Música, solidão e tempo: perspectivas de tragédias nietzschianas
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Outros Autores: | |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/16809 |
Resumo: | The Greek tragedy was Nietzsche's concern since his earliest writings. The philosopher believed that in interpreting the origin, structure, and decline of ancient theater he could then understand the courses of Western culture. In his first work, The Birth of Tragedy, influenced by the Richard Wagner's aesthetics and Schopenhauer's philosophy, he bonds Greek tragedy to metaphysical symbols apollonian and aionysian, so begining the project of to construct a tragic philosophy, that is, a philosophy essentially affirmative. However, Nietzsche breaks with his thinking, moves away from Wagner and Schopenhauer, but does not abandon the project of a tragic-affirmative philosophy. Knowing this, this dissertation will be divided into two parts: 1) analyze the first phase of nietzschean tragic thinking, paying special attention to the role of music for the origin and effect of tragedy. 2) to show that the book Thus Spoke Zarathustra is the crowning of the nietzschean tragic project; this work was written as a tragedy whose center of gravity is the experimentation of Loneliness as the intrinsic human condition and of Time as eternal return. For this, it will be essential to dismantle every negative character that the Loneliness accumulated through the Western tradition based on gregarious values. |
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Cunha, Maria Helena Lisboa dahttp://lattes.cnpq.br/6791769143433034Weber, José Fernandeshttp://lattes.cnpq.br/3431433828575936Dias, Rosa Mariahttp://lattes.cnpq.br/1602571505425562http://lattes.cnpq.br/8775598511714163Silva, Micael Rosamicael@uel.br2021-10-22T14:44:27Z2013-10-25SILVA, Rosa. Música, solidão e tempo: perspectivas de tragédias nietzschianas. 2013.123 f . Dissertação (Mestrado em Filosofia) - Instituto de Filosofia e Ciências Humanas, Universidade do Estado do Rio de Janeiro, Rio de janeiro, 2013 .http://www.bdtd.uerj.br/handle/1/16809The Greek tragedy was Nietzsche's concern since his earliest writings. The philosopher believed that in interpreting the origin, structure, and decline of ancient theater he could then understand the courses of Western culture. In his first work, The Birth of Tragedy, influenced by the Richard Wagner's aesthetics and Schopenhauer's philosophy, he bonds Greek tragedy to metaphysical symbols apollonian and aionysian, so begining the project of to construct a tragic philosophy, that is, a philosophy essentially affirmative. However, Nietzsche breaks with his thinking, moves away from Wagner and Schopenhauer, but does not abandon the project of a tragic-affirmative philosophy. Knowing this, this dissertation will be divided into two parts: 1) analyze the first phase of nietzschean tragic thinking, paying special attention to the role of music for the origin and effect of tragedy. 2) to show that the book Thus Spoke Zarathustra is the crowning of the nietzschean tragic project; this work was written as a tragedy whose center of gravity is the experimentation of Loneliness as the intrinsic human condition and of Time as eternal return. For this, it will be essential to dismantle every negative character that the Loneliness accumulated through the Western tradition based on gregarious values.A tragédia grega foi preocupação de Nietzsche desde seus primeiros escritos. O filósofo acreditava que ao interpretar a origem, a estrutura e o declínio do teatro antigo poderia então compreender os rumos da cultura ocidental. Em sua primeira obra, O Nascimento da tragédia, influenciado pela estética de Richard Wagner e pela filosofia de Schopenhauer, vincula a tragédia grega aos símbolos metafísicos apolínio e dionisíaco, e inicia o projeto de construção de uma filosofia trágica, isto é, essencialmente afirmativa. No entanto, Nietzsche rompe com seu pensamento, se afasta de Wagner e Schopenhauer, porém não abandona o projeto de uma filosofia trágico-afirmativa. Sabendo disso, esta dissertação divide-se em duas partes: 1) analisar a primeira fase do pensamento trágico nietzschiano, concedendo especial atenção ao papel da música para a origem e o efeito da tragédia. 2) demonstrar que a obra Assim falou Zaratustra é o coroamento do pensamento trágico nietzschiano; ela é escrita como uma tragédia cujo centro de gravidade é a experimentação da solidão como condição intrínseca do homem e do tempo enquanto eterno retorno. Para tal, será imprescindível desmantelar todo caráter negativo da solidão, acumulado pela tradição ocidental pautada em valores gregários.Submitted by Ester CCS/A (ester.souza@uerj.br) on 2021-10-22T14:44:27Z No. of bitstreams: 1 Dissertação - Micael Rosa Silva- 2013 – Completa.pdf: 1058366 bytes, checksum: 61e8ec1e2200607641af3378a9273694 (MD5)Made available in DSpace on 2021-10-22T14:44:27Z (GMT). No. of bitstreams: 1 Dissertação - Micael Rosa Silva- 2013 – Completa.pdf: 1058366 bytes, checksum: 61e8ec1e2200607641af3378a9273694 (MD5) Previous issue date: 2013-10-25application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em FilosofiaUERJBrasilCentro de Ciências Sociais::Instituto de Filosofia e Ciências HumanasArt and philosophyLonelinessMusic and philosophyTime - PhilosophyTragedyArte e filosofiaMúsica e filosofiaNietzsche, Friedrich Wilhelm, 1844-1900SolidãoTempo - FilosofiaTragédiaCIENCIAS HUMANAS::FILOSOFIA::EPISTEMOLOGIAMúsica, solidão e tempo: perspectivas de tragédias nietzschianasMusic, time and loneliness: perspectives of nietzschean tragediesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALDissertação - Micael Rosa Silva- 2013 – Completa.pdfDissertação - Micael Rosa Silva- 2013 – Completa.pdfapplication/pdf1058366http://www.bdtd.uerj.br/bitstream/1/16809/2/Disserta%C3%A7%C3%A3o+-+Micael+Rosa+Silva-+2013+%E2%80%93+Completa.pdf61e8ec1e2200607641af3378a9273694MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/16809/1/license.txte5502652da718045d7fcd832b79fca29MD511/168092024-02-27 13:50:19.934oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-27T16:50:19Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
