How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Maracanan (Online) |
Texto Completo: | https://www.e-publicacoes.uerj.br/maracanan/article/view/47601 |
Resumo: | The starting point of this article is the realization of "Primeira Exposição Fotográfica de Motivos Belorizontinos", exhibition organized in 1953 through the partnership of a collective of amateur photographers and the Municipality of Belo Horizonte. Our interest is to understand how the vision of the amateur photographer is directed to the city, what is their reach, their conditioning and of course, what images result from this association. In this regard, we need to analyse the photography in parallel to other cultural initiatives supported by the government in the period, as well if it is possible to associate the pictures with a specific political project. The discussion around the exhibition from 1953 would also approach the universe of political propaganda, the relationship between architecture, government and urban life, and questions connected to the visual culture and cultural circularity. |
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How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953“Como o fotógrafo artista vê os aspectos mais marcantes da cidade”: Fotografia amadora e poder público na construção da imagem de Belo Horizonte em 1953Fotografia AmadoraBelo HorizonteArquiteturaAmateur PhotographyBelo HorizonteArchitecture.The starting point of this article is the realization of "Primeira Exposição Fotográfica de Motivos Belorizontinos", exhibition organized in 1953 through the partnership of a collective of amateur photographers and the Municipality of Belo Horizonte. Our interest is to understand how the vision of the amateur photographer is directed to the city, what is their reach, their conditioning and of course, what images result from this association. In this regard, we need to analyse the photography in parallel to other cultural initiatives supported by the government in the period, as well if it is possible to associate the pictures with a specific political project. The discussion around the exhibition from 1953 would also approach the universe of political propaganda, the relationship between architecture, government and urban life, and questions connected to the visual culture and cultural circularity.O ponto de partida deste artigo é a realização da “Primeira Exposição Fotográfica de Motivos Belorizontinos”, mostra organizada em 1953 através da parceria de um coletivo de fotógrafos amadores e a Prefeitura Municipal da capital mineira. Nosso interesse é entender como o olhar do fotógrafo amador se direciona a cidade, qual o seu espaço de atuação, seus condicionamentos e, claro, analisar as imagens que resultam desse encontro. Neste sentido, será preciso considerar a fotografia em paralelo às demais iniciativas culturais apoiadas pelo poder público no período, assim como se é possível filiá-la a um projeto político específico. A discussão em torno da mostra de 1953 também nos aproximará do universo da propaganda política, da relação entre arquitetura, poder público e cidade, assim como de discussões próprias ao universo da cultura visual e da circularidade cultural.Universidade do Estado do Rio de Janeiro2020-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/maracanan/article/view/4760110.12957/revmar.2020.47601Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 115-1482359-00921807-989Xreponame:Revista Maracanan (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/maracanan/article/view/47601/33869Copyright (c) 2020 Revista Maracananinfo:eu-repo/semantics/openAccessMenezes, Lucas Mendes2020-09-30T22:20:31Zoai:ojs.www.e-publicacoes.uerj.br:article/47601Revistahttp://www.e-publicacoes.uerj.br/index.php/maracananPUBhttps://www.e-publicacoes.uerj.br/index.php/maracanan/oairevista.maracanan@gmail.com||revista.maracanan@gmail.com2359-00921807-989Xopendoar:2020-09-30T22:20:31Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.none.fl_str_mv |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 “Como o fotógrafo artista vê os aspectos mais marcantes da cidade”: Fotografia amadora e poder público na construção da imagem de Belo Horizonte em 1953 |
title |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 |
spellingShingle |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 Menezes, Lucas Mendes Fotografia Amadora Belo Horizonte Arquitetura Amateur Photography Belo Horizonte Architecture. |
title_short |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 |
title_full |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 |
title_fullStr |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 |
title_full_unstemmed |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 |
title_sort |
How the artist photographer sees the most striking aspects of the city: amateur photography and public power building the image of Belo Horizonte in 1953 |
author |
Menezes, Lucas Mendes |
author_facet |
Menezes, Lucas Mendes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Menezes, Lucas Mendes |
dc.subject.por.fl_str_mv |
Fotografia Amadora Belo Horizonte Arquitetura Amateur Photography Belo Horizonte Architecture. |
topic |
Fotografia Amadora Belo Horizonte Arquitetura Amateur Photography Belo Horizonte Architecture. |
description |
The starting point of this article is the realization of "Primeira Exposição Fotográfica de Motivos Belorizontinos", exhibition organized in 1953 through the partnership of a collective of amateur photographers and the Municipality of Belo Horizonte. Our interest is to understand how the vision of the amateur photographer is directed to the city, what is their reach, their conditioning and of course, what images result from this association. In this regard, we need to analyse the photography in parallel to other cultural initiatives supported by the government in the period, as well if it is possible to associate the pictures with a specific political project. The discussion around the exhibition from 1953 would also approach the universe of political propaganda, the relationship between architecture, government and urban life, and questions connected to the visual culture and cultural circularity. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-publicacoes.uerj.br/maracanan/article/view/47601 10.12957/revmar.2020.47601 |
url |
https://www.e-publicacoes.uerj.br/maracanan/article/view/47601 |
identifier_str_mv |
10.12957/revmar.2020.47601 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-publicacoes.uerj.br/maracanan/article/view/47601/33869 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Revista Maracanan info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Revista Maracanan |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
dc.source.none.fl_str_mv |
Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 115-148 2359-0092 1807-989X reponame:Revista Maracanan (Online) instname:Universidade do Estado do Rio de Janeiro (UERJ) instacron:UERJ |
instname_str |
Universidade do Estado do Rio de Janeiro (UERJ) |
instacron_str |
UERJ |
institution |
UERJ |
reponame_str |
Revista Maracanan (Online) |
collection |
Revista Maracanan (Online) |
repository.name.fl_str_mv |
Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ) |
repository.mail.fl_str_mv |
revista.maracanan@gmail.com||revista.maracanan@gmail.com |
_version_ |
1799317570390589440 |