Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes

Detalhes bibliográficos
Autor(a) principal: Leites, Amália Cardona
Data de Publicação: 2022
Outros Autores: Dalcin, Camila
Tipo de documento: Artigo
Idioma: por
Título da fonte: Acta Scientiarum. Language and Culture (Online)
Texto Completo: http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/59758
Resumo: In this article we explore the short stories of Redemoinho em dia quente (2019) by Jarid Arraes to recognize the decolonial voices that inhabit the narratives and echo resistance to the daily violence experienced by being a woman. We will pay special attention to three stories: ‘Cinco mil litros’; ‘Telhado quebrado com gente morando dentro’ e ‘Gesso’. These narratives were chosen because they share resilience as a way of survival among women who subvert their destinies by not accepting physical, sexual and financial abuses and who, therefore, do not allow themselves to be colonized. Also essential to this work is the recognition of the importance of voices such as Arraes’s, a black northeastern woman in the contemporary literary scene. Jarid's voice stands out above all, for her position and understanding of her political work through her literature. Among the possible conclusions, the most urgent is the need for more and more voices such as Jarid Arraes to occupy the literary field and take over the Brazilian fictional scene: women who make literature with the wounds they carry on their bodies, and with the marks of their ancestry, conquer new spaces.
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spelling Female decolonial voices in Redemoinho em dia quente, from Jarid ArraesVozes femininas decoloniais em Redemoinho em dia Quente, de Jarid Arraes contemporary Brazilian literature; decolonial feminism; gender violence; Jarid Arraes.feminismo decolonial; Jarid Arraes; literatura brasileira contemporânea; violência de gênero.In this article we explore the short stories of Redemoinho em dia quente (2019) by Jarid Arraes to recognize the decolonial voices that inhabit the narratives and echo resistance to the daily violence experienced by being a woman. We will pay special attention to three stories: ‘Cinco mil litros’; ‘Telhado quebrado com gente morando dentro’ e ‘Gesso’. These narratives were chosen because they share resilience as a way of survival among women who subvert their destinies by not accepting physical, sexual and financial abuses and who, therefore, do not allow themselves to be colonized. Also essential to this work is the recognition of the importance of voices such as Arraes’s, a black northeastern woman in the contemporary literary scene. Jarid's voice stands out above all, for her position and understanding of her political work through her literature. Among the possible conclusions, the most urgent is the need for more and more voices such as Jarid Arraes to occupy the literary field and take over the Brazilian fictional scene: women who make literature with the wounds they carry on their bodies, and with the marks of their ancestry, conquer new spaces.Neste artigo desnudamos os contos de Redemoinho em dia quente (2019), de Jarid Arraes para reconhecermos as vozes decolonias que habitam as narrativas e ecoam resistência às violências cotidianas vivenciadas pelo ser mulher. Daremos especial atenção a três contos: ‘Cinco mil litros’; ‘Telhado quebrado com gente morando dentro’ e ‘Gesso’. Estes contos foram escolhidos porque compartilham a resiliência como modo de sobrevivência entre mulheres que subvertem seus destinos ao não aceitarem os abusos físicos, sexuais e financeiros e que, portanto, não se permitem colonizar.  Também é fundamental a este trabalho o reconhecimento da importância de vozes como a de Arraes, mulher, negra e nordestina no cenário literário contemporâneo. A voz de Jarid destaca-se, sobretudo, por sua tomada de posição e entendimento do seu fazer político através da sua literatura. Dentre as conclusões possíveis, a mais urgente é a necessidade de que cada vez mais vozes como a de Jarid Arraes ocupem o campo literário e tomem a cena ficcional brasileira: mulheres que fazem literatura com as feridas que carregam nos seus corpos e que com as marcas de suas ancestralidades, conquistam novos espaços.Universidade Estadual De Maringá2022-03-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/5975810.4025/actascilangcult.v44i1.59758Acta Scientiarum. Language and Culture; Vol 44 No 1 (2022): Jan.-June; e59758Acta Scientiarum. Language and Culture; v. 44 n. 1 (2022): Jan.-June; e597581983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/59758/751375153875Copyright (c) 2022 Acta Scientiarum. Language and Culturehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLeites, Amália Cardona Dalcin, Camila2022-04-01T17:45:37Zoai:periodicos.uem.br/ojs:article/59758Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-04-01T17:45:37Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false
dc.title.none.fl_str_mv Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
Vozes femininas decoloniais em Redemoinho em dia Quente, de Jarid Arraes
title Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
spellingShingle Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
Leites, Amália Cardona
contemporary Brazilian literature; decolonial feminism; gender violence; Jarid Arraes.
feminismo decolonial; Jarid Arraes; literatura brasileira contemporânea; violência de gênero.
title_short Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
title_full Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
title_fullStr Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
title_full_unstemmed Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
title_sort Female decolonial voices in Redemoinho em dia quente, from Jarid Arraes
author Leites, Amália Cardona
author_facet Leites, Amália Cardona
Dalcin, Camila
author_role author
author2 Dalcin, Camila
author2_role author
dc.contributor.author.fl_str_mv Leites, Amália Cardona
Dalcin, Camila
dc.subject.por.fl_str_mv contemporary Brazilian literature; decolonial feminism; gender violence; Jarid Arraes.
feminismo decolonial; Jarid Arraes; literatura brasileira contemporânea; violência de gênero.
topic contemporary Brazilian literature; decolonial feminism; gender violence; Jarid Arraes.
feminismo decolonial; Jarid Arraes; literatura brasileira contemporânea; violência de gênero.
description In this article we explore the short stories of Redemoinho em dia quente (2019) by Jarid Arraes to recognize the decolonial voices that inhabit the narratives and echo resistance to the daily violence experienced by being a woman. We will pay special attention to three stories: ‘Cinco mil litros’; ‘Telhado quebrado com gente morando dentro’ e ‘Gesso’. These narratives were chosen because they share resilience as a way of survival among women who subvert their destinies by not accepting physical, sexual and financial abuses and who, therefore, do not allow themselves to be colonized. Also essential to this work is the recognition of the importance of voices such as Arraes’s, a black northeastern woman in the contemporary literary scene. Jarid's voice stands out above all, for her position and understanding of her political work through her literature. Among the possible conclusions, the most urgent is the need for more and more voices such as Jarid Arraes to occupy the literary field and take over the Brazilian fictional scene: women who make literature with the wounds they carry on their bodies, and with the marks of their ancestry, conquer new spaces.
publishDate 2022
dc.date.none.fl_str_mv 2022-03-14
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dc.identifier.uri.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/59758
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url http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/59758
identifier_str_mv 10.4025/actascilangcult.v44i1.59758
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/59758/751375153875
dc.rights.driver.fl_str_mv Copyright (c) 2022 Acta Scientiarum. Language and Culture
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Acta Scientiarum. Language and Culture
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual De Maringá
publisher.none.fl_str_mv Universidade Estadual De Maringá
dc.source.none.fl_str_mv Acta Scientiarum. Language and Culture; Vol 44 No 1 (2022): Jan.-June; e59758
Acta Scientiarum. Language and Culture; v. 44 n. 1 (2022): Jan.-June; e59758
1983-4683
1983-4675
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