O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg

Detalhes bibliográficos
Autor(a) principal: Barbosa, Alex Santos
Data de Publicação: 2014
Outros Autores: quartoimaginario@gmail.com
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
Texto Completo: http://www.bdtd.uerj.br/handle/1/17103
Resumo: It aims to investigate how the dialog between real and virtual and the condition of the body as a mediator and locus of manifestation and representation of this relation, more specifically, in David Cronenberg, has been given in contemporary cinema. The period in which the research is delimited is focused from the mid-1970s (approx. 1975) to the present day, because it is understood that this period comprises a moment of aesthetic-creative unity experienced by the aforementioned director, as well as several Phenomena that contextualize, often in a basic way, the themes, forms and aesthetic options observed of the work of the author in question. It is intended to carry out a specific analysis of the theme within the cinema of David Cronenberg, more specifically in "eXistenZ" (1999), contextualizing with the scientific / artistic / cultural production, specifically that focused on real / virtual and representation of the body, and analyze If it collaborates for the introduction of new elements by which the "chronenbergian" work can be thought or vice versa. It has been previously verified that the existing academic production points to a keen perception of reality by the director David Cronenberg (who is attuned to the technological innovations and their implications in the perception of the real) and his deep reflection, of an essayistic character in some films, about Of organic technologies and of the place of cinema as an expression. Linked to this investigation are the theoretical discussions about body, reflexivity, representation and cinematic language. The aesthetic organism used by the director will not be despised, since it is understood that this is part of the construction of the discourse about the body and its relation to the idea thought by Cronenberg
id UERJ_aafd2115167ce5f210af83ad7d1601ee
oai_identifier_str oai:www.bdtd.uerj.br:1/17103
network_acronym_str UERJ
network_name_str Biblioteca Digital de Teses e Dissertações da UERJ
repository_id_str 2903
spelling Gueron, Rodrigohttp://lattes.cnpq.br/7403941651097693Victorio Filho, Aldohttp://lattes.cnpq.br/4856601990720597Barata, Danillo Silvahttp://lattes.cnpq.br/3669937313676722http://lattes.cnpq.br/3513669058598152Barbosa, Alex Santosquartoimaginario@gmail.com2022-01-27T17:37:59Z2014-05-31BARBOSA, Alex Santos. O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg. 2014. 74 f. Dissertação (Mestrado em Artes e Cultura Contemporânea) - Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2014.http://www.bdtd.uerj.br/handle/1/17103It aims to investigate how the dialog between real and virtual and the condition of the body as a mediator and locus of manifestation and representation of this relation, more specifically, in David Cronenberg, has been given in contemporary cinema. The period in which the research is delimited is focused from the mid-1970s (approx. 1975) to the present day, because it is understood that this period comprises a moment of aesthetic-creative unity experienced by the aforementioned director, as well as several Phenomena that contextualize, often in a basic way, the themes, forms and aesthetic options observed of the work of the author in question. It is intended to carry out a specific analysis of the theme within the cinema of David Cronenberg, more specifically in "eXistenZ" (1999), contextualizing with the scientific / artistic / cultural production, specifically that focused on real / virtual and representation of the body, and analyze If it collaborates for the introduction of new elements by which