The transformation of gender visualization in photography: Soviet and Russian multisemiotics

Detalhes bibliográficos
Autor(a) principal: Pavenkov, Oleg
Data de Publicação: 2018
Outros Autores: Rubtsova, Maria, Shmelev, Ilya
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/27893
Resumo: The article is devoted to the analysis of the construction of new system of gender images in the socio-political conditions in Russia during last thirty ages. Based on Kress and Van Leeuwen multisemiotic theory and the ideas A. Dudareva, I. Groshev and M. Petrova we conducted research of gender images of women in the Soviet Union and modern Russian advertising. The data comes from 300 images of the Russian men and women in advertising. 300 images were specifically chosen by the author in order to be acceptable for coding. As the result of the study we developed the typology of gender images of woman in Russian advertisement. We made conclusion that economic, political and socio-cultural factors were the main factors in the transformation of gender images in modern Russia. The gender of a woman, her body and figures demonstrated in the media, very often was object of sexual exploitation, when the impact of using the image and play with human sexual passion forces him to commit certain actions, such as buying goods. This characteristic of our commercialization of gender images makes a person, both men and women, into a commodity. Gender is transforming into the object that can be purchased and can be enjoyed.
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spelling The transformation of gender visualization in photography: Soviet and Russian multisemioticsThe article is devoted to the analysis of the construction of new system of gender images in the socio-political conditions in Russia during last thirty ages. Based on Kress and Van Leeuwen multisemiotic theory and the ideas A. Dudareva, I. Groshev and M. Petrova we conducted research of gender images of women in the Soviet Union and modern Russian advertising. The data comes from 300 images of the Russian men and women in advertising. 300 images were specifically chosen by the author in order to be acceptable for coding. As the result of the study we developed the typology of gender images of woman in Russian advertisement. We made conclusion that economic, political and socio-cultural factors were the main factors in the transformation of gender images in modern Russia. The gender of a woman, her body and figures demonstrated in the media, very often was object of sexual exploitation, when the impact of using the image and play with human sexual passion forces him to commit certain actions, such as buying goods. This characteristic of our commercialization of gender images makes a person, both men and women, into a commodity. Gender is transforming into the object that can be purchased and can be enjoyed.Universidade Estadual de Londrina2018-06-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2789310.5433/1984-7939.2018v14n24p219Discursos Fotograficos; v. 14 n. 24 (2018); 219-2561984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELenghttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/27893/pdfCopyright (c) 2018 Discursos Fotográficosinfo:eu-repo/semantics/openAccessPavenkov, OlegRubtsova, MariaShmelev, Ilya2019-09-15T23:43:04Zoai:ojs.pkp.sfu.ca:article/27893Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2019-09-15T23:43:04Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The transformation of gender visualization in photography: Soviet and Russian multisemiotics
title The transformation of gender visualization in photography: Soviet and Russian multisemiotics
spellingShingle The transformation of gender visualization in photography: Soviet and Russian multisemiotics
Pavenkov, Oleg
title_short The transformation of gender visualization in photography: Soviet and Russian multisemiotics
title_full The transformation of gender visualization in photography: Soviet and Russian multisemiotics
title_fullStr The transformation of gender visualization in photography: Soviet and Russian multisemiotics
title_full_unstemmed The transformation of gender visualization in photography: Soviet and Russian multisemiotics
title_sort The transformation of gender visualization in photography: Soviet and Russian multisemiotics
author Pavenkov, Oleg
author_facet Pavenkov, Oleg
Rubtsova, Maria
Shmelev, Ilya
author_role author
author2 Rubtsova, Maria
Shmelev, Ilya
author2_role author
author
dc.contributor.author.fl_str_mv Pavenkov, Oleg
Rubtsova, Maria
Shmelev, Ilya
description The article is devoted to the analysis of the construction of new system of gender images in the socio-political conditions in Russia during last thirty ages. Based on Kress and Van Leeuwen multisemiotic theory and the ideas A. Dudareva, I. Groshev and M. Petrova we conducted research of gender images of women in the Soviet Union and modern Russian advertising. The data comes from 300 images of the Russian men and women in advertising. 300 images were specifically chosen by the author in order to be acceptable for coding. As the result of the study we developed the typology of gender images of woman in Russian advertisement. We made conclusion that economic, political and socio-cultural factors were the main factors in the transformation of gender images in modern Russia. The gender of a woman, her body and figures demonstrated in the media, very often was object of sexual exploitation, when the impact of using the image and play with human sexual passion forces him to commit certain actions, such as buying goods. This characteristic of our commercialization of gender images makes a person, both men and women, into a commodity. Gender is transforming into the object that can be purchased and can be enjoyed.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/27893
10.5433/1984-7939.2018v14n24p219
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/27893
identifier_str_mv 10.5433/1984-7939.2018v14n24p219
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/27893/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Discursos Fotográficos
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Discursos Fotográficos
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 14 n. 24 (2018); 219-256
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
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