O corpo abjeto e suas conectividades no cinema contemporâneo
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/17095 |
Resumo: | The objective is to investigate how the schematization of the body as a locus of a conflicting, mediation and manifestation, of a body of otherness, a body that bothers, the abject body and its condition as a relational basis, has taken place in contemporary cinema. They found thoughts, concepts and achievements, ranging from literature and philosophical thought, to cinema, more specifically, in David Cronenberg, Michael Haneke, Claire Denis and Leos Carax. The period in which the research is delimited is focused from the mid-1970s (approx. 1975) to the present day, as it is understood that this period comprises a moment of aesthetic-creative unity experienced by the aforementioned directors, as well as several phenomena that contextualize, often in a basic way, the themes, forms and aesthetic options observed in the works of the directors in question, in addition to having been also, not by chance, in which the concept of the abject body was developed more intensely, from , mainly by Julia Kristeva, with resonances in Judith Butler. It is intended to carry out a specific analysis of the concepts of body, abject body, embodiments, changing body and its relations with violent ethos and sexuality, within contemporary cinema, contextualizing it with scientific/artistic/cultural production, specifically that focused on thought from the body, from bodily changes, from the relationship between body and technology, the desire over the body. The aesthetic organism used by the directors will not be neglected, since it is understood that this is part of the construction of the discourse about the body and its resonances in important thinkers such as KRISTEVA, DELEUZE, GIL, ECO, BUTLER, BRETON, among others |
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Gueron, Rodrigohttp://lattes.cnpq.br/7403941651097693Victorio Filho, Aldohttp://lattes.cnpq.br/4856601990720597Santos, Roberto Corrêa doshttp://lattes.cnpq.br/2175021845747445Barata, Danillo Silvahttp://lattes.cnpq.br/3669937313676722Ribeiro, Ana Valécia Araújohttp://lattes.cnpq.br/6831053453038742http://lattes.cnpq.br/3513669058598152Barbosa, Alex Santosquartoimaginario@gmail.com2022-01-21T19:19:41Z2019-08-31BARBOSA, Alex Santos. O corpo abjeto e suas conectividades no cinema contemporâneo. 2019. 182 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2019.http://www.bdtd.uerj.br/handle/1/17095The objective is to investigate how the schematization of the body as a locus of a conflicting, mediation and manifestation, of a body of otherness, a body that bothers, the abject body and its condition as a relational basis, has taken place in contemporary cinema. They found thoughts, concepts and achievements, ranging from literature and philosophical thought, to cinema, more specifically, in David Cronenberg, Michael Haneke, Claire Denis and Leos Carax. The period in which the research is delimited is focused from the mid-1970s (approx. 1975) to the present day, as it is understood that this period comprises a moment of aesthetic-creative unity experienced by the aforementioned directors, as well as several phenomena that contextualize, often in a basic way, the themes, forms and aesthetic options observed in the works of the directors in question, in addition to having been also, not by chance, in which the concept of the abject body was developed more intensely, from , mainly by Julia Kristeva, with resonances in Judith Butler. It is intended to carry out a specific analysis of the concepts of body, abject body, embodiments, changing body and its relations with violent ethos and sexuality, within contemporary cinema, contextualizing it with scientific/artistic/cultural production, specifically that focused on thought from the body, from bodily changes, from the relationship between body and technology, the desire over the body. The aesthetic organism used by the directors will not be neglected, since it is understood that this is part of the construction of the discourse about the body and its resonances in important thinkers such as KRISTEVA, DELEUZE, GIL, ECO, BUTLER, BRETON, among othersObjetiva-se investigar como tem se dado no cinema da contemporaneidade a esquematização do corpo como locus de uma mediação e manifestação conflituosa, de um corpo da alteridade, um corpo outro, que incomoda, o corpo abjeto e sua condição como base relacional, onde se fundam pensamentos, conceitos e realizações, que vão desde a literatura e o pensamento filosófico, chegando ao cinema, mais especificamente, em David Cronenberg, Michael Haneke, Claire Denis e Leos Carax. O período no qual se delimita a pesquisa está focado a partir de meados da década de 1970 (aprox. 1975) até os dias atuais, por se entender que esse período compreende um momento de unidade estético-criativa vivenciada pelos referidos diretores, bem como diversos fenômenos que contextualizam, muitas vezes de forma basilar, os temas, formas e opções estéticas observadas nas obras do realizadores em questão, além de ter sido também, não por acaso, no qual se desenvolveu com mais intensidade o conceito de corpo abjeto, a partir, principalmente, de Julia Kristeva, com ressonâncias em Judith Butler. Pretende-se realizar uma análise específica dos conceitos de corpo, corpo abjeto, corporificações, corpo mutante e suas relações com o ethos violento e sexualidade, dentro do cinema contemporâneo, contextualizando com a produção científica/artística/cultural, especificamente aquela voltada para o pensamento do corpo, das modificações corpóreas, da relação corpo e tecnologia, o desejo sobre o corpo. O organismo estético utilizado pelos diretores não será desprezado, uma vez que se entende que este faz parte da construção do discurso a respeito do corpo e suas ressonâncias em importantes pensadores(as) como KRISTEVA, DELEUZE, GIL, ECO, BUTLER, BRETON, entre outrosSubmitted by Eliana CEH/B (liliprata2000@gmail.com) on 2022-01-21T19:19:41Z No. of bitstreams: 1 Tese - Alex Santos Barbosa - 2019 - Completa.pdf: 8022868 bytes, checksum: c6f18c9e51a72bf0f463cbb9dd701226 (MD5)Made available in DSpace on 2022-01-21T19:19:41Z (GMT). No. of bitstreams: 1 Tese - Alex Santos Barbosa - 2019 - Completa.pdf: 8022868 bytes, checksum: c6f18c9e51a72bf0f463cbb9dd701226 (MD5) Previous issue date: 2019-08-31Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBrasilCentro de Educação e Humanidades::Instituto de ArtesBodyAbjectTechnologiesAffectionViolenceCorpoAbjetoCinemaTecnologiasAfetoViolênciaImagem corporal na arteCorpo humano e tecnologiaViolência no cinemaSexo no cinemaLINGUISTICA, LETRAS E ARTES::ARTES::CINEMAO corpo abjeto e suas conectividades no cinema contemporâneoThe abject body and its connections in contemporary cinemainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Alex Santos Barbosa - 2019 - Completa.pdfTese - Alex Santos Barbosa - 2019 - Completa.pdfapplication/pdf8022868http://www.bdtd.uerj.br/bitstream/1/17095/2/Tese+-+Alex+Santos+Barbosa+-+2019+-+Completa.pdfc6f18c9e51a72bf0f463cbb9dd701226MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/17095/1/license.txte5502652da718045d7fcd832b79fca29MD511/170952024-02-26 16:04:22.322oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-26T19:04:22Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