the "chronenbergian" work can be thought or vice versa. It has been previously verified that the existing academic production points to a keen perception of reality by the director David Cronenberg (who is attuned to the technological innovations and their implications in the perception of the real) and his deep reflection, of an essayistic character in some films, about Of organic technologies and of the place of cinema as an expression. Linked to this investigation are the theoretical discussions about body, reflexivity, representation and cinematic language. The aesthetic organism used by the director will not be despised, since it is understood that this is part of the construction of the discourse about the body and its relation to the idea thought by CronenbergObjetiva-se investigar como tem se dado no cinema da contemporaneidade o diálogo entre real e virtual e a condição do corpo como mediador e lócus de manifestação e representação desta relação, mais especificamente, em David Cronenberg. O período no qual se delimita a pesquisa está focado a partir de meados da década de 1970 (aprox. 1975) até os dias atuais, por se entender que esse período compreende um momento de unidade estético-criativa vivenciada pelo referido diretor, bem como diversos fenômenos que contextualizam, muitas vezes de forma basilar, os temas, formas e opções estéticas observadas da obra do autor em questão. Pretende-se realizar uma análise específica do tema dentro do cinema de David Cronenberg, mais especificamente em “eXistenZ” (1999), contextualizando com a produção científica/artística/cultural, especificamente aquela voltada para real/virtual e representação do corpo, e analisar se esta colabora para a introdução de novos elementos pelos quais se possam pensar a obra “cronenbergiana” ou vice-versa. Verificou-se previamente que a produção acadêmica existente aponta para uma aguda percepção da realidade por parte do diretor David Cronenberg (que está antenado às inovações tecnológicas e suas implicações na percepção do real) e sua profunda reflexão, de caráter ensaístico em alguns filmes, acerca de tecnologias orgânicas e do lugar do cinema enquanto expressão. Atreladas a esta investigação estão as discussões teóricas sobre corpo, reflexividade, representação e linguagem cinematográfica. O organismo estético utilizado pelo diretor não será desprezado, uma vez que se entende que este faz parte da construção do discurso a respeito do corpo e sua relação com a representação pensada por CronenbergSubmitted by Eliana CEH/B (liliprata2000@gmail.com) on 2022-01-27T17:37:59Z No. of bitstreams: 1 Dissertação - Alex Santos Barbosa - 2014 - Completa.pdf: 1012806 bytes, checksum: 558c50dade2d4dc0dbbb11c45d7fc326 (MD5)Made available in DSpace on 2022-01-27T17:37:59Z (GMT). No. of bitstreams: 1 Dissertação - Alex Santos Barbosa - 2014 - Completa.pdf: 1012806 bytes, checksum: 558c50dade2d4dc0dbbb11c45d7fc326 (MD5) Previous issue date: 2014-05-31Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBrasilCentro de Educação e Humanidades::Instituto de ArtesBodyCorpoCinemaVirtualCronenberg, David, 1943-Corpo como suporte da arteRealidade virtual na arteCinema canadenseLINGUISTICA, LETRAS E ARTES::ARTES::CINEMAO NEOHUMANO: corpos e virtualidades no cinema de David CronenbergTHE NEOHUMAN: bodies and virtualities in David Cronenberg's cinemainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALDissertação - Alex Santos Barbosa - 2014 - Completa.pdfDissertação - Alex Santos Barbosa - 2014 - Completa.pdfapplication/pdf1012806http://www.bdtd.uerj.br/bitstream/1/17103/2/Disserta%C3%A7%C3%A3o+-+Alex+Santos+Barbosa+-+2014+-+Completa.pdf558c50dade2d4dc0dbbb11c45d7fc326MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/17103/1/license.txte5502652da718045d7fcd832b79fca29MD511/171032024-02-26 