Photography in Pedro Almodóvar's Cinema
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/42725 |
Resumo: | Within, these intertextual games that Almodóvar has familiarized us with, this research will focus on how the photographic images are brought together by the filmic image throughout the footage. In other words, the suggested purposes are to determine what formulas are used by this director, what categorizations can be configured from the images linked to the photography that he incorporates into his films and determine which role they play in the footage. |
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UEL-4 |
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Discursos Fotográficos |
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|
spelling |
Photography in Pedro Almodóvar's CinemaLa fotografía en el cine de Pedro AlmodóvarWithin, these intertextual games that Almodóvar has familiarized us with, this research will focus on how the photographic images are brought together by the filmic image throughout the footage. In other words, the suggested purposes are to determine what formulas are used by this director, what categorizations can be configured from the images linked to the photography that he incorporates into his films and determine which role they play in the footage.Dentro del juego de intertextos al que Almodóvar nos tiene acostumbrados, esta investigación se centrará en cómo la imagen fílmica aglutina en el metraje imágenes fotográficas. El propósito que se plantea será determinar qué fórmulas emplea este director, qué categorizaciones son susceptibles de configurarse a partir de las imágenes vinculadas a la fotografía que incorpora a sus películas y qué papel desempeñan dentro de ellas.Universidade Estadual de Londrina2021-02-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/4272510.5433/1984-7939.2020v16n29p44Discursos Fotograficos; v. 16 n. 29 (2020); 44-751984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/42725/pdfCopyright (c) 2021 Discursos Fotográficosinfo:eu-repo/semantics/openAccessParejo, Nekane2021-03-01T01:16:12Zoai:ojs.pkp.sfu.ca:article/42725Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2021-03-01T01:16:12Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Photography in Pedro Almodóvar's Cinema La fotografía en el cine de Pedro Almodóvar |
title |
Photography in Pedro Almodóvar's Cinema |
spellingShingle |
Photography in Pedro Almodóvar's Cinema Parejo, Nekane |
title_short |
Photography in Pedro Almodóvar's Cinema |
title_full |
Photography in Pedro Almodóvar's Cinema |
title_fullStr |
Photography in Pedro Almodóvar's Cinema |
title_full_unstemmed |
Photography in Pedro Almodóvar's Cinema |
title_sort |
Photography in Pedro Almodóvar's Cinema |
author |
Parejo, Nekane |
author_facet |
Parejo, Nekane |
author_role |
author |
dc.contributor.author.fl_str_mv |
Parejo, Nekane |
description |
Within, these intertextual games that Almodóvar has familiarized us with, this research will focus on how the photographic images are brought together by the filmic image throughout the footage. In other words, the suggested purposes are to determine what formulas are used by this director, what categorizations can be configured from the images linked to the photography that he incorporates into his films and determine which role they play in the footage. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-02-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/42725 10.5433/1984-7939.2020v16n29p44 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/42725 |
identifier_str_mv |
10.5433/1984-7939.2020v16n29p44 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/42725/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Discursos Fotográficos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Discursos Fotográficos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 16 n. 29 (2020); 44-75 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315410416304128 |