RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2016 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Revista Colineares |
| Texto Completo: | https://periodicos.apps.uern.br/index.php/RCOL/article/view/128 |
Resumo: | Gregório de Matos, a Brazilian baroque poet, owing to his implacable writings was nicknamed "hell"™s mouth". In Gregorian satire, almost banned in school books, it is frequently found, besides strong virulence, language which makes use of foul words, associated to genitalia or sex acts and popular terms, amalgamated to erudition. Themes are associated to various society types which populate the state of Bahia, seen as caricatures from the poet"™s standpoint. Themes focus on Gregório de Matos"™ poetical view of the state of Bahia and its habitués; about the black and mulatto women, emphasizing the characteristic linguistic playfulness and sharpness associated to the baroque poet. Cities in which he travelled to do not escape his critiques. This study, an investigation of the strong Gregorian satire, results from the first readings associated to the research project "The Baroque in América: literature and arquitectonic-sculptural art in colonial Brazil", grounded, among other, on the ideas of João Adolfo Hansen (2004), Alfredo Bosi (1992) and Mário Faustino (2003), and analyzing de Matos"™ poetry using the codex by James Amado (1990). |
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RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRANAVALHA DO RISO: A POÉTICA SATÍRICA DE GREGÓRIO DE MATOS GUERRAGregório de MatosSatirical lyrismBrazilian baroqueGregório de MatosLírica satíricaBarroco brasileiroGregório de Matos, a Brazilian baroque poet, owing to his implacable writings was nicknamed "hell"™s mouth". In Gregorian satire, almost banned in school books, it is frequently found, besides strong virulence, language which makes use of foul words, associated to genitalia or sex acts and popular terms, amalgamated to erudition. Themes are associated to various society types which populate the state of Bahia, seen as caricatures from the poet"™s standpoint. Themes focus on Gregório de Matos"™ poetical view of the state of Bahia and its habitués; about the black and mulatto women, emphasizing the characteristic linguistic playfulness and sharpness associated to the baroque poet. Cities in which he travelled to do not escape his critiques. This study, an investigation of the strong Gregorian satire, results from the first readings associated to the research project "The Baroque in América: literature and arquitectonic-sculptural art in colonial Brazil", grounded, among other, on the ideas of João Adolfo Hansen (2004), Alfredo Bosi (1992) and Mário Faustino (2003), and analyzing de Matos"™ poetry using the codex by James Amado (1990).Gregório de Matos, poeta barroco brasileiro, por sua implacável lira recebeu a alcunha de "Boca do Inferno". Na satírica gregoriana, praticamente banida dos manuais didáticos escolares, destaca-se, além de uma virulência implacável, a linguagem, que utiliza palavras chulas, ligadas à genitália ou ao ato sexual e termos populares, o que é amalgamado a termos eruditos. A temática baseia-se na conduta de vários tipos da sociedade baiana, que se mostram como caricaturas a partir do apuro poético do Boca do Inferno. Recebem destaque neste estudo o olhar poético de Gregório de Matos sobre a Bahia e seus frequentadores; sobre as negras e mulatas, revelando a linguagem jocosa e a navalha versicular desse poeta. As cidades por onde passou também integram o elenco de enxovalhados pela ferina pena do baiano. O presente texto, investigação da fustigante satírica gregoriana, é resultado da primeira etapa de leituras e pesquisas realizadas no Projeto de Pesquisa "O Barroco na América: literatura e arte arquitetônico-escultórica no Brasil Colonial", em interlocução, entre outros, com João Adolfo Hansen (2004), Alfredo Bosi (1992) e Mário Faustino (2003), e analisando a obra poética do baiano, a partir do códice de James Amado (1990).Edições UERN2016-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.apps.uern.br/index.php/RCOL/article/view/128COLINEARES; v. 3 n. 2 (2016): Revista Colineares; 94-1222357-8203reponame:Revista Colinearesinstname:Universidade do Estado do Rio Grande do Norte (UERN)instacron:UERNporhttps://periodicos.apps.uern.br/index.php/RCOL/article/view/128/90Copyright (c) 2016 Leila Maria Araújo Tabosa, Ana Maria Remígio Osternehttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessTabosa, Leila Maria AraújoOsterne, Ana Maria Remígio 2023-07-31T16:17:54Zoai:ojs2.periodicos.apps.uern.br:article/128Revistahttp://periodicos.uern.br/index.php/colinearesPUBhttp://periodicos.uern.br/index.php/colineares/oai||rev.colineares@uern.br2357-82032357-8203opendoar:2024-05-17T13:37:34.981795Revista Colineares - Universidade do Estado do Rio Grande do Norte (UERN)false |
