How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953

Detalhes bibliográficos
Autor(a) principal: Menezes, Lucas Mendes
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Maracanan (Online)
Texto Completo: https://www.e-publicacoes.uerj.br/maracanan/article/view/47601
Resumo: The starting point of this article is the realization of "Primeira Exposição Fotográfica de Motivos Belorizontinos", exhibition organized in 1953 through the partnership of a collective of amateur photographers and the Municipality of Belo Horizonte. Our interest is to understand how the vision of the amateur photographer is directed to the city, what is their reach, their conditioning and of course, what images result from this association. In this regard, we need to analyse the photography in parallel to other cultural initiatives supported by the government in the period, as well if it is possible to associate the pictures with a specific political project. The discussion around the exhibition from 1953 would also approach the universe of political propaganda, the relationship between architecture, government and urban life, and questions connected to the visual culture and cultural circularity.
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spelling How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953“Como o fotógrafo artista vê os aspectos mais marcantes da cidade”: Fotografia amadora e poder público na construção da imagem de Belo Horizonte em 1953Fotografia AmadoraBelo HorizonteArquiteturaAmateur PhotographyBelo HorizonteArchitecture.The starting point of this article is the realization of "Primeira Exposição Fotográfica de Motivos Belorizontinos", exhibition organized in 1953 through the partnership of a collective of amateur photographers and the Municipality of Belo Horizonte. Our interest is to understand how the vision of the amateur photographer is directed to the city, what is their reach, their conditioning and of course, what images result from this association. In this regard, we need to analyse the photography in parallel to other cultural initiatives supported by the government in the period, as well if it is possible to associate the pictures with a specific political project. The discussion around the exhibition from 1953 would also approach the universe of political propaganda, the relationship between architecture, government and urban life, and questions connected to the visual culture and cultural circularity.O ponto de partida deste artigo é a realização da “Primeira Exposição Fotográfica de Motivos Belorizontinos”, mostra organizada em 1953 através da parceria de um coletivo de fotógrafos amadores e a Prefeitura Municipal da capital mineira. Nosso interesse é entender como o olhar do fotógrafo amador se direciona a cidade, qual o seu espaço de atuação, seus condicionamentos e, claro, analisar as imagens que resultam desse encontro. Neste sentido, será preciso considerar a fotografia em paralelo às demais iniciativas culturais apoiadas pelo poder público no período, assim como se é possível filiá-la a um projeto político específico. A discussão em torno da mostra de 1953 também nos aproximará do universo da propaganda política, da relação entre arquitetura, poder público e cidade, assim como de discussões próprias ao universo da cultura visual e da circularidade cultural.Universidade do Estado do Rio de Janeiro2020-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/maracanan/article/view/4760110.12957/revmar.2020.47601Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 115-1482359-00921807-989Xreponame:Revista Maracanan (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/maracanan/article/view/47601/33869Copyright (c) 2020 Revista Maracananinfo:eu-repo/semantics/openAccessMenezes, Lucas Mendes2020-09-30T22:20:31Zoai:ojs.www.e-publicacoes.uerj.br:article/47601Revistahttp://www.e-publicacoes.uerj.br/index.php/maracananPUBhttps://www.e-publicacoes.uerj.br/index.php/maracanan/oairevista.maracanan@gmail.com||revista.maracanan@gmail.com2359-00921807-989Xopendoar:2020-09-30T22:20:31Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ)false
dc.title.none.fl_str_mv How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
“Como o fotógrafo artista vê os aspectos mais marcantes da cidade”: Fotografia amadora e poder público na construção da imagem de Belo Horizonte em 1953
title How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
spellingShingle How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
Menezes, Lucas Mendes
Fotografia Amadora
Belo Horizonte
Arquitetura
Amateur Photography
Belo Horizonte
Architecture.
title_short How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
title_full How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
title_fullStr How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
title_full_unstemmed How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
title_sort How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
author Menezes, Lucas Mendes
author_facet Menezes, Lucas Mendes
author_role author
dc.contributor.author.fl_str_mv Menezes, Lucas Mendes
dc.subject.por.fl_str_mv Fotografia Amadora
Belo Horizonte
Arquitetura
Amateur Photography
Belo Horizonte
Architecture.
topic Fotografia Amadora
Belo Horizonte
Arquitetura
Amateur Photography
Belo Horizonte
Architecture.
description The starting point of this article is the realization of "Primeira Exposição Fotográfica de Motivos Belorizontinos", exhibition organized in 1953 through the partnership of a collective of amateur photographers and the Municipality of Belo Horizonte. Our interest is to understand how the vision of the amateur photographer is directed to the city, what is their reach, their conditioning and of course, what images result from this association. In this regard, we need to analyse the photography in parallel to other cultural initiatives supported by the government in the period, as well if it is possible to associate the pictures with a specific political project. The discussion around the exhibition from 1953 would also approach the universe of political propaganda, the relationship between architecture, government and urban life, and questions connected to the visual culture and cultural circularity.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-publicacoes.uerj.br/maracanan/article/view/47601
10.12957/revmar.2020.47601
url https://www.e-publicacoes.uerj.br/maracanan/article/view/47601
identifier_str_mv 10.12957/revmar.2020.47601
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-publicacoes.uerj.br/maracanan/article/view/47601/33869
dc.rights.driver.fl_str_mv Copyright (c) 2020 Revista Maracanan
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Revista Maracanan
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 115-148
2359-0092
1807-989X
reponame:Revista Maracanan (Online)
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Revista Maracanan (Online)
collection Revista Maracanan (Online)
repository.name.fl_str_mv Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv revista.maracanan@gmail.com||revista.maracanan@gmail.com
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