From 1965 up until now: telling Opalka’s time in painting and in photography

Detalhes bibliográficos
Autor(a) principal: Abreu, Elane
Data de Publicação: 2009
Outros Autores: Velasco, Nina
Tipo de documento: Artigo
Idioma: por
Título da fonte: Discursos Fotográficos
DOI: 10.5433/1984-7939.2009v5n6p77
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2935
Resumo: We pursued the project of artist Roman Opalka through evidences of his creative process which is accomplished on numerically tagged paintings and daily photographs of his own face. This article focuses Opalka’s (1965/1-”) canvases and pictures as an expression of time as a procedural, flowing and irreversible element, by differentiating it of the cross time (mémoire invonlontaire) as suggested in Marcel Proust. Each painting or photograph in his artwork correspond to a chronologically counted time, repeated, persistent, and not open to occasional stops.
id UEL-4_b8a4c364cea47cfb3a8394d22505941f
oai_identifier_str oai:ojs.pkp.sfu.ca:article/2935
network_acronym_str UEL-4
network_name_str Discursos Fotográficos
spelling From 1965 up until now: telling Opalka’s time in painting and in photographyDe 1965 para cá: contando o tempo de Opalka na pintura e na fotografiaRoman OpalkaPaintingPhotographyTimeMemory.Artes. Roman Opalka – Artista Plástico. Pintura. Memória.We pursued the project of artist Roman Opalka through evidences of his creative process which is accomplished on numerically tagged paintings and daily photographs of his own face. This article focuses Opalka’s (1965/1-”) canvases and pictures as an expression of time as a procedural, flowing and irreversible element, by differentiating it of the cross time (mémoire invonlontaire) as suggested in Marcel Proust. Each painting or photograph in his artwork correspond to a chronologically counted time, repeated, persistent, and not open to occasional stops.Perseguimos o projeto do artista Roman Opalka por meio dos indícios de seu processo de criação, que se materializa em telas numericamente pintadas e fotografias diárias do seu rosto. Este artigo destaca a obra Opalka (1965/1-”) como expressão do tempo de caráter processual, contínuo e irreversível, diferenciando-a do tempo entrecruzado (o da mémoire involontaire), evidenciado por Marcel Proust. Cada quadro ou fotografia da obra corresponde ao tempo cronologicamente contado, repetido, persistente, e não favorável às interrupções ocasionais.Universidade Estadual de Londrina2009-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/293510.5433/1984-7939.2009v5n6p77Discursos Fotograficos; v. 5 n. 6 (2009); 77-981984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2935/2486Abreu, ElaneVelasco, Ninainfo:eu-repo/semantics/openAccess2017-07-13T17:46:02Zoai:ojs.pkp.sfu.ca:article/2935Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-07-13T17:46:02Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv From 1965 up until now: telling Opalka’s time in painting and in photography
De 1965 para cá: contando o tempo de Opalka na pintura e na fotografia
title From 1965 up until now: telling Opalka’s time in painting and in photography
spellingShingle From 1965 up until now: telling Opalka’s time in painting and in photography
From 1965 up until now: telling Opalka’s time in painting and in photography
Abreu, Elane
Roman Opalka
Painting
Photography
Time
Memory.
Artes. Roman Opalka – Artista Plástico. Pintura. Memória.
Abreu, Elane
Roman Opalka
Painting
Photography
Time
Memory.
Artes. Roman Opalka – Artista Plástico. Pintura. Memória.
title_short From 1965 up until now: telling Opalka’s time in painting and in photography
title_full From 1965 up until now: telling Opalka’s time in painting and in photography
title_fullStr From 1965 up until now: telling Opalka’s time in painting and in photography
From 1965 up until now: telling Opalka’s time in painting and in photography
title_full_unstemmed From 1965 up until now: telling Opalka’s time in painting and in photography
From 1965 up until now: telling Opalka’s time in painting and in photography
title_sort From 1965 up until now: telling Opalka’s time in painting and in photography
author Abreu, Elane
author_facet Abreu, Elane
Abreu, Elane
Velasco, Nina
Velasco, Nina
author_role author
author2 Velasco, Nina
author2_role author
dc.contributor.author.fl_str_mv Abreu, Elane
Velasco, Nina
dc.subject.por.fl_str_mv Roman Opalka
Painting
Photography
Time
Memory.
Artes. Roman Opalka – Artista Plástico. Pintura. Memória.
topic Roman Opalka
Painting
Photography
Time
Memory.
Artes. Roman Opalka – Artista Plástico. Pintura. Memória.
description We pursued the project of artist Roman Opalka through evidences of his creative process which is accomplished on numerically tagged paintings and daily photographs of his own face. This article focuses Opalka’s (1965/1-”) canvases and pictures as an expression of time as a procedural, flowing and irreversible element, by differentiating it of the cross time (mémoire invonlontaire) as suggested in Marcel Proust. Each painting or photograph in his artwork correspond to a chronologically counted time, repeated, persistent, and not open to occasional stops.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2935
10.5433/1984-7939.2009v5n6p77
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2935
identifier_str_mv 10.5433/1984-7939.2009v5n6p77
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2935/2486
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 5 n. 6 (2009); 77-98
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
_version_ 1822182721683718145
dc.identifier.doi.none.fl_str_mv 10.5433/1984-7939.2009v5n6p77

Registros relacionados