://creativecommons.org/licenses/by-nc/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Discursos Fotograficos http://creativecommons.org/licenses/by-nc/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 19 n. 32 (2022); 157-181 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315410456150016 |