16:04:22.382oai:www.bdtd.uerj.br:1/17103Tk9UQTogTElDRU7Dh0EgUkVERSBTSVJJVVMKRXN0YSBsaWNlbsOnYSBkZSBleGVtcGxvIMOpIGZvcm5lY2lkYSBhcGVuYXMgcGFyYSBmaW5zIGluZm9ybWF0aXZvcy4KCkxJQ0VOw4dBIERFIERJU1RSSUJVScOHw4NPIE7Dg08tRVhDTFVTSVZBCgpDb20gYSBhcHJlc2VudGHDp8OjbyBkZXN0YSBsaWNlbsOnYSwgdm9jw6ogKG8gYXV0b3IgKGVzKSBvdSBvIHRpdHVsYXIgZG9zIGRpcmVpdG9zIGRlIGF1dG9yKSBjb25jZWRlIMOgIFVuaXZlcnNpZGFkZSAKZG8gRXN0YWRvIGRvIFJpbyBkZSBKYW5laXJvIChVRVJKKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFVFUkogcG9kZSwgc2VtIGFsdGVyYXIgbyBjb250ZcO6ZG8sIHRyYW5zcG9yIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAKcGFyYSBxdWFscXVlciBtZWlvIG91IGZvcm1hdG8gcGFyYSBmaW5zIGRlIHByZXNlcnZhw6fDo28uCgpWb2PDqiB0YW1iw6ltIGNvbmNvcmRhIHF1ZSBhIFVFUkogcG9kZSBtYW50ZXIgbWFpcyBkZSB1bWEgY8OzcGlhIGEgc3VhIHRlc2Ugb3UgCmRpc3NlcnRhw6fDo28gcGFyYSBmaW5zIGRlIHNlZ3VyYW7Dp2EsIGJhY2stdXAgZSBwcmVzZXJ2YcOnw6NvLgoKVm9jw6ogZGVjbGFyYSBxdWUgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIMOpIG9yaWdpbmFsIGUgcXVlIHZvY8OqIHRlbSBvIHBvZGVyIGRlIGNvbmNlZGVyIG9zIGRpcmVpdG9zIGNvbnRpZG9zIApuZXN0YSBsaWNlbsOnYS4gVm9jw6ogdGFtYsOpbSBkZWNsYXJhIHF1ZSBvIGRlcMOzc2l0byBkYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG7Do28sIHF1ZSBzZWphIGRlIHNldSAKY29uaGVjaW1lbnRvLCBpbmZyaW5nZSBkaXJlaXRvcyBhdXRvcmFpcyBkZSBuaW5ndcOpbS4KCkNhc28gYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIGNvbnRlbmhhIG1hdGVyaWFsIHF1ZSB2b2PDqiBuw6NvIHBvc3N1aSBhIHRpdHVsYXJpZGFkZSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMsIHZvY8OqIApkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgw6AgVUVSSiBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgCmlkZW50aWZpY2FkbyBlIHJlY29uaGVjaWRvIG5vIHRleHRvIG91IG5vIGNvbnRlw7pkbyBkYSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gb3JhIGRlcG9zaXRhZGEuCgpDQVNPIEEgVEVTRSBPVSBESVNTRVJUQcOHw4NPIE9SQSBERVBPU0lUQURBIFRFTkhBIFNJRE8gUkVTVUxUQURPIERFIFVNIFBBVFJPQ8ONTklPIE9VIApBUE9JTyBERSBVTUEgQUfDik5DSUEgREUgRk9NRU5UTyBPVSBPVVRSTyBPUkdBTklTTU8gUVVFIE7Dg08gU0VKQSBFU1RBClVOSVZFUlNJREFERSwgVk9Dw4ogREVDTEFSQSBRVUUgUkVTUEVJVE9VIFRPRE9TIEUgUVVBSVNRVUVSIERJUkVJVE9TIERFIFJFVklTw4NPIENPTU8gClRBTULDiU0gQVMgREVNQUlTIE9CUklHQcOHw5VFUyBFWElHSURBUyBQT1IgQ09OVFJBVE8gT1UgQUNPUkRPLgoKQSBVbml2ZXJzaWRhZGUgZG8gRXN0YWRvIGRvIFJpbyBkZSBKYW5laXJvIChVRVJKKSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-26T19:04:22Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false
dc.title.por.fl_str_mv O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
dc.title.alternative.eng.fl_str_mv THE NEOHUMAN: bodies and virtualities in David Cronenberg's cinema
title O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
spellingShingle O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
Barbosa, Alex Santos
Body
Corpo
Cinema
Virtual
Cronenberg, David, 1943-
Corpo como suporte da arte
Realidade virtual na arte
Cinema canadense
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
title_short O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
title_full O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
title_fullStr O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
title_full_unstemmed O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
title_sort O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg
author Barbosa, Alex Santos
author_facet Barbosa, Alex Santos
quartoimaginario@gmail.com
author_role author
author2 quartoimaginario@gmail.com
author2_role author
dc.contributor.advisor1.fl_str_mv Gueron, Rodrigo
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/7403941651097693
dc.contributor.referee1.fl_str_mv Victorio Filho, Aldo
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/4856601990720597
dc.contributor.referee2.fl_str_mv Barata, Danillo Silva
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/3669937313676722
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/3513669058598152
dc.contributor.author.fl_str_mv Barbosa, Alex Santos
quartoimaginario@gmail.com