Música, solidão e tempo: perspectivas de tragédias nietzschianas |
dc.title.alternative.eng.fl_str_mv |
Music, time and loneliness: perspectives of nietzschean tragedies |
title |
Música, solidão e tempo: perspectivas de tragédias nietzschianas |
spellingShingle |
Música, solidão e tempo: perspectivas de tragédias nietzschianas Silva, Micael Rosa Art and philosophy Loneliness Music and philosophy Time - Philosophy Tragedy Arte e filosofia Música e filosofia Nietzsche, Friedrich Wilhelm, 1844-1900 Solidão Tempo - Filosofia Tragédia CIENCIAS HUMANAS::FILOSOFIA::EPISTEMOLOGIA |
title_short |
Música, solidão e tempo: perspectivas de tragédias nietzschianas |
title_full |
Música, solidão e tempo: perspectivas de tragédias nietzschianas |
title_fullStr |
Música, solidão e tempo: perspectivas de tragédias nietzschianas |
title_full_unstemmed |
Música, solidão e tempo: perspectivas de tragédias nietzschianas |
title_sort |
Música, solidão e tempo: perspectivas de tragédias nietzschianas |
author |
Silva, Micael Rosa |
author_facet |
Silva, Micael Rosa micael@uel.br |
author_role |
author |
author2 |
micael@uel.br |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cunha, Maria Helena Lisboa da |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6791769143433034 |
dc.contributor.referee1.fl_str_mv |
Weber, José Fernandes |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/3431433828575936 |
dc.contributor.referee2.fl_str_mv |
Dias, Rosa Maria |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/1602571505425562 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/8775598511714163 |
dc.contributor.author.fl_str_mv |
Silva, Micael Rosa micael@uel.br |
contributor_str_mv |
Cunha, Maria Helena Lisboa da Weber, José Fernandes Dias, Rosa Maria |
dc.subject.eng.fl_str_mv |
Art and philosophy Loneliness Music and philosophy Time - Philosophy Tragedy |
topic |
Art and philosophy Loneliness Music and philosophy Time - Philosophy Tragedy Arte e filosofia Música e filosofia Nietzsche, Friedrich Wilhelm, 1844-1900 Solidão Tempo - Filosofia Tragédia CIENCIAS HUMANAS::FILOSOFIA::EPISTEMOLOGIA |
dc.subject.por.fl_str_mv |
Arte e filosofia Música e filosofia Nietzsche, Friedrich Wilhelm, 1844-1900 Solidão Tempo - Filosofia Tragédia |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::FILOSOFIA::EPISTEMOLOGIA |
description |
The Greek tragedy was Nietzsche's concern since his earliest writings. The philosopher believed that in interpreting the origin, structure, and decline of ancient theater he could then understand the courses of Western culture. In his first work, The Birth of Tragedy, influenced by the Richard Wagner's aesthetics and Schopenhauer's philosophy, he bonds Greek tragedy to metaphysical symbols apollonian and aionysian, so begining the project of to construct a tragic philosophy, that is, a philosophy essentially affirmative. However, Nietzsche breaks with his thinking, moves away from Wagner and Schopenhauer, but does not abandon the project of a tragic-affirmative philosophy. Knowing this, this dissertation will be divided into two parts: 1) analyze the first phase of nietzschean tragic thinking, paying special attention to the role of music for the origin and effect of tragedy. 2) to show that the book Thus Spoke Zarathustra is the crowning of the nietzschean tragic project; this work was written as a tragedy whose center of gravity is the experimentation of Loneliness as the intrinsic human condition and of Time as eternal return. For this, it will be essential to dismantle every negative character that the Loneliness accumulated through the Western tradition based on gregarious values. |
publishDate |
2013 |
dc.date.issued.fl_str_mv |
2013-10-25 |
dc.date.accessioned.fl_str_mv |
2021-10-22T14:44:27Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SILVA, Rosa. Música, solidão e tempo: perspectivas de tragédias nietzschianas. 2013.123 f . Dissertação (Mestrado em Filosofia) - Instituto de Filosofia e Ciências Humanas, Universidade do Estado do Rio de Janeiro, Rio de janeiro, 2013 . |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/16809 |
identifier_str_mv |
SILVA, Rosa. Música, solidão e tempo: perspectivas de tragédias nietzschianas. 2013.123 f . Dissertação (Mestrado em Filosofia) - Instituto de Filosofia e Ciências Humanas, Universidade do Estado do Rio de Janeiro, Rio de janeiro, 2013 . |
url |
http://www.bdtd.uerj.br/handle/1/16809 |
dc.language.iso.fl_str_mv |
por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Filosofia |
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UERJ |
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Brasil |
dc.publisher.department.fl_str_mv |
Centro de Ciências Sociais::Instituto de Filosofia e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
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Biblioteca Digital de Teses e Dissertações da UERJ |
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