Contemporary study on the tradition of japanese haiku
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Acta Scientiarum. Language and Culture (Online) |
Texto Completo: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/34726 |
Resumo: | The article investigates how demands for plurality, concurrency and nonlinearity typical of contemporary aesthetics may dwell in haiku form and, paradoxically, how haiku, with its peculiar characteristics of composition, competes with such demands of today's world for the arts. The study illustrates the critical analysis about the literary haiku by Roland Barthes, Alberto Marsicano, Rodolfo Guttilla Wilzig, Paulo Franchetti, Elza Taeko Doi and Regina Weinreich. Correlations and oppositions between the Japanese classics such as Basho, Buson, Issa and Shiki, and the more contemporary practitioners of this art, as Paulo Leminski (on the national scene) or Jack Kerouac (in the international scene) are sought. |
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Contemporary study on the tradition of japanese haikuAnálise contemporânea sobre a tradição do haicai japonêstraditional japanese haikubashocontemporary criticism on haiku.haicai tradicional japonêsbashôcrítica contemporânea sobre o haicai.Literatura. The article investigates how demands for plurality, concurrency and nonlinearity typical of contemporary aesthetics may dwell in haiku form and, paradoxically, how haiku, with its peculiar characteristics of composition, competes with such demands of today's world for the arts. The study illustrates the critical analysis about the literary haiku by Roland Barthes, Alberto Marsicano, Rodolfo Guttilla Wilzig, Paulo Franchetti, Elza Taeko Doi and Regina Weinreich. Correlations and oppositions between the Japanese classics such as Basho, Buson, Issa and Shiki, and the more contemporary practitioners of this art, as Paulo Leminski (on the national scene) or Jack Kerouac (in the international scene) are sought. O artigo investiga como demandas por pluralidade, simultaneidade e não linearidade, próprias da estética contemporânea, podem habitar nas formas do haicai e, paradoxalmente, como o haicai, com suas características peculiares de composição, rivaliza com tais demandas do mundo atual nas artes. O estudo ilustra as análises críticas a respeito da modalidade literária haicai por Roland Barthes, Alberto Marsicano, Rodolfo Wilzig Guttilla, Paulo Franchetti, Elza Taeko Doi e Regina Weinreich. Buscam-se correlações e oposições entre os clássicos japoneses, como Bashô, Buson, Issa e Shiki, e os praticantes mais contemporâneos dessa arte, como Paulo Leminski (no cenário nacional), ou Jack Kerouac (no cenário internacional). Universidade Estadual De Maringá2018-02-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionanálise de haicais e textos críticos sobre haicaisapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/3472610.4025/actascilangcult.v40i1.34726Acta Scientiarum. Language and Culture; Vol 40 No 1 (2018): Jan-June; e34726Acta Scientiarum. Language and Culture; v. 40 n. 1 (2018): Jan-June; e347261983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/34726/pdfCopyright (c) 2018 Acta Scientiarum. Language and Cultureinfo:eu-repo/semantics/openAccessPrado, Thiago Martins Caldas2022-02-20T22:26:02Zoai:periodicos.uem.br/ojs:article/34726Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-02-20T22:26:02Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
Contemporary study on the tradition of japanese haiku Análise contemporânea sobre a tradição do haicai japonês |
title |
Contemporary study on the tradition of japanese haiku |
spellingShingle |
Contemporary study on the tradition of japanese haiku Prado, Thiago Martins Caldas traditional japanese haiku basho contemporary criticism on haiku. haicai tradicional japonês bashô crítica contemporânea sobre o haicai. Literatura. |
title_short |
Contemporary study on the tradition of japanese haiku |
title_full |
Contemporary study on the tradition of japanese haiku |
title_fullStr |
Contemporary study on the tradition of japanese haiku |
title_full_unstemmed |
Contemporary study on the tradition of japanese haiku |
title_sort |
Contemporary study on the tradition of japanese haiku |
author |
Prado, Thiago Martins Caldas |
author_facet |
Prado, Thiago Martins Caldas |
author_role |
author |
dc.contributor.author.fl_str_mv |
Prado, Thiago Martins Caldas |
dc.subject.por.fl_str_mv |
traditional japanese haiku basho contemporary criticism on haiku. haicai tradicional japonês bashô crítica contemporânea sobre o haicai. Literatura. |
topic |
traditional japanese haiku basho contemporary criticism on haiku. haicai tradicional japonês bashô crítica contemporânea sobre o haicai. Literatura. |
description |
The article investigates how demands for plurality, concurrency and nonlinearity typical of contemporary aesthetics may dwell in haiku form and, paradoxically, how haiku, with its peculiar characteristics of composition, competes with such demands of today's world for the arts. The study illustrates the critical analysis about the literary haiku by Roland Barthes, Alberto Marsicano, Rodolfo Guttilla Wilzig, Paulo Franchetti, Elza Taeko Doi and Regina Weinreich. Correlations and oppositions between the Japanese classics such as Basho, Buson, Issa and Shiki, and the more contemporary practitioners of this art, as Paulo Leminski (on the national scene) or Jack Kerouac (in the international scene) are sought. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-02-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion análise de haicais e textos críticos sobre haicais |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/34726 10.4025/actascilangcult.v40i1.34726 |
url |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/34726 |
identifier_str_mv |
10.4025/actascilangcult.v40i1.34726 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/34726/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Acta Scientiarum. Language and Culture info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Acta Scientiarum. Language and Culture |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
dc.source.none.fl_str_mv |
Acta Scientiarum. Language and Culture; Vol 40 No 1 (2018): Jan-June; e34726 Acta Scientiarum. Language and Culture; v. 40 n. 1 (2018): Jan-June; e34726 1983-4683 1983-4675 reponame:Acta Scientiarum. Language and Culture (Online) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Acta Scientiarum. Language and Culture (Online) |
collection |
Acta Scientiarum. Language and Culture (Online) |
repository.name.fl_str_mv |
Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||actalan@uem.br |
_version_ |
1799317466181009408 |