Corpo-tecelão: Urdume aberto às tramas experimentais
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/20341 |
Resumo: | The objective of this dissertation is to present the research, developments and experiences of Corpo-tecelão and its invented vocabulary, to fictionalize tearlogia, the fictional science of those who weave themselves. 1. Make reflexotrama. 2. Investigate the layers of the tissue, the provocations and crossings that happen in the mind called tecitarmento. 3. The tramarbolismo within us, which settle. 4. They are repeated and renewed in molecitura. 5. From the torsions are constituted the thickness of the enerfios over the years. New words, textures, tools of the textile language to carry out the investigation of what the thread can do in the contemporary world and in dialogue with other fields. The work is divided into three stages: weaving, weaving, finishing. As with weaving, we begin with the presentation of the words works, inspired by the artist Grada Kilomba. In addition to the invented vocabulary, Brazilian artists are invited to assemble the research warp: Cildo Meireles, Edith Derdyk, Janaina Melo, Hélio Oiticica, Lygia Clarck, Ernesto Neto and Ana Maria Maiolino. Artists' works are selected to explain and exemplify the idea of an open warp to experimental plots. The next step of the plot develops with the authors Michel de Certeau, Emanuele Coccia, Renato Cohen, Guiles Deleuze e Félix Guattari, Vilém Flusser, Michel Foucault, Merlin Sheldrake, Tim Ingold, Rosane Preciosa, Richard Schechner, Diana Taylor, and Mariana Guimarães. Artists and references collaborate in the foundation and woven materiality of the proposed concepts from the body that weaves in performance, documenting the weaving from within the craft. It weaves itself and the other, in the same fabric |
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Fatorelli, Maria Luizahttp://lattes.cnpq.br/3434170632302743Mendes, Eloisa Brantes Bacellarhttp://lattes.cnpq.br/3036110065959550Guimarães, Mariana de Souzahttp://lattes.cnpq.br/0439164546070328http://lattes.cnpq.br/0197513878703119Souza, Alexandre Heberte Mendes dealexandre_heberte@hotmail.com2023-09-22T17:35:42Z2023-04-28SOUZA, Alexandre Heberte Mendes de. Corpo-tecelão: urdume aberto às tramas experimentais. 2023. 86 f. Dissertação (Mestrado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2023.http://www.bdtd.uerj.br/handle/1/20341The objective of this dissertation is to present the research, developments and experiences of Corpo-tecelão and its invented vocabulary, to fictionalize tearlogia, the fictional science of those who weave themselves. 1. Make reflexotrama. 2. Investigate the layers of the tissue, the provocations and crossings that happen in the mind called tecitarmento. 3. The tramarbolismo within us, which settle. 4. They are repeated and renewed in molecitura. 5. From the torsions are constituted the thickness of the enerfios over the years. New words, textures, tools of the textile language to carry out the investigation of what the thread can do in the contemporary world and in dialogue with other fields. The work is divided into three stages: weaving, weaving, finishing. As with weaving, we begin with the presentation of the words works, inspired by the artist Grada Kilomba. In addition to the invented vocabulary, Brazilian artists are invited to assemble the research warp: Cildo Meireles, Edith Derdyk, Janaina Melo, Hélio Oiticica, Lygia Clarck, Ernesto Neto and Ana Maria Maiolino. Artists' works are selected to explain and exemplify the idea of an open warp to experimental plots. The next step of the plot develops with the authors Michel de Certeau, Emanuele Coccia, Renato Cohen, Guiles Deleuze e Félix Guattari, Vilém Flusser, Michel Foucault, Merlin Sheldrake, Tim Ingold, Rosane Preciosa, Richard Schechner, Diana Taylor, and Mariana Guimarães. Artists and references collaborate in the foundation and woven materiality of the proposed concepts from the body that weaves in performance, documenting the weaving from within the craft. It weaves itself and the other, in the same fabricO objetivo desta dissertação é apresentar a pesquisa, os desenvolvimentos e as experiências do Corpo-tecelão e seu vocabulário inventado, para ficcionar a tearlogia, ciência ficcional de quem trama a si. 1. Fazer reflexotramas. 