Exu: sagrado e profano

Detalhes bibliográficos
Autor(a) principal: Fernandes, Alexandre de Oliveira
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Odeere
Texto Completo: https://periodicos2.uesb.br/index.php/odeere/article/view/1573
Resumo: This study resume contributions of Georges Bataille, Pierre Verger, Edgar Morin, Ronilda Iyakemi Ribeiro, Stefania Capone, Monique Augras with the purpose of discussing Exu as the Nagô God of the  terrace Umbanda, showing different personality ways: ambiguous and paradoxical, male and female, sacred and profane. Exu (He/She) was - in this religious view - responsible for to organize the universe, has a virulent, cheeky and shameless characteristics. Exu comes to the world with a magic club, metonymy of his erect phallus (penis). For it, he shocks decorum, morality, and Christianity. These elements embarrass the norms, shuffles the well-defined dichotomies of the West traditions and epistemologies. It breaks with the taboos and establishes a new order, erotic-sacred action that alludes to the tree of life and the fertile enjoyment of Exu. Then, who incites (excites) to Life is Exu, a God trickster to invite: come. In this works will be used different texts genres, such as tale, poem, painting, Researching a dangerous ambivalent such as Madame Satã, Maria Navalha and Zé Pelintra, Exu’s face: transvestite, naughty, erotic-sacred, hybrid, whose continuous metamorphoses Plagiarized itself, like it is easily found on trans calendar. Keywords: Exu, Sacred, Profane, Trickster.
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spelling Exu: sagrado e profanoExu: sagrado y profanoExu: sacred and profaneThis study resume contributions of Georges Bataille, Pierre Verger, Edgar Morin, Ronilda Iyakemi Ribeiro, Stefania Capone, Monique Augras with the purpose of discussing Exu as the Nagô God of the  terrace Umbanda, showing different personality ways: ambiguous and paradoxical, male and female, sacred and profane. Exu (He/She) was - in this religious view - responsible for to organize the universe, has a virulent, cheeky and shameless characteristics. Exu comes to the world with a magic club, metonymy of his erect phallus (penis). For it, he shocks decorum, morality, and Christianity. These elements embarrass the norms, shuffles the well-defined dichotomies of the West traditions and epistemologies. It breaks with the taboos and establishes a new order, erotic-sacred action that alludes to the tree of life and the fertile enjoyment of Exu. Then, who incites (excites) to Life is Exu, a God trickster to invite: come. In this works will be used different texts genres, such as tale, poem, painting, Researching a dangerous ambivalent such as Madame Satã, Maria Navalha and Zé Pelintra, Exu’s face: transvestite, naughty, erotic-sacred, hybrid, whose continuous metamorphoses Plagiarized itself, like it is easily found on trans calendar. Keywords: Exu, Sacred, Profane, Trickster.Nosso estudo retoma contribuições de Georges Bataille, Pierre Verger, Edgar Morin, Ronilda Iyakemi Ribeiro, Stefania Capone, Monique Augras com vistas a discutir Exu, deus nagô e dos terreiros de umbanda, ambíguo e paradoxal, macho e fêmea, sagrado e profano. Responsável pela ordem do universo tem caráter virulento, atrevido e sem vergonha. Vindo ao mundo com um porrete mágico, metonímia de seu falo ereto, choca o decoro, a moral e a cristandade. Constrange os proscritos e as normas, embaralha as dicotomias bem marcadas do Ocidente. Rompe com os tabus e estabelece nova (des)ordem, ação erótico-sagrada que remete à árvore da vida e ao gozo fértil de Exu. Quem incita (excita) à Vida é Exu, deus trickster a convidar: vem. Trabalharemos com textos de gêneros diversos, a saber, conto, poema, tela, fotografia para que deles salte um perigoso ambivalente como Madame Satã, Maria Navalha, Zé Pelintra, faces de Exu: travesti, travesso, erótico-sagrado, híbrido, cujas metamorfoses continuas plagiam a si mesmo, podendo até ser visto em calendário trans.  