The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music
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Data de Publicação: | 2016 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Informação & Informação |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/informacao/article/view/19791 |
Resumo: | Introduction: It was discussed how the mediate, logical and formal knowledge of CAPES, represented by its criteria of assessment, has corrobarate for stardardization of intelectual production in the field of arts, in which according to Hessen (2000) it predominates a kind of immediate, informal and intuitive knowledge. Objective: reflecting the referred question, searching to put in evidence the degree of standardization and systematization of intelectual production in three programs of post-graduate belonging to the field of arts/music, assessed by Capes in 2013. Methodology: It was carried out a comparative analysis between the importance given to artistic production and scientific in the field of arts/music and the effective production of three programs studied, published between 2010 and 2012. Results: An analyse of datas revealed that even in the field of arts/music, the programs of post-graduate are still more graded, taking into account the quantity of articles published which is the privileged instrument of immediate, intuitive and creative knowledge. Conclusion: the functioning of post-graduate is rooted in a great deal of formal knowledges, expressed in normative documents, through which the CAPES exercises the power, the discipline and stimulus for making intelectual productions standardized. |
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The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / MusicLa influencia de la CAPES criterios lógicos y formales disciplinar de la producción intelectual en el campo de las Artes / MúsicaA influência dos critérios lógicos e formais da CAPES na disciplinarização da produção intelectual do campo das Artes/MúsicaTheory of KnowledgeDisciplinary PowerScientific FieldIntellectual ProductionEvaluation SystemCAPES.Teoría del ConocimientoEl Poder DisciplinarioCampo CientíficoLa Producción IntelectualSistema de EvaluaciónCAPES.Teoria do ConhecimentoPoder DisciplinarCampo CientíficoProdução IntelectualSistema de AvaliaçãoCAPESIntroduction: It was discussed how the mediate, logical and formal knowledge of CAPES, represented by its criteria of assessment, has corrobarate for stardardization of intelectual production in the field of arts, in which according to Hessen (2000) it predominates a kind of immediate, informal and intuitive knowledge. Objective: reflecting the referred question, searching to put in evidence the degree of standardization and systematization of intelectual production in three programs of post-graduate belonging to the field of arts/music, assessed by Capes in 2013. Methodology: It was carried out a comparative analysis between the importance given to artistic production and scientific in the field of arts/music and the effective production of three programs studied, published between 2010 and 2012. Results: An analyse of datas revealed that even in the field of arts/music, the programs of post-graduate are still more graded, taking into account the quantity of articles published which is the privileged instrument of immediate, intuitive and creative knowledge. Conclusion: the functioning of post-graduate is rooted in a great deal of formal knowledges, expressed in normative documents, through which the CAPES exercises the power, the discipline and stimulus for making intelectual productions standardized.Introducción: Se discute cómo el conocimiento mediado, CAPES lógicos y formales, representado por sus criterios de evaluación, ha confirmado a la normalización de la producción intelectual en el campo de las artes, donde como Hesse (2000), prevalece un tipo de conocimiento inmediata, informal e intuitiva. Objetivo: Para reflejar esa pregunta, hemos tratado de poner de relieve el grado de estandarización y sistematización de la producción intelectual en tres programas de postgrado que pertenece al campo de las Artes / Música, evaluado por la Capes en 2013. Metodología: Con el fin de satisfacer el objetivo formulado, no hubo un análisis comparativo de los pesos asignados a la producción artística y científica en el campo de las Artes / Música y la producción real de los tres programas estudiados, publicada entre los resultados de 2010 y 2012. Resultados: los resultados revelaron que, incluso en el campo de la arte / música, programas de post-grado son todavía goleadores, teniendo en cuenta el número de artículos científicos publicados, instrumento privilegiado del conocimiento mediada, lógico y formal, en detrimento de las producciones artísticas, poseen conocimiento inmediato e intuitivo y creativo. Conclusión: Se concluye que la operación de la Graduate tiene sus raíces en un conjunto de conocimientos formales, expresado en los documentos normativos, a través del cual cabos ejercer el poder, la disciplina y el estímulo para hacer las producciones intelectuales estandarizadas.Introdução: Discute-se como o conhecimento mediato, lógico e formal da CAPES, representado pelos seus critérios de avaliação, tem corroborado para a padronização da produção intelectual no campo das Artes, no qual, conforme Hessen (2000), predomina um tipo de conhecimento imediato, informal e intuitivo.Objetivo: Refletir a referida questão, buscando-se evidenciar o grau de padronização e sistematização da produção intelectual em três programas de Pós-graduação pertencentes ao campo das Artes/Música, avaliados pela Capes, em 2013.Metodologia: Realizou-se uma análise comparativa entre os pesos atribuídos à produção artística e científica no campo das Artes/Música e a efetiva produção dos três programas estudados, publicada entre 2010 e 2012.Resultados: A análise dos dados revelou