“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer

Detalhes bibliográficos
Autor(a) principal: Pereira Frazão, Jéssica
Data de Publicação: 2020
Outros Autores: Machado Junior, Rubens
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pauta Geral (Ponta Grossa)
Texto Completo: https://revistas.uepg.br/index.php/pauta/article/view/16370
Resumo: The article aims to analyse the narrative construction of the essay Why France Liked Our Films (1942), written by Jewish-German intellectual Siegfried Kracauer, and published in the National Board of Review Magazine, the oldest cinema magazine in the United States. With extensive experience in journalism, Kracauer worked for years as editor at the influential German newspaper Frankfurter Zeitung, running the feuilleton column. Several publications from Kracauer in American periodicals, in exile in USA since 1941, illustrate some aspect of the migratory phenomenon. In this sense, his journalistic writing proposes elements that allow us to observe, within a cinematographic context, aspects of his spatial and socio-cultural references, in a process that involves and reaches the centre of his identity construction.  
id UEPG-27_7040513b03799b18cda336b01d962c5a
oai_identifier_str oai:uepg.br:article/16370
network_acronym_str UEPG-27
network_name_str Pauta Geral (Ponta Grossa)
repository_id_str
spelling “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried KracauerThe article aims to analyse the narrative construction of the essay Why France Liked Our Films (1942), written by Jewish-German intellectual Siegfried Kracauer, and published in the National Board of Review Magazine, the oldest cinema magazine in the United States. With extensive experience in journalism, Kracauer worked for years as editor at the influential German newspaper Frankfurter Zeitung, running the feuilleton column. Several publications from Kracauer in American periodicals, in exile in USA since 1941, illustrate some aspect of the migratory phenomenon. In this sense, his journalistic writing proposes elements that allow us to observe, within a cinematographic context, aspects of his spatial and socio-cultural references, in a process that involves and reaches the centre of his identity construction.  O artigo tem por objetivo analisar a estrutura narrativa do ensaio Why France Liked Our Films (1942), do intelectual judeu-alemão Siegfried Kracauer, publicado na National Board of Review Magazine, a mais antiga revista sobre cinema dos Estados Unidos. Com grande experiência no jornalismo, Kracauer trabalhou durante anos na posição de editor do influente jornal alemão Frankfurter Zeitung, ocupando-se da coluna destinada ao feuilleton. Várias publicações em periódicos estadunidenses de Kracauer, em exílio no país desde 1941, ilustram algum aspecto do fenômeno migratório. Desse modo, sua escrita jornalística permite observar, dentro de um contexto cinematográfico, aspectos de renovação das suas referências espaciais e socioculturais, num processo que envolve e atinge o próprio cerne da construção identitária.Universidade Estadual de Ponta Grossa2020-09-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uepg.br/index.php/pauta/article/view/16370Pauta Geral - Journalism Studies; Vol. 7 No. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-15Pauta Geral - Estudos em Jornalismo; v. 7 n. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-152318-857Xreponame:Pauta Geral (Ponta Grossa)instname:Universidade Estadual de Ponta Grossa (UEPG)instacron:UEPGporhttps://revistas.uepg.br/index.php/pauta/article/view/16370/209209214167Copyright (c) 2020 Jéssica Pereira Frazão, Rubens Machado Júniorinfo:eu-repo/semantics/openAccessPereira Frazão, Jéssica Machado Junior, Rubens2021-04-14T18:05:44Zoai:uepg.br:article/16370Revistahttps://revistas2.uepg.br/index.php/pauta/PUBhttps://revistas2.uepg.br/index.php/pauta/oaipmrocha@uepg.br||pautageral@uepg.br2318-857X2318-857Xopendoar:2024-05-17T13:17:29.827954Pauta Geral (Ponta Grossa) - Universidade Estadual de Ponta Grossa (UEPG)false
dc.title.none.fl_str_mv “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
title “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
spellingShingle “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
Pereira Frazão, Jéssica
title_short “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
title_full “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
title_fullStr “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
title_full_unstemmed “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
title_sort “No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
author Pereira Frazão, Jéssica
author_facet Pereira Frazão, Jéssica
Machado Junior, Rubens
author_role author
author2 Machado Junior, Rubens
author2_role author
dc.contributor.author.fl_str_mv Pereira Frazão, Jéssica
Machado Junior, Rubens
description The article aims to analyse the narrative construction of the essay Why France Liked Our Films (1942), written by Jewish-German intellectual Siegfried Kracauer, and published in the National Board of Review Magazine, the oldest cinema magazine in the United States. With extensive experience in journalism, Kracauer worked for years as editor at the influential German newspaper Frankfurter Zeitung, running the feuilleton column. Several publications from Kracauer in American periodicals, in exile in USA since 1941, illustrate some aspect of the migratory phenomenon. In this sense, his journalistic writing proposes elements that allow us to observe, within a cinematographic context, aspects of his spatial and socio-cultural references, in a process that involves and reaches the centre of his identity construction.  
publishDate 2020
dc.date.none.fl_str_mv 2020-09-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.uepg.br/index.php/pauta/article/view/16370
url https://revistas.uepg.br/index.php/pauta/article/view/16370
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.uepg.br/index.php/pauta/article/view/16370/209209214167
dc.rights.driver.fl_str_mv Copyright (c) 2020 Jéssica Pereira Frazão, Rubens Machado Júnior
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Jéssica Pereira Frazão, Rubens Machado Júnior
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Ponta Grossa
publisher.none.fl_str_mv Universidade Estadual de Ponta Grossa
dc.source.none.fl_str_mv Pauta Geral - Journalism Studies; Vol. 7 No. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-15
Pauta Geral - Estudos em Jornalismo; v. 7 n. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-15
2318-857X
reponame:Pauta Geral (Ponta Grossa)
instname:Universidade Estadual de Ponta Grossa (UEPG)
instacron:UEPG
instname_str Universidade Estadual de Ponta Grossa (UEPG)
instacron_str UEPG
institution UEPG
reponame_str Pauta Geral (Ponta Grossa)
collection Pauta Geral (Ponta Grossa)
repository.name.fl_str_mv Pauta Geral (Ponta Grossa) - Universidade Estadual de Ponta Grossa (UEPG)
repository.mail.fl_str_mv pmrocha@uepg.br||pautageral@uepg.br
_version_ 1799317946753875968

Registros relacionados