2. Investigar as camadas do tecido, as provocações e atravessamentos que acontecem na mente denominados de tecitarmentos. 3. O tramarbolismo dentro de nós, que se fixam. 4. Se repetem e se renovam nas molecucituras. 5. Das torções se constituem a espessura dos enerfios ao passar dos anos. Novas palavras, tecituras, ferramentas da linguagem têxtil para dar conta da investigação do que pode o fio no contemporâneo e em dialogo com outros campos. O trabalho é dividido em três momentos: urdir, tecer, dar acabamentos. Assim como na tecelagem, começamos com a apresentação das palavras obras, inspirado pela artista Grada Kilomba. Além do vocabulário inventado, são convocados para montar o urdume da pesquisa, os artistas brasileiros: Cildo Meireles, Edith Derdyk, Janaina Melo, Hélio Oiticica, Lygia Clarck, Ernesto Neto e Ana Maria Maiolino. Obras dos artistas são selecionadas para explicar e exemplificar a ideia do urdume aberto às tramas experimentais. O passo seguinte da trama se desenvolve com os autores Michel de Certeau, Emanuele Coccia, Renato Cohen, Guiles Deleuze e Félix Guattari, Vilém Flusser, Michel Foucault, Merlin Sheldrake, Tim Ingold, Rosane Preciosa, Richard Schechner, Diana Taylor, e Mariana Guimarães. Artistas e referências colaboram na fundamentação e na materialidade tecida dos conceitos propostos a partir do corpo que tece em performance, documenta a tecelagem de dentro do oficio. Tece a si e a outro, na mesma tecituraSubmitted by Helio CEH/B (hagoncalves137@yahoo.com.br) on 2023-09-22T17:35:42Z No. of bitstreams: 1 Dissertacao - Alexandre Heberte Mendes de Souza - 2023 - Completo.pdf: 5129237 bytes, checksum: e67db896f866bddbe34b7f0a398e6ffa (MD5)Made available in DSpace on 2023-09-22T17:35:42Z (GMT). No. of bitstreams: 1 Dissertacao - Alexandre Heberte Mendes de Souza - 2023 - Completo.pdf: 5129237 bytes, checksum: e67db896f866bddbe34b7f0a398e6ffa (MD5) Previous issue date: 2023-04-28Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBrasilCentro de Educação e Humanidades::Instituto de ArtesWeavingWeaver bodyOpen warpExperimental weftsYarnTecelagemCorpo-tecelãoUrdume abertoTramas experimentaisFioTecelagem - BrasilVocabulárioArtes plásticas – BrasilAculturaçãoLINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS::TECELAGEMCorpo-tecelão: Urdume aberto às tramas experimentaisCorpo-tecelão: open warp to experimental weftsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALDissertacao - Alexandre Heberte Mendes de Souza - 2023 - Completo.pdfDissertacao - Alexandre Heberte Mendes de Souza - 2023 - Completo.pdfapplication/pdf5129237http://www.bdtd.uerj.br/bitstream/1/20341/2/Dissertacao+-+Alexandre+Heberte+Mendes+de+Souza+-+2023+-+Completo.pdfe67db896f866bddbe34b7f0a398e6ffaMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/20341/1/license.txte5502652da718045d7fcd832b79fca29MD511/203412024-02-26 16:04:26.633oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-26T19:04:26Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
Corpo-tecelão: Urdume aberto às tramas experimentais |
dc.title.alternative.eng.fl_str_mv |
Corpo-tecelão: open warp to experimental wefts |
title |
Corpo-tecelão: Urdume aberto às tramas experimentais |
spellingShingle |
Corpo-tecelão: Urdume aberto às tramas experimentais Souza, Alexandre Heberte Mendes de Weaving Weaver body Open warp Experimental wefts Yarn Tecelagem Corpo-tecelão Urdume aberto Tramas experimentais Fio Tecelagem - Brasil Vocabulário Artes plásticas – Brasil Aculturação LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS::TECELAGEM |
title_short |
Corpo-tecelão: Urdume aberto às tramas experimentais |
title_full |
Corpo-tecelão: Urdume aberto às tramas experimentais |
title_fullStr |
Corpo-tecelão: Urdume aberto às tramas experimentais |
title_full_unstemmed |
Corpo-tecelão: Urdume aberto às tramas experimentais |
title_sort |
Corpo-tecelão: Urdume aberto às tramas experimentais |
author |
Souza, Alexandre Heberte Mendes de |
author_facet |
Souza, Alexandre Heberte Mendes de alexandre_heberte@hotmail.com |
author_role |
author |
author2 |