que mesmo no campo das Artes/Música, os programas de Pós-graduação ainda são mais pontuados, levando-se em conta a quantidade de artigos científicos publicados que é o instrumento privilegiado do conhecimento mediato, lógico e formal, em detrimento das produções artísticas, próprias do conhecimento imediato, intuitivo e criativo.Conclusão: O funcionamento da Pós-graduação está alicerçado em um conjunto de conhecimentos formais, expressos em documentos normativos, através dos quais a CAPES exerce o poder, a disciplina e o estímulo para tornar padronizadas as produções intelectuais.Universidade Estadual de Londrina2016-06-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/informacao/article/view/1979110.5433/1981-8920.2016v21n1p159Informação & Informação; v. 21 n. 1 (2016); 159-1841981-8920reponame:Informação & Informaçãoinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/informacao/article/view/19791/18992Copyright (c) 2021 Informação & Informaçãoinfo:eu-repo/semantics/openAccessCafé, AndersonRibeiro, Núbia MouraPonczek, Roberto Leon2021-07-15T20:17:04Zoai:ojs.pkp.sfu.ca:article/19791Revistahttps://www.uel.br/revistas/uel/index.php/informacao/indexPUBhttps://www.uel.br/revistas/uel/index.php/informacao/oai||infoeinfo@uel.br10.5433/1981-89201981-89201414-2139opendoar:2021-07-15T20:17:04Informação & Informação - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music La influencia de la CAPES criterios lógicos y formales disciplinar de la producción intelectual en el campo de las Artes / Música A influência dos critérios lógicos e formais da CAPES na disciplinarização da produção intelectual do campo das Artes/Música |
title |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music |
spellingShingle |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music Café, Anderson Theory of Knowledge Disciplinary Power Scientific Field Intellectual Production Evaluation System CAPES. Teoría del Conocimiento El Poder Disciplinario Campo Científico La Producción Intelectual Sistema de Evaluación CAPES. Teoria do Conhecimento Poder Disciplinar Campo Científico Produção Intelectual Sistema de Avaliação CAPES |
title_short |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music |
title_full |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music |
title_fullStr |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music |
title_full_unstemmed |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music |
title_sort |
The influence of logical and formal criteria CAPES disciplining of intellectual production in the field of Arts / Music |
author |
Café, Anderson |
author_facet |
Café, Anderson Ribeiro, Núbia Moura Ponczek, Roberto Leon |
author_role |
author |
author2 |
Ribeiro, Núbia Moura Ponczek, Roberto Leon |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Café, Anderson Ribeiro, Núbia Moura Ponczek, Roberto Leon |
dc.subject.por.fl_str_mv |
Theory of Knowledge Disciplinary Power Scientific Field Intellectual Production Evaluation System CAPES. Teoría del Conocimiento El Poder Disciplinario Campo Científico La Producción Intelectual Sistema de Evaluación CAPES. Teoria do Conhecimento Poder Disciplinar Campo Científico Produção Intelectual Sistema de Avaliação CAPES |
topic |
Theory of Knowledge Disciplinary Power Scientific Field Intellectual Production Evaluation System CAPES. Teoría del Conocimiento El Poder Disciplinario Campo Científico La Producción Intelectual Sistema de Evaluación CAPES. Teoria do Conhecimento Poder Disciplinar Campo Científico Produção Intelectual Sistema de Avaliação CAPES |
description |
Introduction: It was discussed how the mediate, logical and formal knowledge of CAPES, represented by its criteria of assessment, has corrobarate for stardardization of intelectual production in the field of arts, in which according to Hessen (2000) it predominates a kind of immediate, informal and intuitive knowledge. Objective: reflecting the referred question, searching to put in evidence the degree of standardization and systematization of intelectual production in three programs of post-graduate belonging to the field of arts/music, assessed by Capes in 2013. Methodology: It was carried out a comparative analysis between the importance given to artistic production and scientific in the field of arts/music and the effective production of three programs studied, published between 2010 and 2012. Results: An analyse of datas revealed that even in the field of arts/music, the programs of post-graduate are still more graded, taking into account the quantity of articles published which is the privileged instrument of immediate, intuitive and creative knowledge. Conclusion: the functioning of post-graduate is rooted in a great deal of formal knowledges, expressed in normative documents, through which the CAPES exercises the power, the discipline and stimulus for making intelectual productions standardized. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-06-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/informacao/article/view/19791 10.5433/1981-8920.2016v21n1p159 |
url |
https://ojs.uel.br/revistas/uel/index.php/informacao/article/view/19791 |
identifier_str_mv |
10.5433/1981-8920.2016v21n1p159 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/informacao/article/view/19791/18992 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Informação & Informação info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Informação & Informação |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Informação & Informação; v. 21 n. 1 (2016); 159-184 1981-8920 reponame:Informação & Informação instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Informação & Informação |
collection |
Informação & Informação |
repository.name.fl_str_mv |
Informação & Informação - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||infoeinfo@uel.br |
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1799305983848087552 |