O corpo abjeto e suas conectividades no cinema contemporâneo |
dc.title.alternative.eng.fl_str_mv |
The abject body and its connections in contemporary cinema |
title |
O corpo abjeto e suas conectividades no cinema contemporâneo |
spellingShingle |
O corpo abjeto e suas conectividades no cinema contemporâneo Barbosa, Alex Santos Body Abject Technologies Affection Violence Corpo Abjeto Cinema Tecnologias Afeto Violência Imagem corporal na arte Corpo humano e tecnologia Violência no cinema Sexo no cinema LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
title_short |
O corpo abjeto e suas conectividades no cinema contemporâneo |
title_full |
O corpo abjeto e suas conectividades no cinema contemporâneo |
title_fullStr |
O corpo abjeto e suas conectividades no cinema contemporâneo |
title_full_unstemmed |
O corpo abjeto e suas conectividades no cinema contemporâneo |
title_sort |
O corpo abjeto e suas conectividades no cinema contemporâneo |
author |
Barbosa, Alex Santos |
author_facet |
Barbosa, Alex Santos quartoimaginario@gmail.com |
author_role |
author |
author2 |
quartoimaginario@gmail.com |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Gueron, Rodrigo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7403941651097693 |
dc.contributor.referee1.fl_str_mv |
Victorio Filho, Aldo |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/4856601990720597 |
dc.contributor.referee2.fl_str_mv |
Santos, Roberto Corrêa dos |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2175021845747445 |
dc.contributor.referee3.fl_str_mv |
Barata, Danillo Silva |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/3669937313676722 |
dc.contributor.referee4.fl_str_mv |
Ribeiro, Ana Valécia Araújo |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/6831053453038742 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3513669058598152 |
dc.contributor.author.fl_str_mv |
Barbosa, Alex Santos quartoimaginario@gmail.com |
contributor_str_mv |
Gueron, Rodrigo Victorio Filho, Aldo Santos, Roberto Corrêa dos Barata, Danillo Silva Ribeiro, Ana Valécia Araújo |
dc.subject.eng.fl_str_mv |
Body Abject Technologies Affection Violence |
topic |
Body Abject Technologies Affection Violence Corpo Abjeto Cinema Tecnologias Afeto Violência Imagem corporal na arte Corpo humano e tecnologia Violência no cinema Sexo no cinema LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
dc.subject.por.fl_str_mv |
Corpo Abjeto Cinema Tecnologias Afeto Violência Imagem corporal na arte Corpo humano e tecnologia Violência no cinema Sexo no cinema |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
description |
The objective is to investigate how the schematization of the body as a locus of a conflicting, mediation and manifestation, of a body of otherness, a body that bothers, the abject body and its condition as a relational basis, has taken place in contemporary cinema. They found thoughts, concepts and achievements, ranging from literature and philosophical thought, to cinema, more specifically, in David Cronenberg, Michael Haneke, Claire Denis and Leos Carax. The period in which the research is delimited is focused from the mid-1970s (approx. 1975) to the present day, as it is understood that this period comprises a moment of aesthetic-creative unity experienced by the aforementioned directors, as well as several phenomena that contextualize, often in a basic way, the themes, forms and aesthetic options observed in the works of the directors in question, in addition to having been also, not by chance, in which the concept of the abject body was developed more intensely, from , mainly by Julia Kristeva, with resonances in Judith Butler. It is intended to carry out a specific analysis of the concepts of body, abject body, embodiments, changing body and its relations with violent ethos and sexuality, within contemporary cinema, contextualizing it with scientific/artistic/cultural production, specifically that focused on thought from the body, from bodily changes, from the relationship between body and technology, the desire over the body. The aesthetic organism used by the directors will not be neglected, since it is understood that this is part of the construction of the discourse about the body and its resonances in important thinkers such as KRISTEVA, DELEUZE, GIL, ECO, BUTLER, BRETON, among others |
publishDate |
2019 |
dc.date.issued.fl_str_mv |
2019-08-31 |
dc.date.accessioned.fl_str_mv |
2022-01-21T19:19:41Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/doctoralThesis |
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doctoralThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
BARBOSA, Alex Santos. O corpo abjeto e suas conectividades no cinema contemporâneo. 2019. 182 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2019. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/17095 |
identifier_str_mv |
BARBOSA, Alex Santos. O corpo abjeto e suas conectividades no cinema contemporâneo. 2019. 182 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2019. |
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http://www.bdtd.uerj.br/handle/1/17095 |
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Universidade do Estado do Rio de Janeiro |
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Brasil |
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Centro de Educação e Humanidades::Instituto de Artes |
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Universidade do Estado do Rio de Janeiro |
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