The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/11937 |
Resumo: | Since the beginning of time, the image has been present in our lives, taking up different functions. Throughout history, production and support techniques have changed and the image has gained more power to a point where, in some moments, it substitutes texts and drives opinion making. Therefore, the objective of this work is to analyze the visual elements found on the covers of Veja, Isto É and Época on the Isabela Nardoni’s case, verifying the significance of the image for the construction of narratives surrounding the facts. The theoretical and conceptual background used in the analysis is based on two authors: Harry Pross, who, through his signs relational theory, searches for the visual readings of several cultural texts by an axes interpretation (insideoutside, above-below, bright-dark). The other author, Ivan Bystrina, one of the main thinkers in Culture Semiotics, like Pross, understands the perception by axes, or poles, stressing that the negative always attracts more attention, emphasizing that these characteristics are based on archaic values still ingrained in man. In this work, it was possible to see, through the exposed references, significant elements for the visual construction of the narrative of a crime on magazine covers. |
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The imagetic construction of a crime: analysis of magazine covers on the case of Isabella NardoniA construção imagética de um crime: análise das capas de revistas sobre o caso Isabella NardoniImageSignificanceMagazinesCultureCulture semiotics.Teses e Dissertações. Semiótica da Cultura. Significação. Revistas Jornalísticas.Since the beginning of time, the image has been present in our lives, taking up different functions. Throughout history, production and support techniques have changed and the image has gained more power to a point where, in some moments, it substitutes texts and drives opinion making. Therefore, the objective of this work is to analyze the visual elements found on the covers of Veja, Isto É and Época on the Isabela Nardoni’s case, verifying the significance of the image for the construction of narratives surrounding the facts. The theoretical and conceptual background used in the analysis is based on two authors: Harry Pross, who, through his signs relational theory, searches for the visual readings of several cultural texts by an axes interpretation (insideoutside, above-below, bright-dark). The other author, Ivan Bystrina, one of the main thinkers in Culture Semiotics, like Pross, understands the perception by axes, or poles, stressing that the negative always attracts more attention, emphasizing that these characteristics are based on archaic values still ingrained in man. In this work, it was possible to see, through the exposed references, significant elements for the visual construction of the narrative of a crime on magazine covers.Desde nossos primórdios, a imagem esteve presente assumindo diferentes funções no tempo. Ao longo da história, as técnicas de produção e suportes se modificam e a imagem ganha um espaço cada vez maior a ponto de, em determinados momentos, substituir os próprios textos e direcionar a formação de opiniões. Assim objetivou-se analisar os elementos visuais presentes nas capas das revistas Veja, Isto É e Época, referentes ao caso Isabella Nardoni, anotando a significação da imagem para uma construçãode narrativas em torno dos fatos. O embasamento teórico e conceitual utilizado na realização das análises segue o pensamento de dois autores, sendo o primeiro Harry Pross que, através de sua teoria relacional dos signos busca por meio da interpretação dos eixos (dentro-fora, acima-abaixo, claroescuro), permite leituras visuais em diversos textos culturais. Outro autor que dá base para as análises é Ivan Bystrina, sendo este um dos principais pensadores da Semiótica da Cultura, e assim como Pross, tambémcompreende a percepção por eixos, ou polos, enfatizando que o negativo sempre acaba por atrair mais a atenção, destacando que essas características são baseadas em valores arcaicos ainda presentes no homem. Neste trabalho, foi possível perceber, por meio dos referencias expostos, elementos de significância para a construção visual da narrativa de um crime nas capas de revista.Universidade Estadual de Londrina2012-05-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo não avaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1193710.5433/1984-7939.2012v8n12p255Discursos Fotograficos; v. 8 n. 12 (2012); 255-2561984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/11937/10528Piana, Andréa Gamainfo:eu-repo/semantics/openAccess2017-08-22T18:52:12Zoai:ojs.pkp.sfu.ca:article/11937Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-08-22T18:52:12Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni A construção imagética de um crime: análise das capas de revistas sobre o caso Isabella Nardoni |
title |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni |
spellingShingle |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni Piana, Andréa Gama Image Significance Magazines Culture Culture semiotics. Teses e Dissertações. Semiótica da Cultura. Significação. Revistas Jornalísticas. |
title_short |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni |
title_full |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni |
title_fullStr |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni |
title_full_unstemmed |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni |
title_sort |
The imagetic construction of a crime: analysis of magazine covers on the case of Isabella Nardoni |
author |
Piana, Andréa Gama |
author_facet |
Piana, Andréa Gama |
author_role |
author |
dc.contributor.author.fl_str_mv |
Piana, Andréa Gama |
dc.subject.por.fl_str_mv |
Image Significance Magazines Culture Culture semiotics. Teses e Dissertações. Semiótica da Cultura. Significação. Revistas Jornalísticas. |
topic |
Image Significance Magazines Culture Culture semiotics. Teses e Dissertações. Semiótica da Cultura. Significação. Revistas Jornalísticas. |
description |
Since the beginning of time, the image has been present in our lives, taking up different functions. Throughout history, production and support techniques have changed and the image has gained more power to a point where, in some moments, it substitutes texts and drives opinion making. Therefore, the objective of this work is to analyze the visual elements found on the covers of Veja, Isto É and Época on the Isabela Nardoni’s case, verifying the significance of the image for the construction of narratives surrounding the facts. The theoretical and conceptual background used in the analysis is based on two authors: Harry Pross, who, through his signs relational theory, searches for the visual readings of several cultural texts by an axes interpretation (insideoutside, above-below, bright-dark). The other author, Ivan Bystrina, one of the main thinkers in Culture Semiotics, like Pross, understands the perception by axes, or poles, stressing that the negative always attracts more attention, emphasizing that these characteristics are based on archaic values still ingrained in man. In this work, it was possible to see, through the exposed references, significant elements for the visual construction of the narrative of a crime on magazine covers. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-05-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo não avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/11937 10.5433/1984-7939.2012v8n12p255 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/11937 |
identifier_str_mv |
10.5433/1984-7939.2012v8n12p255 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/11937/10528 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 8 n. 12 (2012); 255-256 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315409013309440 |