Realismo de confronto: a representação do imprevisível

• Autor(a) principal: Amaral, Marcela de Souza
• Data de Publicação: 2018
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/7397
• topic: Realism; Confrontation; Reality; Representation; Realismo; Confronto; Realidade; Real; Representação; Cinema; Realismo no cinema; Realidade virtual na arte; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA

The present study proposes an investigation on the concept of "confrontational realism", which can be found in cinematographic schemes and practices that put the Real in question. In order to validate the concept, we seek to confirm a central hypothesis, which embaces three other important questions and that toghether configure and support strategies that would put into confrontation the representational modes of cinema, sponsoring a change in the level of realism in films. Under the general idea that confrontational realism brings reality into representation, it may identify a realistic form that would absorb the unpredictability of reality as a form of expression, and that would be confronted with the representative forms in the film. This concept s study seeks to understand not so recent practices of cinema; but practices that have gained strength and importance in cinematographic theory and practice in actual days and may help to configure an alternative to the understanding of realism