Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | REVELL : Revista de Estudos Literários da UEMS |
Texto Completo: | https://periodicosonline.uems.br/index.php/REV/article/view/2522 |
Resumo: | This research aims to analyze the contemporary British drama from the Critical Discourse Analysis (CDA) in the play Beautiful Thing, trying to describe how the characters construct their identities along the text to establish the aspect of representativeness in the play. The methodology used was the theoretical discussion and the analysis with data from the play. It is divided into three sections; the first is a historical overview on 1990s British drama, presenting facts and changes. The second is a discussion on the theoretical background about CDA, conceptualized mainly by van Dijk (2001) and Fairclough (1992; 2003); and Identities with Castells (2010), Buckingham (2008), Hall (1997), and Verluys (2007). Afterwards, the play is analyzed from these concepts, where the linguistic instruments in the characters’ discourses, responsible for the construction of their identities, are searched in the play and exemplified with fragments. |
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REVELL : Revista de Estudos Literários da UEMS |
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Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful ThingContemporary DramaCritical Discourse AnalysisSocial IdentitiesRepresentativeness.This research aims to analyze the contemporary British drama from the Critical Discourse Analysis (CDA) in the play Beautiful Thing, trying to describe how the characters construct their identities along the text to establish the aspect of representativeness in the play. The methodology used was the theoretical discussion and the analysis with data from the play. It is divided into three sections; the first is a historical overview on 1990s British drama, presenting facts and changes. The second is a discussion on the theoretical background about CDA, conceptualized mainly by van Dijk (2001) and Fairclough (1992; 2003); and Identities with Castells (2010), Buckingham (2008), Hall (1997), and Verluys (2007). Afterwards, the play is analyzed from these concepts, where the linguistic instruments in the characters’ discourses, responsible for the construction of their identities, are searched in the play and exemplified with fragments.Universidade Estadual de Mato Grosso do Sul - UEMS2018-10-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicosonline.uems.br/index.php/REV/article/view/2522REVELL - REVISTA DE ESTUDOS LITERÁRIOS DA UEMS; v. 2 n. 19 (2018): REPRESENTAÇÕES DA MASCULINIDADE NAS LITERATURAS LUSÓFONAS; 480-5072179-4456reponame:REVELL : Revista de Estudos Literários da UEMSinstname:Universidade Estadual de Mato Grosso do Sul (UEMS)instacron:UEMSenghttps://periodicosonline.uems.br/index.php/REV/article/view/2522/pdfCopyright (c) 2018 REVELL - REVISTA DE ESTUDOS LITERÁRIOS DA UEMSinfo:eu-repo/semantics/openAccessPinto, Josane Daniela FreitasOliveira, Wellington Ruan Correa2020-11-10T16:36:19Zoai:ojs.pkp.sfu.ca:article/2522Revistahttps://periodicosonline.uems.br/index.php/REVPUBhttps://periodicosonline.uems.br/index.php/REV/oairevell@uems.br||andre_benatti29@hotmail.com2179-44562179-4456opendoar:2020-11-10T16:36:19REVELL : Revista de Estudos Literários da UEMS - Universidade Estadual de Mato Grosso do Sul (UEMS)false |
dc.title.none.fl_str_mv |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing |
title |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing |
spellingShingle |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing Pinto, Josane Daniela Freitas Contemporary Drama Critical Discourse Analysis Social Identities Representativeness. |
title_short |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing |
title_full |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing |
title_fullStr |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing |
title_full_unstemmed |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing |
title_sort |
Representativeness in contemporary British drama: a critical discourse analysis in Jonathan Harvey’s Beautiful Thing |
author |
Pinto, Josane Daniela Freitas |
author_facet |
Pinto, Josane Daniela Freitas Oliveira, Wellington Ruan Correa |
author_role |
author |
author2 |
Oliveira, Wellington Ruan Correa |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Pinto, Josane Daniela Freitas Oliveira, Wellington Ruan Correa |
dc.subject.por.fl_str_mv |
Contemporary Drama Critical Discourse Analysis Social Identities Representativeness. |
topic |
Contemporary Drama Critical Discourse Analysis Social Identities Representativeness. |
description |
This research aims to analyze the contemporary British drama from the Critical Discourse Analysis (CDA) in the play Beautiful Thing, trying to describe how the characters construct their identities along the text to establish the aspect of representativeness in the play. The methodology used was the theoretical discussion and the analysis with data from the play. It is divided into three sections; the first is a historical overview on 1990s British drama, presenting facts and changes. The second is a discussion on the theoretical background about CDA, conceptualized mainly by van Dijk (2001) and Fairclough (1992; 2003); and Identities with Castells (2010), Buckingham (2008), Hall (1997), and Verluys (2007). Afterwards, the play is analyzed from these concepts, where the linguistic instruments in the characters’ discourses, responsible for the construction of their identities, are searched in the play and exemplified with fragments. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-10-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicosonline.uems.br/index.php/REV/article/view/2522 |
url |
https://periodicosonline.uems.br/index.php/REV/article/view/2522 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicosonline.uems.br/index.php/REV/article/view/2522/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 REVELL - REVISTA DE ESTUDOS LITERÁRIOS DA UEMS info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 REVELL - REVISTA DE ESTUDOS LITERÁRIOS DA UEMS |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Mato Grosso do Sul - UEMS |
publisher.none.fl_str_mv |
Universidade Estadual de Mato Grosso do Sul - UEMS |
dc.source.none.fl_str_mv |
REVELL - REVISTA DE ESTUDOS LITERÁRIOS DA UEMS; v. 2 n. 19 (2018): REPRESENTAÇÕES DA MASCULINIDADE NAS LITERATURAS LUSÓFONAS; 480-507 2179-4456 reponame:REVELL : Revista de Estudos Literários da UEMS instname:Universidade Estadual de Mato Grosso do Sul (UEMS) instacron:UEMS |
instname_str |
Universidade Estadual de Mato Grosso do Sul (UEMS) |
instacron_str |
UEMS |
institution |
UEMS |
reponame_str |
REVELL : Revista de Estudos Literários da UEMS |
collection |
REVELL : Revista de Estudos Literários da UEMS |
repository.name.fl_str_mv |
REVELL : Revista de Estudos Literários da UEMS - Universidade Estadual de Mato Grosso do Sul (UEMS) |
repository.mail.fl_str_mv |
revell@uems.br||andre_benatti29@hotmail.com |
_version_ |
1797174564139040768 |