THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”

Detalhes bibliográficos
Autor(a) principal: Barbosa, Juliana dos Santos
Data de Publicação: 2010
Outros Autores: Panichi, Edina Regina Pugas
Tipo de documento: Artigo
Idioma: por
Título da fonte: Textos escolhidos de cultura e arte populares (Online)
Texto Completo: https://www.e-publicacoes.uerj.br/tecap/article/view/12031
Resumo: In the 2010 carnival, samba school Unidos de Vila Isabel used as theme the centennial of samba singer and composer Noel Rosa, and represented in Sapucaí an episode starred by that samba man in the 1930s. The polemic started after Rosa, having listening to the song “ Lenço no Pescoço” by Wilson Batista, answered back with the song “Rapaz Folgado”.  The dispute generated a series of compositions, going to extremes when Wilson Batista offended Rosa by calling him the Frankenstein of the Vila, alluding to a congenital malformation in the chin of the composer. By gathering signs which combine and interact among themselves, in 2010 carnival man Alex de Souza added one more chapter to this story. This intricate dialog of languages is analyzed in this article, under the light of the genetic criticism, whose research focuses on the process of artistic creation.
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spelling THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”O DIÁLOGO DE LINGUAGENS NA PASSARELA DO SAMBA: A VINGANÇA DO FRANKENSTEIN DA VILAGENETIC CRITICISMDIALOG OF LANGUAGESCARNIVAL PARADENOEL ROSACREATIVE NETS.CRÍTICA GENÉTICADIÁLOGO DE LINGUAGENSNOEL ROSAREDES CRIATIVASDESFILE CARNAVALESCO.In the 2010 carnival, samba school Unidos de Vila Isabel used as theme the centennial of samba singer and composer Noel Rosa, and represented in Sapucaí an episode starred by that samba man in the 1930s. The polemic started after Rosa, having listening to the song “ Lenço no Pescoço” by Wilson Batista, answered back with the song “Rapaz Folgado”.  The dispute generated a series of compositions, going to extremes when Wilson Batista offended Rosa by calling him the Frankenstein of the Vila, alluding to a congenital malformation in the chin of the composer. By gathering signs which combine and interact among themselves, in 2010 carnival man Alex de Souza added one more chapter to this story. This intricate dialog of languages is analyzed in this article, under the light of the genetic criticism, whose research focuses on the process of artistic creation.DOI: http://dx.doi.org/10.12957/tecap.2010.12031No Carnaval de 2010 a Unidos de Vila Isabel, tendo como tema o centenário do cantor e compositor Noel Rosa, representou na Sapucaí um episódio protagonizado pelo sambista na década de 1930. A polêmica começou quando Noel, depois de ouvir a música “Lenço no pescoço”, de Wilson Batista, responde com a canção “Rapaz folgado”; a desavença gerou uma série de composições, indo ao exagero, quando Wilson Batista ofendeu Noel, chamando-o de Frankenstein da Vila, em menção ao defeito no queixo do compositor. Reunindo signos que se combinam e interagem, em 2010 o carnavalesco Alex de Souza acrescentou mais um capítulo a essa história. Esse intrincado diálogo de linguagens será analisado sob o prisma da crítica genética, cujas pesquisas se voltam para o processo de criação artística.Universidade do Estado do Rio de Janeiro2010-11-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/tecap/article/view/1203110.12957/tecap.2010.12031Textos Escolhidos de Cultura e Arte Populares; v. 7 n. 2 (2010): TECAP 7.21981-99351980-3281reponame:Textos escolhidos de cultura e arte populares (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/tecap/article/view/12031/9418Barbosa, Juliana dos SantosPanichi, Edina Regina Pugasinfo:eu-repo/semantics/openAccess2015-01-29T17:26:37Zoai:ojs.www.e-publicacoes.uerj.br:article/12031Revistahttps://www.e-publicacoes.uerj.br/index.php/tecapPUBhttps://www.e-publicacoes.uerj.br/index.php/tecap/oaippeuerj@eduerj.uerj.br || felipeferreirario@gmail.com1981-99351980-3281opendoar:2024-05-17T13:38:46.812920Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ)true
dc.title.none.fl_str_mv THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
O DIÁLOGO DE LINGUAGENS NA PASSARELA DO SAMBA: A VINGANÇA DO FRANKENSTEIN DA VILA
title THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
spellingShingle THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
Barbosa, Juliana dos Santos
GENETIC CRITICISM
DIALOG OF LANGUAGES
CARNIVAL PARADE
NOEL ROSA
CREATIVE NETS.
CRÍTICA GENÉTICA
DIÁLOGO DE LINGUAGENS
NOEL ROSA
REDES CRIATIVAS
DESFILE CARNAVALESCO.
title_short THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
title_full THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
title_fullStr THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
title_full_unstemmed THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
title_sort THE DIALOGUE OF LANGUAGE IN THE SAMBA’S PARADE: THE REVENGE OF THE “FRANKENSTEIN DA VILA”
author Barbosa, Juliana dos Santos
author_facet Barbosa, Juliana dos Santos
Panichi, Edina Regina Pugas
author_role author
author2 Panichi, Edina Regina Pugas
author2_role author
dc.contributor.author.fl_str_mv Barbosa, Juliana dos Santos
Panichi, Edina Regina Pugas
dc.subject.por.fl_str_mv GENETIC CRITICISM
DIALOG OF LANGUAGES
CARNIVAL PARADE
NOEL ROSA
CREATIVE NETS.
CRÍTICA GENÉTICA
DIÁLOGO DE LINGUAGENS
NOEL ROSA
REDES CRIATIVAS
DESFILE CARNAVALESCO.
topic GENETIC CRITICISM
DIALOG OF LANGUAGES
CARNIVAL PARADE
NOEL ROSA
CREATIVE NETS.
CRÍTICA GENÉTICA
DIÁLOGO DE LINGUAGENS
NOEL ROSA
REDES CRIATIVAS
DESFILE CARNAVALESCO.
description In the 2010 carnival, samba school Unidos de Vila Isabel used as theme the centennial of samba singer and composer Noel Rosa, and represented in Sapucaí an episode starred by that samba man in the 1930s. The polemic started after Rosa, having listening to the song “ Lenço no Pescoço” by Wilson Batista, answered back with the song “Rapaz Folgado”.  The dispute generated a series of compositions, going to extremes when Wilson Batista offended Rosa by calling him the Frankenstein of the Vila, alluding to a congenital malformation in the chin of the composer. By gathering signs which combine and interact among themselves, in 2010 carnival man Alex de Souza added one more chapter to this story. This intricate dialog of languages is analyzed in this article, under the light of the genetic criticism, whose research focuses on the process of artistic creation.
publishDate 2010
dc.date.none.fl_str_mv 2010-11-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-publicacoes.uerj.br/tecap/article/view/12031
10.12957/tecap.2010.12031
url https://www.e-publicacoes.uerj.br/tecap/article/view/12031
identifier_str_mv 10.12957/tecap.2010.12031
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-publicacoes.uerj.br/tecap/article/view/12031/9418
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv Textos Escolhidos de Cultura e Arte Populares; v. 7 n. 2 (2010): TECAP 7.2
1981-9935
1980-3281
reponame:Textos escolhidos de cultura e arte populares (Online)
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Textos escolhidos de cultura e arte populares (Online)
collection Textos escolhidos de cultura e arte populares (Online)
repository.name.fl_str_mv Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv ppeuerj@eduerj.uerj.br || felipeferreirario@gmail.com
_version_ 1799319120786751488

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