| dc.title.none.fl_str_mv |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA NAVALHA DO RISO: A POÉTICA SATÍRICA DE GREGÓRIO DE MATOS GUERRA |
| title |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA |
| spellingShingle |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA Tabosa, Leila Maria Araújo Gregório de Matos Satirical lyrism Brazilian baroque Gregório de Matos Lírica satírica Barroco brasileiro |
| title_short |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA |
| title_full |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA |
| title_fullStr |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA |
| title_full_unstemmed |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA |
| title_sort |
RAZOR OF LAUGHTER: THE SATIRICAL POETIC OFICIAL GREGÓRIO DE MATOS GUERRA |
| author |
Tabosa, Leila Maria Araújo |
| author_facet |
Tabosa, Leila Maria Araújo Osterne, Ana Maria Remígio |
| author_role |
author |
| author2 |
Osterne, Ana Maria Remígio |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Tabosa, Leila Maria Araújo Osterne, Ana Maria Remígio |
| dc.subject.por.fl_str_mv |
Gregório de Matos Satirical lyrism Brazilian baroque Gregório de Matos Lírica satírica Barroco brasileiro |
| topic |
Gregório de Matos Satirical lyrism Brazilian baroque Gregório de Matos Lírica satírica Barroco brasileiro |
| description |
Gregório de Matos, a Brazilian baroque poet, owing to his implacable writings was nicknamed "hell"™s mouth". In Gregorian satire, almost banned in school books, it is frequently found, besides strong virulence, language which makes use of foul words, associated to genitalia or sex acts and popular terms, amalgamated to erudition. Themes are associated to various society types which populate the state of Bahia, seen as caricatures from the poet"™s standpoint. Themes focus on Gregório de Matos"™ poetical view of the state of Bahia and its habitués; about the black and mulatto women, emphasizing the characteristic linguistic playfulness and sharpness associated to the baroque poet. Cities in which he travelled to do not escape his critiques. This study, an investigation of the strong Gregorian satire, results from the first readings associated to the research project "The Baroque in América: literature and arquitectonic-sculptural art in colonial Brazil", grounded, among other, on the ideas of João Adolfo Hansen (2004), Alfredo Bosi (1992) and Mário Faustino (2003), and analyzing de Matos"™ poetry using the codex by James Amado (1990). |
| publishDate |
2016 |
| dc.date.none.fl_str_mv |
2016-12-31 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://periodicos.apps.uern.br/index.php/RCOL/article/view/128 |
| url |
https://periodicos.apps.uern.br/index.php/RCOL/article/view/128 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://periodicos.apps.uern.br/index.php/RCOL/article/view/128/90 |
| dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Leila Maria Araújo Tabosa, Ana Maria Remígio Osterne https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2016 Leila Maria Araújo Tabosa, Ana Maria Remígio Osterne https://creativecommons.org/licenses/by-nc-sa/4.0 |
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openAccess |
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application/pdf |
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Edições UERN |
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Edições UERN |
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COLINEARES; v. 3 n. 2 (2016): Revista Colineares; 94-122 2357-8203 reponame:Revista Colineares instname:Universidade do Estado do Rio Grande do Norte (UERN) instacron:UERN |
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Universidade do Estado do Rio Grande do Norte (UERN) |
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UERN |
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UERN |
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Revista Colineares |
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Revista Colineares |
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Revista Colineares - Universidade do Estado do Rio Grande do Norte (UERN) |
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