Performances neo-sirênicas: mitopoética, instinto caraíba e gaia ciência na canção popular

• Autor(a) principal: Oliveira, Leonardo Davino de
• Data de Publicação: 2014
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/6098
• topic: Vocal performance; Neo-sirens; Cancional subject; Subject of the song; Performance vocal; Neo-sereias; Metacanção; Sujeito cancional; Sujeito da canção; Música popular Brasil História e crítica; Música e mitologia; Música Filosofia e estética; Sereias; Sujeito (Filosofia); Iemanjá; Música Interpretação (Fraseado, dinâmica, etc.); CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA COMPARADA

This thesis discusses the idea defended by Walter Benjamin (1892-1940) about the loss of aura of art objects in technical modernity in its reproducibility, and argues that cancionistas are modern neo-sirens bearing in vocal performance at gay science nourished by the caraíba instinct of our Brazilian culture. To this end, a mostly interpretive methodology of popular songs, coupled with the comparative method confronting W. Benjamin, T. Adorno and Oswald de Andrade, among other thinkers investigates: ( 1 ) the practical application of the concept of mythopoetic on the re-creation and permanence of sirênico myth the myth as a source of knowledge, from the archetype of the siren-mother Iemanjá and its derivatives, ( 2 ) the concept of metacanção, the song as a product of neo-sirens and how subjectivity of language, and ( 3 ) the distinction between cancional subject and subject of the song as neo-sirênicos artistic artifices settlers in Brazil