THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY
Autor(a) principal: | |
---|---|
Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Textos escolhidos de cultura e arte populares (Online) |
Texto Completo: | https://www.e-publicacoes.uerj.br/tecap/article/view/10261 |
Resumo: | In the past, the announcing of the arrival of a circus in small towns was done by clowns who, accompanied by a group of children, took to the streets chanting chulas. Circo, a work by artist Candido Portinari (1903-1962), depicts this arrival. And it is this ritual moment that calls us to reflect upon the cultural significance of the circus’ magic, from the perspective of the child, starting at the process of cultural circularity between the scholarly and the popular in the historical context of Brazilian modernism. In the middle is the clown, a symbolic operator of this whole cultural process. |
id |
UERJ-11_8e64559720d9a7a9eb4d7ca760c8a54b |
---|---|
oai_identifier_str |
oai:ojs.www.e-publicacoes.uerj.br:article/10261 |
network_acronym_str |
UERJ-11 |
network_name_str |
Textos escolhidos de cultura e arte populares (Online) |
repository_id_str |
|
spelling |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITYO CIRCO CHEGOU!: MEMÓRIA SOCIAL E CIRCULARIDADE CULTURALCIRCUSPOPULAR CULTUREMODERN ARTCHILDHOOD MEMORYCULTURAL CIRCULARITYCLOWN.CIRCOCULTURA POPULARMEMÓRIA INFANTILCIRCULARIDADE CULTURALARTE MODERNAPALHAÇO.In the past, the announcing of the arrival of a circus in small towns was done by clowns who, accompanied by a group of children, took to the streets chanting chulas. Circo, a work by artist Candido Portinari (1903-1962), depicts this arrival. And it is this ritual moment that calls us to reflect upon the cultural significance of the circus’ magic, from the perspective of the child, starting at the process of cultural circularity between the scholarly and the popular in the historical context of Brazilian modernism. In the middle is the clown, a symbolic operator of this whole cultural process.DOI: http://dx.doi.org/10.12957/tecap.2012.10261Antigamente, o anúncio da chegada do circo nas pequenas cidades do interior era feito pelos palhaços que, acompanhados por um séquito de crianças, saíam às ruas cantando chulas. Circo, obra do artista plástico Cândido Portinari (1903-1962), retrata essa chegada. E é esse momento ritual que nos chama a uma reflexão cultural sobre o significado da magia do circo, pela perspectiva infantil, a partir do processo de circularidade cultural entre o erudito e o popular no contexto histórico do modernismo brasileiro. No meio, encontra-se o palhaço, operador simbólico de todo esse processo cultural.Universidade do Estado do Rio de Janeiro2012-11-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/tecap/article/view/1026110.12957/tecap.2012.10261Textos Escolhidos de Cultura e Arte Populares; v. 9 n. 2 (2012): TECAP 9.21981-99351980-3281reponame:Textos escolhidos de cultura e arte populares (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/tecap/article/view/10261/8047Rocha, Gilmarinfo:eu-repo/semantics/openAccess2015-01-29T18:28:25Zoai:ojs.www.e-publicacoes.uerj.br:article/10261Revistahttps://www.e-publicacoes.uerj.br/index.php/tecapPUBhttps://www.e-publicacoes.uerj.br/index.php/tecap/oaippeuerj@eduerj.uerj.br || felipeferreirario@gmail.com1981-99351980-3281opendoar:2024-05-17T13:38:43.237687Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ)true |
dc.title.none.fl_str_mv |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY O CIRCO CHEGOU!: MEMÓRIA SOCIAL E CIRCULARIDADE CULTURAL |
title |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY |
spellingShingle |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY Rocha, Gilmar CIRCUS POPULAR CULTURE MODERN ART CHILDHOOD MEMORY CULTURAL CIRCULARITY CLOWN. CIRCO CULTURA POPULAR MEMÓRIA INFANTIL CIRCULARIDADE CULTURAL ARTE MODERNA PALHAÇO. |
title_short |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY |
title_full |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY |
title_fullStr |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY |
title_full_unstemmed |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY |
title_sort |
THE CIRCUS IS IN TOWN! SOCIAL MEMORY AND CULTURAL CIRCULARITY |
author |
Rocha, Gilmar |
author_facet |
Rocha, Gilmar |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rocha, Gilmar |
dc.subject.por.fl_str_mv |
CIRCUS POPULAR CULTURE MODERN ART CHILDHOOD MEMORY CULTURAL CIRCULARITY CLOWN. CIRCO CULTURA POPULAR MEMÓRIA INFANTIL CIRCULARIDADE CULTURAL ARTE MODERNA PALHAÇO. |
topic |
CIRCUS POPULAR CULTURE MODERN ART CHILDHOOD MEMORY CULTURAL CIRCULARITY CLOWN. CIRCO CULTURA POPULAR MEMÓRIA INFANTIL CIRCULARIDADE CULTURAL ARTE MODERNA PALHAÇO. |
description |
In the past, the announcing of the arrival of a circus in small towns was done by clowns who, accompanied by a group of children, took to the streets chanting chulas. Circo, a work by artist Candido Portinari (1903-1962), depicts this arrival. And it is this ritual moment that calls us to reflect upon the cultural significance of the circus’ magic, from the perspective of the child, starting at the process of cultural circularity between the scholarly and the popular in the historical context of Brazilian modernism. In the middle is the clown, a symbolic operator of this whole cultural process. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-11-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-publicacoes.uerj.br/tecap/article/view/10261 10.12957/tecap.2012.10261 |
url |
https://www.e-publicacoes.uerj.br/tecap/article/view/10261 |
identifier_str_mv |
10.12957/tecap.2012.10261 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-publicacoes.uerj.br/tecap/article/view/10261/8047 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
dc.source.none.fl_str_mv |
Textos Escolhidos de Cultura e Arte Populares; v. 9 n. 2 (2012): TECAP 9.2 1981-9935 1980-3281 reponame:Textos escolhidos de cultura e arte populares (Online) instname:Universidade do Estado do Rio de Janeiro (UERJ) instacron:UERJ |
instname_str |
Universidade do Estado do Rio de Janeiro (UERJ) |
instacron_str |
UERJ |
institution |
UERJ |
reponame_str |
Textos escolhidos de cultura e arte populares (Online) |
collection |
Textos escolhidos de cultura e arte populares (Online) |
repository.name.fl_str_mv |
Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ) |
repository.mail.fl_str_mv |
ppeuerj@eduerj.uerj.br || felipeferreirario@gmail.com |
_version_ |
1799319120431284224 |