Na-va-lhas: ruídos e (ex)tétik indisciplinares

• Autor(a) principal: Oliveira, José Pedro de Almeida
• Data de Publicação: 2018
• Outros Autores: [e-mail]
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/19204
• topic: Performance; Indisciplina; Coletivoenografia; Necropolitics; Performace; Indisciplina; Coletivoetinografia; Necropolítica; CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::TEORIA DA COMUNICACAO

What takes place between the uncertain Yes and the maybe? This abiss is NA-VA-LHAS. It´s the “not know”. It´s the search for the uncertainty and the variety of doubts. This paper is not about answering questions, but about propose and provoque questions that, in their majority, still dont´t have answers. We search, somehow, trace and indisciplinary path: to find out new ways to apply ethnography; to play with news words and meanings; to break through this work by an aesthetics that is not ethic. We look, observ and as our “object”, we don´t accept the Standards, we run away from the Standards, we creat with our bodies our aesthetics explosions an anti-poetic, a poetic terrorism, a language crossing over. We live the epistemological violence (we detect the epistemicides), the physical violence (we present the necropolitics courses). We produce noise with our bodies, we want to decolonize, we are interested of indiscipline than of multidiscipline. We found out other ways to exist and this paper is a manifest, not about existence, but against death. Against the extermination of us. Gang formation when we are gathered (we propose powerful gathering). But what can we do with these gatherings? We discovered a coletivoetnografia, what happens at the momento f our gathering and reverberate after this. The NA-VA-LHAS is in our bodies, is in the work, it is the aesthetic. The tongue is fire. The speech is fire. The NA-VA-LHAS cuts.