A Bárbara: o corpo bandeira da mulher revolucionária e as práticas feministas nas artes

• Autor(a) principal: Rodrigues, Brisa Mirele Barbosa
• Data de Publicação: 2018
• Outros Autores: [e-mail]
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/19387
• topic: Body; Performance; Feminism; Myth; Mythology in art; Corpo; Feminismo; Mito; Mitodologia em arte; Performance (Arte); Corpo como suporte da arte; Mito na arte; Mulheres na arte; LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO

This dissertation is based on the image of the banner body (GOMES; SORJ, 2014), to establish a panoramic study about feminist performances in an academic context in Brazil. The understanding of performance as a platform for women's claims builds precisely the support for the empirical field of this research, which precisely encompasses the development of an authorial performance, from the experience with the procedures of the Mythodology in Art (LYRA, 2015). Previously titled A Barbara, this performance, which takes the form of a personally conceived performance lecture, takes as its flags of creation: the mythological figure of Antígona and the former presidents of Brazil, Bárbara Alencar and Dilma Roussef. Understanding the revolutionary woman as a guiding myth of my authorial performance, I begin a ritual of remembrance, where I am the dynamo between these three flags, I look back and forth, articulating images of the past and the present (BENJAMIN, 1987) and seeking to incite a political action in the world.