contributor_str_mv Gueron, Rodrigo
Victorio Filho, Aldo
Barata, Danillo Silva
dc.subject.eng.fl_str_mv Body
topic Body
Corpo
Cinema
Virtual
Cronenberg, David, 1943-
Corpo como suporte da arte
Realidade virtual na arte
Cinema canadense
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
dc.subject.por.fl_str_mv Corpo
Cinema
Virtual
Cronenberg, David, 1943-
Corpo como suporte da arte
Realidade virtual na arte
Cinema canadense
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
description It aims to investigate how the dialog between real and virtual and the condition of the body as a mediator and locus of manifestation and representation of this relation, more specifically, in David Cronenberg, has been given in contemporary cinema. The period in which the research is delimited is focused from the mid-1970s (approx. 1975) to the present day, because it is understood that this period comprises a moment of aesthetic-creative unity experienced by the aforementioned director, as well as several Phenomena that contextualize, often in a basic way, the themes, forms and aesthetic options observed of the work of the author in question. It is intended to carry out a specific analysis of the theme within the cinema of David Cronenberg, more specifically in "eXistenZ" (1999), contextualizing with the scientific / artistic / cultural production, specifically that focused on real / virtual and representation of the body, and analyze If it collaborates for the introduction of new elements by which the "chronenbergian" work can be thought or vice versa. It has been previously verified that the existing academic production points to a keen perception of reality by the director David Cronenberg (who is attuned to the technological innovations and their implications in the perception of the real) and his deep reflection, of an essayistic character in some films, about Of organic technologies and of the place of cinema as an expression. Linked to this investigation are the theoretical discussions about body, reflexivity, representation and cinematic language. The aesthetic organism used by the director will not be despised, since it is understood that this is part of the construction of the discourse about the body and its relation to the idea thought by Cronenberg
publishDate 2014
dc.date.issued.fl_str_mv 2014-05-31
dc.date.accessioned.fl_str_mv 2022-01-27T17:37:59Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv BARBOSA, Alex Santos. O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg. 2014. 74 f. Dissertação (Mestrado em Artes e Cultura Contemporânea) - Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2014.
dc.identifier.uri.fl_str_mv http://www.bdtd.uerj.br/handle/1/17103
identifier_str_mv BARBOSA, Alex Santos. O NEOHUMANO: corpos e virtualidades no cinema de David Cronenberg. 2014. 74 f. Dissertação (Mestrado em Artes e Cultura Contemporânea) - Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2014.
url http://www.bdtd.uerj.br/handle/1/17103
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Artes
dc.publisher.initials.fl_str_mv UERJ
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Centro de Educação e Humanidades::Instituto de Artes
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UERJ
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Biblioteca Digital de Teses e Dissertações da UERJ
collection Biblioteca Digital de Teses e Dissertações da UERJ
bitstream.url.fl_str_mv http://www.bdtd.uerj.br/bitstream/1/17103/2/Disserta%C3%A7%C3%A3o+-+Alex+Santos+Barbosa+-+2014+-+Completa.pdf
http://www.bdtd.uerj.br/bitstream/1/17103/1/license.txt
bitstream.checksum.fl_str_mv 558c50dade2d4dc0dbbb11c45d7fc326
e5502652da718045d7fcd832b79fca29
bitstream.checksumAlgorithm.fl_str_mv MD5
MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv bdtd.suporte@uerj.br
_version_ 1811728703487475712