The disguised prince in Gil Vicente’s novelistic theater
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Acta Scientiarum. Language and Culture (Online) |
Texto Completo: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31343 |
Resumo: | From 1521, Gil Vicente renounces his religious theater to dedicate himself to profane and allegorical motifs, beginning a new stage in his career. Moved by the perusal of chivalric romances that spread throughout the Peninsula, the dramatist composed a series of at least four pieces dedicated to D. João III, in which the central (or circumstantial) motif is the disguise of a prince in the lower classes, along with the following disclosure of his noble nature. Analyzing a specific corpus of the Vicentian theater (the pieces Rubena, Viúvo, Amadis de Gaula and Dom Duardos), the present paper tries to explain the historical motifs that permeate the theme of the ‘disguised prince’, considering the program of eulogy of the monarchy proposed by Gil Vicente, as well as an analysis of the nature of the humanist love spread by 16th century poets and philosophers. The disguise in the lower classes reveals the aristocratic essence of the courtesan, but also the ritualistic experience in the trajectory of the spiritualized love. |
id |
UEM-2_54a9e5a1ee5cda4de98569a2f721ad26 |
---|---|
oai_identifier_str |
oai:periodicos.uem.br/ojs:article/31343 |
network_acronym_str |
UEM-2 |
network_name_str |
Acta Scientiarum. Language and Culture (Online) |
repository_id_str |
|
spelling |
The disguised prince in Gil Vicente’s novelistic theaterO príncipe disfarçado no teatro romanesco de Gil Vicentecourt theaterhumanismchivalric romancesPortuguese Renaissance.teatro de cortehumanismoromances de cavalariaRenascimento Português.Teatro de Gil Vicente From 1521, Gil Vicente renounces his religious theater to dedicate himself to profane and allegorical motifs, beginning a new stage in his career. Moved by the perusal of chivalric romances that spread throughout the Peninsula, the dramatist composed a series of at least four pieces dedicated to D. João III, in which the central (or circumstantial) motif is the disguise of a prince in the lower classes, along with the following disclosure of his noble nature. Analyzing a specific corpus of the Vicentian theater (the pieces Rubena, Viúvo, Amadis de Gaula and Dom Duardos), the present paper tries to explain the historical motifs that permeate the theme of the ‘disguised prince’, considering the program of eulogy of the monarchy proposed by Gil Vicente, as well as an analysis of the nature of the humanist love spread by 16th century poets and philosophers. The disguise in the lower classes reveals the aristocratic essence of the courtesan, but also the ritualistic experience in the trajectory of the spiritualized love. A partir de 1521, Gil Vicente abandona seu teatro devocional, para se dedicar a motivos alegóricos e profanos, inaugurando nova fase em sua carreira. Movido pela leitura dos romances de cavalaria que se espalhavam pela península, o dramaturgo compôs uma série de pelo menos quatro peças dedicadas a D. João III, cujo tema central (ou circunstancial) é o disfarce de um príncipe nas classes baixas, junto ao posterior desvelamento de sua natureza nobre. Partindo de um corpus específico do teatro vicentino (as peças Rubena, Viúvo, Amadis de Gaula e Dom Duardos), o presente trabalho busca elucidar os motivos históricos que percorrem o tema do ‘príncipe disfarçado’, considerando o programa de elogio da monarquia, proposto por Gil Vicente, bem como uma análise da natureza do amor humanista, veiculado por poetas e filósofos do quinhentismo. Entende-se que o disfarce nas classes baixas revela a essência aristocrática do cortesão mas também uma experiência ritualística no percurso do amor espiritualizado. Universidade Estadual De Maringá2017-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/3134310.4025/actascilangcult.v39i3.31343Acta Scientiarum. Language and Culture; Vol 39 No 3 (2017); 263-272Acta Scientiarum. Language and Culture; v. 39 n. 3 (2017); 263-2721983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31343/pdfCopyright (c) 2017 Acta Scientiarum. Language and Cultureinfo:eu-repo/semantics/openAccessNepomuceno, Luís André2022-02-17T22:23:39Zoai:periodicos.uem.br/ojs:article/31343Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-02-17T22:23:39Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
The disguised prince in Gil Vicente’s novelistic theater O príncipe disfarçado no teatro romanesco de Gil Vicente |
title |
The disguised prince in Gil Vicente’s novelistic theater |
spellingShingle |
The disguised prince in Gil Vicente’s novelistic theater Nepomuceno, Luís André court theater humanism chivalric romances Portuguese Renaissance. teatro de corte humanismo romances de cavalaria Renascimento Português. Teatro de Gil Vicente |
title_short |
The disguised prince in Gil Vicente’s novelistic theater |
title_full |
The disguised prince in Gil Vicente’s novelistic theater |
title_fullStr |
The disguised prince in Gil Vicente’s novelistic theater |
title_full_unstemmed |
The disguised prince in Gil Vicente’s novelistic theater |
title_sort |
The disguised prince in Gil Vicente’s novelistic theater |
author |
Nepomuceno, Luís André |
author_facet |
Nepomuceno, Luís André |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nepomuceno, Luís André |
dc.subject.por.fl_str_mv |
court theater humanism chivalric romances Portuguese Renaissance. teatro de corte humanismo romances de cavalaria Renascimento Português. Teatro de Gil Vicente |
topic |
court theater humanism chivalric romances Portuguese Renaissance. teatro de corte humanismo romances de cavalaria Renascimento Português. Teatro de Gil Vicente |
description |
From 1521, Gil Vicente renounces his religious theater to dedicate himself to profane and allegorical motifs, beginning a new stage in his career. Moved by the perusal of chivalric romances that spread throughout the Peninsula, the dramatist composed a series of at least four pieces dedicated to D. João III, in which the central (or circumstantial) motif is the disguise of a prince in the lower classes, along with the following disclosure of his noble nature. Analyzing a specific corpus of the Vicentian theater (the pieces Rubena, Viúvo, Amadis de Gaula and Dom Duardos), the present paper tries to explain the historical motifs that permeate the theme of the ‘disguised prince’, considering the program of eulogy of the monarchy proposed by Gil Vicente, as well as an analysis of the nature of the humanist love spread by 16th century poets and philosophers. The disguise in the lower classes reveals the aristocratic essence of the courtesan, but also the ritualistic experience in the trajectory of the spiritualized love. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-07-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31343 10.4025/actascilangcult.v39i3.31343 |
url |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31343 |
identifier_str_mv |
10.4025/actascilangcult.v39i3.31343 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31343/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Acta Scientiarum. Language and Culture info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Acta Scientiarum. Language and Culture |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
dc.source.none.fl_str_mv |
Acta Scientiarum. Language and Culture; Vol 39 No 3 (2017); 263-272 Acta Scientiarum. Language and Culture; v. 39 n. 3 (2017); 263-272 1983-4683 1983-4675 reponame:Acta Scientiarum. Language and Culture (Online) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Acta Scientiarum. Language and Culture (Online) |
collection |
Acta Scientiarum. Language and Culture (Online) |
repository.name.fl_str_mv |
Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||actalan@uem.br |
_version_ |
1799317464282038272 |