A vida no horizonte dos possíveis

• Autor(a) principal: Almeida, Bruno Gomes de
• Data de Publicação: 2013
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/7466
• topic: Artur Barrio; Lygia Clark; Bodies; Lines; Subjectivity; Artur Barrio; Lygia Clark; Corpos; Linhas; Subjetividade; Barrio, Artur, 1945-; Clark, Lygia, 1920-1988; Arte moderna Séc. XX; Subjetividade na arte; Homem na arte; Objeto de arte; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES

The art extends territories. Reorganizes units; dissolves boundaries; reestablish barriers; exceeds limits; reorients perceptions; brings to light new possibilities. Throughout the twentieth century, Western art revealed the need for change. Change of a making; a thinking; a feeling; a conceiving. Certainly, by highlighting the diversity of production so important to the advents of modern and contemporary art, there was a consensus not of proposals, but from desires, which presented and pointed to an art closer to life. Thus, we perceive works that showed more than a contemplative experience. They brought to the fore action strategies and production very interested in divesting life from bonds from a domain at the level of subjectivity. Thus, we will seek further reflection on the art that by releasing the senses to a previous institutionalized, aims to reach life, by providing experiences able to convoke the "old" viewers to a performance of bigger role in the experiences, opening up to the intrusion of a desire to reconduct the life´s processes. Therefore, we will redeem Lygia Clark and Artur Barrio as two important artists responsible for an ambitious production in building "new possibilities", by reverberating beyond the world of art. In Clark, we will analyze their lines and bodies. In Barrio, we will analyze their four main becomings .