“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pauta Geral (Ponta Grossa) |
Texto Completo: | https://revistas.uepg.br/index.php/pauta/article/view/16370 |
Resumo: | The article aims to analyse the narrative construction of the essay Why France Liked Our Films (1942), written by Jewish-German intellectual Siegfried Kracauer, and published in the National Board of Review Magazine, the oldest cinema magazine in the United States. With extensive experience in journalism, Kracauer worked for years as editor at the influential German newspaper Frankfurter Zeitung, running the feuilleton column. Several publications from Kracauer in American periodicals, in exile in USA since 1941, illustrate some aspect of the migratory phenomenon. In this sense, his journalistic writing proposes elements that allow us to observe, within a cinematographic context, aspects of his spatial and socio-cultural references, in a process that involves and reaches the centre of his identity construction. |
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“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried KracauerThe article aims to analyse the narrative construction of the essay Why France Liked Our Films (1942), written by Jewish-German intellectual Siegfried Kracauer, and published in the National Board of Review Magazine, the oldest cinema magazine in the United States. With extensive experience in journalism, Kracauer worked for years as editor at the influential German newspaper Frankfurter Zeitung, running the feuilleton column. Several publications from Kracauer in American periodicals, in exile in USA since 1941, illustrate some aspect of the migratory phenomenon. In this sense, his journalistic writing proposes elements that allow us to observe, within a cinematographic context, aspects of his spatial and socio-cultural references, in a process that involves and reaches the centre of his identity construction. O artigo tem por objetivo analisar a estrutura narrativa do ensaio Why France Liked Our Films (1942), do intelectual judeu-alemão Siegfried Kracauer, publicado na National Board of Review Magazine, a mais antiga revista sobre cinema dos Estados Unidos. Com grande experiência no jornalismo, Kracauer trabalhou durante anos na posição de editor do influente jornal alemão Frankfurter Zeitung, ocupando-se da coluna destinada ao feuilleton. Várias publicações em periódicos estadunidenses de Kracauer, em exílio no país desde 1941, ilustram algum aspecto do fenômeno migratório. Desse modo, sua escrita jornalística permite observar, dentro de um contexto cinematográfico, aspectos de renovação das suas referências espaciais e socioculturais, num processo que envolve e atinge o próprio cerne da construção identitária.Universidade Estadual de Ponta Grossa2020-09-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uepg.br/index.php/pauta/article/view/16370Pauta Geral - Journalism Studies; Vol. 7 No. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-15Pauta Geral - Estudos em Jornalismo; v. 7 n. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-152318-857Xreponame:Pauta Geral (Ponta Grossa)instname:Universidade Estadual de Ponta Grossa (UEPG)instacron:UEPGporhttps://revistas.uepg.br/index.php/pauta/article/view/16370/209209214167Copyright (c) 2020 Jéssica Pereira Frazão, Rubens Machado Júniorinfo:eu-repo/semantics/openAccessPereira Frazão, Jéssica Machado Junior, Rubens2021-04-14T18:05:44Zoai:uepg.br:article/16370Revistahttps://revistas2.uepg.br/index.php/pauta/PUBhttps://revistas2.uepg.br/index.php/pauta/oaipmrocha@uepg.br||pautageral@uepg.br2318-857X2318-857Xopendoar:2024-05-17T13:17:29.827954Pauta Geral (Ponta Grossa) - Universidade Estadual de Ponta Grossa (UEPG)false |
dc.title.none.fl_str_mv |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer |
title |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer |
spellingShingle |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer Pereira Frazão, Jéssica |
title_short |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer |
title_full |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer |
title_fullStr |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer |
title_full_unstemmed |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer |
title_sort |
“No longer a European observer”: Exílio, cinema e crítica cultural na escrita jornalística de Siegfried Kracauer |
author |
Pereira Frazão, Jéssica |
author_facet |
Pereira Frazão, Jéssica Machado Junior, Rubens |
author_role |
author |
author2 |
Machado Junior, Rubens |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Pereira Frazão, Jéssica Machado Junior, Rubens |
description |
The article aims to analyse the narrative construction of the essay Why France Liked Our Films (1942), written by Jewish-German intellectual Siegfried Kracauer, and published in the National Board of Review Magazine, the oldest cinema magazine in the United States. With extensive experience in journalism, Kracauer worked for years as editor at the influential German newspaper Frankfurter Zeitung, running the feuilleton column. Several publications from Kracauer in American periodicals, in exile in USA since 1941, illustrate some aspect of the migratory phenomenon. In this sense, his journalistic writing proposes elements that allow us to observe, within a cinematographic context, aspects of his spatial and socio-cultural references, in a process that involves and reaches the centre of his identity construction. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.uepg.br/index.php/pauta/article/view/16370 |
url |
https://revistas.uepg.br/index.php/pauta/article/view/16370 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.uepg.br/index.php/pauta/article/view/16370/209209214167 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Jéssica Pereira Frazão, Rubens Machado Júnior info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Jéssica Pereira Frazão, Rubens Machado Júnior |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Ponta Grossa |
publisher.none.fl_str_mv |
Universidade Estadual de Ponta Grossa |
dc.source.none.fl_str_mv |
Pauta Geral - Journalism Studies; Vol. 7 No. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-15 Pauta Geral - Estudos em Jornalismo; v. 7 n. 1 (2020): Revista Pauta Geral - Estudos em Jornalismo; 1-15 2318-857X reponame:Pauta Geral (Ponta Grossa) instname:Universidade Estadual de Ponta Grossa (UEPG) instacron:UEPG |
instname_str |
Universidade Estadual de Ponta Grossa (UEPG) |
instacron_str |
UEPG |
institution |
UEPG |
reponame_str |
Pauta Geral (Ponta Grossa) |
collection |
Pauta Geral (Ponta Grossa) |
repository.name.fl_str_mv |
Pauta Geral (Ponta Grossa) - Universidade Estadual de Ponta Grossa (UEPG) |
repository.mail.fl_str_mv |
pmrocha@uepg.br||pautageral@uepg.br |
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1799317946753875968 |