The reconstitution of the meanings of political jingle through semiotics
Autor(a) principal: | |
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Data de Publicação: | 2006 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Entretextos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/14092 |
Resumo: | This research goal, trough greimasiana semiotics theory, to analyze Lula-lá Jingle senses, used during the elections presidential closely fought by Lula. This music style belongs to song genre, combined musical text, formed by verbal and melodic languages. The semiotics theory have three differents levels: Basic, Narrative and Discourse, which are distincts but interrelated among themselves. After that, a inter-semiotcs comparison is made with the results achieved from the inquiry of existing significant contents in these two languages. In this way, are seem the dialogue and arguments presents both of them. Therefore, search to prove that differents genres unity reinforce the manipulation, making the combined texts highly persuasives. |
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The reconstitution of the meanings of political jingle through semioticsA reconstituição dos sentidos do jingle político por meio da semióticaSemioticsCombinedVerbalMusicalSemióticaSincréticosVerbalSonoro musicalThis research goal, trough greimasiana semiotics theory, to analyze Lula-lá Jingle senses, used during the elections presidential closely fought by Lula. This music style belongs to song genre, combined musical text, formed by verbal and melodic languages. The semiotics theory have three differents levels: Basic, Narrative and Discourse, which are distincts but interrelated among themselves. After that, a inter-semiotcs comparison is made with the results achieved from the inquiry of existing significant contents in these two languages. In this way, are seem the dialogue and arguments presents both of them. Therefore, search to prove that differents genres unity reinforce the manipulation, making the combined texts highly persuasives.Esta pesquisa objetiva analisar, por meio da teoria semiótica greimasiana, o percursogerativo de sentido do Jingle Lula-lá, utilizado durante as campanhas eleitorais do presidenteLula. Esse estilo musical faz parte do gênero canção, o qual contempla os textos sincréticosmusicais compostos pelos planos de expressão verbal e sonoro musical. A concepção semióticaconstitui-se de três níveis: Fundamental, Narrativo e Discursivo, os quais são distintos, masinter-relacionados entre si. Realiza-se, posteriormente, uma comparação intersemiótica entre osresultados obtidos através da investigação dos conteúdos significativos presentes nessas duaslinguagens. É verificada, dessa forma, a intertextualidade e o nível argumentativo existente emambas. Procura-se, portanto, comprovar que diferentes estilos unificados reforçam as estratégiasde manipulação, e isso torna o texto sincrético altamente persuasivo.Universidade Estadual de Londrina2006-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/1409210.5433/1519-5392.2006v6n1p86Entretextos; v. 6 n. 1 (2006); 86-1052764-08091519-5392reponame:Revista Entretextosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/14092/11858Copyright (c) 2006 Entretextosinfo:eu-repo/semantics/openAccessSeco, Keity Cassiana2021-05-24T19:13:36Zoai:ojs.pkp.sfu.ca:article/14092Revistahttps://www.uel.br/revistas/uel/index.php/entretextosPUBhttps://www.uel.br/revistas/uel/index.php/entretextos/oai||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br1519-53922764-0809opendoar:2021-05-24T19:13:36Revista Entretextos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The reconstitution of the meanings of political jingle through semiotics A reconstituição dos sentidos do jingle político por meio da semiótica |
title |
The reconstitution of the meanings of political jingle through semiotics |
spellingShingle |
The reconstitution of the meanings of political jingle through semiotics Seco, Keity Cassiana Semiotics Combined Verbal Musical Semiótica Sincréticos Verbal Sonoro musical |
title_short |
The reconstitution of the meanings of political jingle through semiotics |
title_full |
The reconstitution of the meanings of political jingle through semiotics |
title_fullStr |
The reconstitution of the meanings of political jingle through semiotics |
title_full_unstemmed |
The reconstitution of the meanings of political jingle through semiotics |
title_sort |
The reconstitution of the meanings of political jingle through semiotics |
author |
Seco, Keity Cassiana |
author_facet |
Seco, Keity Cassiana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Seco, Keity Cassiana |
dc.subject.por.fl_str_mv |
Semiotics Combined Verbal Musical Semiótica Sincréticos Verbal Sonoro musical |
topic |
Semiotics Combined Verbal Musical Semiótica Sincréticos Verbal Sonoro musical |
description |
This research goal, trough greimasiana semiotics theory, to analyze Lula-lá Jingle senses, used during the elections presidential closely fought by Lula. This music style belongs to song genre, combined musical text, formed by verbal and melodic languages. The semiotics theory have three differents levels: Basic, Narrative and Discourse, which are distincts but interrelated among themselves. After that, a inter-semiotcs comparison is made with the results achieved from the inquiry of existing significant contents in these two languages. In this way, are seem the dialogue and arguments presents both of them. Therefore, search to prove that differents genres unity reinforce the manipulation, making the combined texts highly persuasives. |
publishDate |
2006 |
dc.date.none.fl_str_mv |
2006-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/14092 10.5433/1519-5392.2006v6n1p86 |
url |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/14092 |
identifier_str_mv |
10.5433/1519-5392.2006v6n1p86 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/14092/11858 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2006 Entretextos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2006 Entretextos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Entretextos; v. 6 n. 1 (2006); 86-105 2764-0809 1519-5392 reponame:Revista Entretextos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Revista Entretextos |
collection |
Revista Entretextos |
repository.name.fl_str_mv |
Revista Entretextos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br |
_version_ |
1799315387756576768 |