alexandre_heberte@hotmail.com |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Fatorelli, Maria Luiza |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/3434170632302743 |
dc.contributor.referee1.fl_str_mv |
Mendes, Eloisa Brantes Bacellar |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/3036110065959550 |
dc.contributor.referee2.fl_str_mv |
Guimarães, Mariana de Souza |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/0439164546070328 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0197513878703119 |
dc.contributor.author.fl_str_mv |
Souza, Alexandre Heberte Mendes de alexandre_heberte@hotmail.com |
contributor_str_mv |
Fatorelli, Maria Luiza Mendes, Eloisa Brantes Bacellar Guimarães, Mariana de Souza |
dc.subject.eng.fl_str_mv |
Weaving Weaver body Open warp Experimental wefts Yarn |
topic |
Weaving Weaver body Open warp Experimental wefts Yarn Tecelagem Corpo-tecelão Urdume aberto Tramas experimentais Fio Tecelagem - Brasil Vocabulário Artes plásticas – Brasil Aculturação LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS::TECELAGEM |
dc.subject.por.fl_str_mv |
Tecelagem Corpo-tecelão Urdume aberto Tramas experimentais Fio Tecelagem - Brasil Vocabulário Artes plásticas – Brasil Aculturação |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::ARTES PLASTICAS::TECELAGEM |
description |
The objective of this dissertation is to present the research, developments and experiences of Corpo-tecelão and its invented vocabulary, to fictionalize tearlogia, the fictional science of those who weave themselves. 1. Make reflexotrama. 2. Investigate the layers of the tissue, the provocations and crossings that happen in the mind called tecitarmento. 3. The tramarbolismo within us, which settle. 4. They are repeated and renewed in molecitura. 5. From the torsions are constituted the thickness of the enerfios over the years. New words, textures, tools of the textile language to carry out the investigation of what the thread can do in the contemporary world and in dialogue with other fields. The work is divided into three stages: weaving, weaving, finishing. As with weaving, we begin with the presentation of the words works, inspired by the artist Grada Kilomba. In addition to the invented vocabulary, Brazilian artists are invited to assemble the research warp: Cildo Meireles, Edith Derdyk, Janaina Melo, Hélio Oiticica, Lygia Clarck, Ernesto Neto and Ana Maria Maiolino. Artists' works are selected to explain and exemplify the idea of an open warp to experimental plots. The next step of the plot develops with the authors Michel de Certeau, Emanuele Coccia, Renato Cohen, Guiles Deleuze e Félix Guattari, Vilém Flusser, Michel Foucault, Merlin Sheldrake, Tim Ingold, Rosane Preciosa, Richard Schechner, Diana Taylor, and Mariana Guimarães. Artists and references collaborate in the foundation and woven materiality of the proposed concepts from the body that weaves in performance, documenting the weaving from within the craft. It weaves itself and the other, in the same fabric |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-09-22T17:35:42Z |
dc.date.issued.fl_str_mv |
2023-04-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SOUZA, Alexandre Heberte Mendes de. Corpo-tecelão: urdume aberto às tramas experimentais. 2023. 86 f. Dissertação (Mestrado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2023. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/20341 |
identifier_str_mv |
SOUZA, Alexandre Heberte Mendes de. Corpo-tecelão: urdume aberto às tramas experimentais. 2023. 86 f. Dissertação (Mestrado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2023. |
url |
http://www.bdtd.uerj.br/handle/1/20341 |
dc.language.iso.fl_str_mv |
por |
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por |
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openAccess |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Artes |
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UERJ |
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Brasil |
dc.publisher.department.fl_str_mv |
Centro de Educação e Humanidades::Instituto de Artes |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
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