O real em feedback: regimes de autenticidade, narrativas e alteridade nas reformulações do documentário interativo

• Autor(a) principal: Larocca, Gianna Gobbo
• Data de Publicação: 2019
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/9045
• topic: Interactive documentary; Interaction design; Digital media; Audiovisual documentary; Spectatoriality; Documentário interativo; Design de interação; Mídias digitais; Documentário audiovisual; Espectatorialidade; CNPQ::CIENCIAS SOCIAIS APLICADAS::DESENHO INDUSTRIAL

Interactive documentaries are producing new modulations in the conventions of audiovisual documentary by placing interaction design in the foreground of the interface mediation. The main effect aimed and promised is a greater interchange with the audience, which now has the dual specification of user-viewer. However, breaking the encapsulation of audiovisual media is not new. The fictional cinema had to establish codes, which were partly absorbed by the documentary, to guarantee an immersive regime. These codes have always been more ambiguous in narratives dealing with reality. Representing our social world, shared with actors on the screen, the documentary often indicated a transition of the representation reality to the reality of the spaces inhabited by the viewer. If interactive documentaries also seek this permeability, it is set by means of feedback: with the mouse pointer, users-viewers must shape i-doc through their actions with interactive media and their real-world expertise . In either direction, these boundaries are intense zones of discourse production. Our research seeks to investigate the discourses about the real that are produced in this change of direction of the i-docs, articulating them with the tradition of the documentary and the culture of the new media, in order to indicate their regimes of authenticity, narrative reformulations and spectoriality.