Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease

Detalhes bibliográficos
Autor(a) principal: Hermes, Ernani Silverio
Data de Publicação: 2020
Outros Autores: Silva, Denise Almeida
Tipo de documento: Artigo
Idioma: por
Título da fonte: Acta Scientiarum. Language and Culture (Online)
Texto Completo: http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/50923
Resumo: Nigerian writer Chinua Achebe`s novel No longer at ease sharply focuses questions related to post-coloniality, which operate, in the novel, as a marked element in character constitution. Character figuration is, as defined by Reis (2018), the rhetorical, fictional and acting devices which outline the fictional figure; in  No longer at ease these devices deal with the post-colonial element through  cultural dissents between the old metropolis, England, and the former colony, Niger, and through tensions between tradition and modernity as well. Therefore, we propose an analysis of character constitution through the optics of  post-colonial studies, considering cultural differences,  colonialist heritage and character figuration. Theoretical foundation for the implications of post-coloniality in the novel are sought in Bonnici (2012); reference on character construction is based on Forster (1962), Bordini (2006), Brait (2017), and Reis (2018). The analysis developed in articulation with this theoretical framework allows for the conclusion that the novel central character is constituted by the duality triggered by his existential conflicts, and, very especially, the contrast between who he is and who he intended to be in the post-colonial context.
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spelling Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at easeSob o signo pós-colonial: a figuração do personagem em A paz dura pouco, de Chinua Achebecharacter; narrative; post-colonial Literature; Chinua Achebe.Personagem; Narrativa; Literatura Pós-Colonial; Chinua Achebe.Nigerian writer Chinua Achebe`s novel No longer at ease sharply focuses questions related to post-coloniality, which operate, in the novel, as a marked element in character constitution. Character figuration is, as defined by Reis (2018), the rhetorical, fictional and acting devices which outline the fictional figure; in  No longer at ease these devices deal with the post-colonial element through  cultural dissents between the old metropolis, England, and the former colony, Niger, and through tensions between tradition and modernity as well. Therefore, we propose an analysis of character constitution through the optics of  post-colonial studies, considering cultural differences,  colonialist heritage and character figuration. Theoretical foundation for the implications of post-coloniality in the novel are sought in Bonnici (2012); reference on character construction is based on Forster (1962), Bordini (2006), Brait (2017), and Reis (2018). The analysis developed in articulation with this theoretical framework allows for the conclusion that the novel central character is constituted by the duality triggered by his existential conflicts, and, very especially, the contrast between who he is and who he intended to be in the post-colonial context.O romance A paz dura pouco, do escritor nigeriano Chinua Achebe, focaliza, de forma bastante aguda, as questões relacionadas à pós-colonialidade, que, por sua vez, são o elemento balizador da figuração do personagem.  A figuração do personagem, que compreende, segundo Reis (2018), os dispositivos retóricos, ficcionais e acionais que delineiam a figura ficcional, configura-se, na obra em análise, por meio das dissidências culturais entre a antiga metrópole, Inglaterra, e a ex-colônia, Nigéria, bem como as tensões entre a tradição e a modernidade. Assim, propomos uma análise da constituição do personagem pelo viés da teoria pós-colonial considerando as diferenças culturais, fruto do colonialismo, na figuração do personagem. Como aporte teórico, buscamos em Bonnici (2012) base sobre a teoria pós-colonial; e em Forster (1962), Bordini (2006), Brait (2017) e Reis (2018) referencial sobre personagem. A partir das articulações teóricas e da análise desenvolvida, observamos o personagem central do romance como constituído pela dualidade estabelecida por seus conflitos existenciais, muito especialmente o contraste entre o quem é e quem pretendia ser, colocados no contexto pós-colonial.Universidade Estadual De Maringá2020-05-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/5092310.4025/actascilangcult.v42i1.50923Acta Scientiarum. Language and Culture; Vol 42 No 1 (2020): Jan.-June; e50923Acta Scientiarum. Language and Culture; v. 42 n. 1 (2020): Jan.-June; e509231983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/50923/751375150072Copyright (c) 2020 Acta Scientiarum. Language and Culturehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessHermes, Ernani Silverio Silva, Denise Almeida 2022-02-20T22:24:52Zoai:periodicos.uem.br/ojs:article/50923Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-02-20T22:24:52Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false
dc.title.none.fl_str_mv Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
Sob o signo pós-colonial: a figuração do personagem em A paz dura pouco, de Chinua Achebe
title Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
spellingShingle Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
Hermes, Ernani Silverio
character; narrative; post-colonial Literature; Chinua Achebe.
Personagem; Narrativa; Literatura Pós-Colonial; Chinua Achebe.
title_short Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
title_full Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
title_fullStr Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
title_full_unstemmed Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
title_sort Under the postcolonial sign: character figuration in Chinua Achebe’s No longer at ease
author Hermes, Ernani Silverio
author_facet Hermes, Ernani Silverio
Silva, Denise Almeida
author_role author
author2 Silva, Denise Almeida
author2_role author
dc.contributor.author.fl_str_mv Hermes, Ernani Silverio
Silva, Denise Almeida
dc.subject.por.fl_str_mv character; narrative; post-colonial Literature; Chinua Achebe.
Personagem; Narrativa; Literatura Pós-Colonial; Chinua Achebe.
topic character; narrative; post-colonial Literature; Chinua Achebe.
Personagem; Narrativa; Literatura Pós-Colonial; Chinua Achebe.
description Nigerian writer Chinua Achebe`s novel No longer at ease sharply focuses questions related to post-coloniality, which operate, in the novel, as a marked element in character constitution. Character figuration is, as defined by Reis (2018), the rhetorical, fictional and acting devices which outline the fictional figure; in  No longer at ease these devices deal with the post-colonial element through  cultural dissents between the old metropolis, England, and the former colony, Niger, and through tensions between tradition and modernity as well. Therefore, we propose an analysis of character constitution through the optics of  post-colonial studies, considering cultural differences,  colonialist heritage and character figuration. Theoretical foundation for the implications of post-coloniality in the novel are sought in Bonnici (2012); reference on character construction is based on Forster (1962), Bordini (2006), Brait (2017), and Reis (2018). The analysis developed in articulation with this theoretical framework allows for the conclusion that the novel central character is constituted by the duality triggered by his existential conflicts, and, very especially, the contrast between who he is and who he intended to be in the post-colonial context.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-22
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dc.identifier.uri.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/50923
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url http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/50923
identifier_str_mv 10.4025/actascilangcult.v42i1.50923
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/50923/751375150072
dc.rights.driver.fl_str_mv Copyright (c) 2020 Acta Scientiarum. Language and Culture
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Acta Scientiarum. Language and Culture
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual De Maringá
publisher.none.fl_str_mv Universidade Estadual De Maringá
dc.source.none.fl_str_mv Acta Scientiarum. Language and Culture; Vol 42 No 1 (2020): Jan.-June; e50923
Acta Scientiarum. Language and Culture; v. 42 n. 1 (2020): Jan.-June; e50923
1983-4683
1983-4675
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