Portraits of Hiroshi Sugimoto: about realism and portraits
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/10593 |
Resumo: | This paper aims to discuss the materialization of thepresence of british royalty from the sixteenth century in the series of photographs entitled Portraits by Japanese photographer Hiroshi Sugimoto. Photographer’s own words, paradigms of photographic discourse and characteristics of photography inter-relate to the particularities of Japanese culture. The text departs from traditional photographic discourse that pervades the representation of portraits,drawn mainly from the writings of Roland Barthes. It is preciselyrepresentation through portraits that represent one of majorparadigms of realistic nature of photography. Realism discourseseems to extrapolate Sugimoto’s photography to include engravings and paintings based on figurative tradition of the British royalty. The conclusion points out that Sugimoto’s portraits are structured as an ironic counterpoint to the belief of reproductive realism in the photographic image. |
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Portraits of Hiroshi Sugimoto: about realism and portraitsPortraits de Hiroshi Sugimoto: sobre realismo e retratosHiroshi SugimotoPhotographyRealismPortraits.Análise Fotográfica. Hiroshi Sugimoto - Fotógrafo. Realismo. Retrato.This paper aims to discuss the materialization of thepresence of british royalty from the sixteenth century in the series of photographs entitled Portraits by Japanese photographer Hiroshi Sugimoto. Photographer’s own words, paradigms of photographic discourse and characteristics of photography inter-relate to the particularities of Japanese culture. The text departs from traditional photographic discourse that pervades the representation of portraits,drawn mainly from the writings of Roland Barthes. It is preciselyrepresentation through portraits that represent one of majorparadigms of realistic nature of photography. Realism discourseseems to extrapolate Sugimoto’s photography to include engravings and paintings based on figurative tradition of the British royalty. The conclusion points out that Sugimoto’s portraits are structured as an ironic counterpoint to the belief of reproductive realism in the photographic image.Este texto tem como objetivo discutir a materialização dapresença de personagens da realeza britânica do século XVI na série de fotografias Portraits de autoria do fotógrafo japonês Hiroshi Sugimoto. Considerações do próprio fotógrafo sobre as obras, paradigmas do discurso fotográfico e características da fotografia inter-relacionam-se com particularidades da cultura japonesa. Partese de uma tradição conceitual do discurso fotográfico, que permeia a representação de retratos estabelecida, sobretudo, a partir dos escritos de Roland Barthes. É justamente no retrato que se enxerga um dos maiores paradigmas da natureza realista da fotografia. O discurso do realismo parece extrapolar as fotografias de Sugimoto para também incluir gravuras e pinturas de tradição figurativa da realeza britânica. Na conclusão aponta-se que os retratos de Sugimoto estruturam-se enquanto um contraponto irônico à crença arraigada no realismo reprodutivo da imagem fotográfica.Universidade Estadual de Londrina2012-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresAnálise teóricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1059310.5433/1984-7939.2012v8n13p93Discursos Fotograficos; v. 8 n. 13 (2012); 93-1081984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/10593/11292Almeida, Angela Prada deinfo:eu-repo/semantics/openAccess2017-02-14T17:33:57Zoai:ojs.pkp.sfu.ca:article/10593Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-02-14T17:33:57Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Portraits of Hiroshi Sugimoto: about realism and portraits Portraits de Hiroshi Sugimoto: sobre realismo e retratos |
title |
Portraits of Hiroshi Sugimoto: about realism and portraits |
spellingShingle |
Portraits of Hiroshi Sugimoto: about realism and portraits Almeida, Angela Prada de Hiroshi Sugimoto Photography Realism Portraits. Análise Fotográfica. Hiroshi Sugimoto - Fotógrafo. Realismo. Retrato. |
title_short |
Portraits of Hiroshi Sugimoto: about realism and portraits |
title_full |
Portraits of Hiroshi Sugimoto: about realism and portraits |
title_fullStr |
Portraits of Hiroshi Sugimoto: about realism and portraits |
title_full_unstemmed |
Portraits of Hiroshi Sugimoto: about realism and portraits |
title_sort |
Portraits of Hiroshi Sugimoto: about realism and portraits |
author |
Almeida, Angela Prada de |
author_facet |
Almeida, Angela Prada de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Almeida, Angela Prada de |
dc.subject.por.fl_str_mv |
Hiroshi Sugimoto Photography Realism Portraits. Análise Fotográfica. Hiroshi Sugimoto - Fotógrafo. Realismo. Retrato. |
topic |
Hiroshi Sugimoto Photography Realism Portraits. Análise Fotográfica. Hiroshi Sugimoto - Fotógrafo. Realismo. Retrato. |
description |
This paper aims to discuss the materialization of thepresence of british royalty from the sixteenth century in the series of photographs entitled Portraits by Japanese photographer Hiroshi Sugimoto. Photographer’s own words, paradigms of photographic discourse and characteristics of photography inter-relate to the particularities of Japanese culture. The text departs from traditional photographic discourse that pervades the representation of portraits,drawn mainly from the writings of Roland Barthes. It is preciselyrepresentation through portraits that represent one of majorparadigms of realistic nature of photography. Realism discourseseems to extrapolate Sugimoto’s photography to include engravings and paintings based on figurative tradition of the British royalty. The conclusion points out that Sugimoto’s portraits are structured as an ironic counterpoint to the belief of reproductive realism in the photographic image. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares Análise teórica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/10593 10.5433/1984-7939.2012v8n13p93 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/10593 |
identifier_str_mv |
10.5433/1984-7939.2012v8n13p93 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/10593/11292 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 8 n. 13 (2012); 93-108 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315408991289345 |