Palavras-Chave: Exu, Sagrado, Profano, Trickster. Nuestro estudio recoge las contribuciones de Georges Bataille, Pierre Verger, Edgar Morin, Ronilda Iyakemi Ribeiro, Stefania Capone, Monique Augras con el fin de discutir Exu, el dios Nagô y la umbanda, terreiros ambiguos y paradójicos, masculinos y femeninos, sagrados y profanos. El responsable del orden del universo tiene un carácter virulento, audaz y desvergonzado. Al venir al mundo con un club mágico, metonimia de su falo erecto, conmocionó el decoro, la moral y el cristianismo. Limita los proscritos y las normas, baraja las dicotomías bien marcadas de Occidente. Rompe con los tabúes y establece un nuevo (des) orden, una acción erótica-sagrada que se refiere al árbol de la vida y al disfrute fértil de Exu. Quien incita (excita) Life is Exu, un dios embaucador para invitar: ven. Trabajaremos con textos de diferentes géneros, a saber, cuentos, poemas, lienzos, fotografías para que sobresalga un ambivalente peligroso como ellos, como Madame Satã, Maria Navalha, Zé Pelintra, rostros de Exu: travesti, travieso, erótico-sagrado, híbrido, cuya metamorfosis continuamente se plagian a sí mismos, e incluso se pueden ver en un calendario trans.   Palabras clave: Exu, Sagrado, Profano, Tramposo. Edições UESB2017-07-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed articleArtículo revisado por paresArtigo avaliado pelos paresapplication/pdfhttps://periodicos2.uesb.br/index.php/odeere/article/view/157310.22481/odeere.v3i3.1573ODEERE; Vol. 2 Núm. 3 (2017): Legados Africanos e Experiências do Sagrado; 53-76ODEERE; Vol. 2 No. 3 (2017): African Legacies and Experiences of the Sacred; 53-76ODEERE; v. 2 n. 3 (2017): Legados Africanos e Experiências do Sagrado; 53-76ODEERE; Vol. 2 No. 3 (2017): Legados Africanos e Experiências do Sagrado; 53-762525-4715reponame:Revista Odeereinstname:Universidade Estadual do Sudoeste da Bahia (UESB)instacron:UESBporhttps://periodicos2.uesb.br/index.php/odeere/article/view/1573/1356Copyright (c) 2021 ODEEREhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFernandes, Alexandre de Oliveira2021-07-24T13:08:36Zoai:periodicos.periodicos2.uesb.br:article/1573Revistahttp://periodicos2.uesb.br/index.php/odeere/indexPUBhttps://periodicos2.uesb.br/index.php/odeere/oairevistaodeere@uesb.edu.br||2525-47152525-4715opendoar:2021-07-24T13:08:36Revista Odeere - Universidade Estadual do Sudoeste da Bahia (UESB)false
dc.title.none.fl_str_mv Exu: sagrado e profano
Exu: sagrado y profano
Exu: sacred and profane
title Exu: sagrado e profano
spellingShingle Exu: sagrado e profano
Fernandes, Alexandre de Oliveira
title_short Exu: sagrado e profano
title_full Exu: sagrado e profano
title_fullStr Exu: sagrado e profano
title_full_unstemmed Exu: sagrado e profano
title_sort Exu: sagrado e profano
author Fernandes, Alexandre de Oliveira
author_facet Fernandes, Alexandre de Oliveira
author_role author
dc.contributor.author.fl_str_mv Fernandes, Alexandre de Oliveira
description This study resume contributions of Georges Bataille, Pierre Verger, Edgar Morin, Ronilda Iyakemi Ribeiro, Stefania Capone, Monique Augras with the purpose of discussing Exu as the Nagô God of the  terrace Umbanda, showing different personality ways: ambiguous and paradoxical, male and female, sacred and profane. Exu (He/She) was - in this religious view - responsible for to organize the universe, has a virulent, cheeky and shameless characteristics. Exu comes to the world with a magic club, metonymy of his erect phallus (penis). For it, he shocks decorum, morality, and Christianity. These elements embarrass the norms, shuffles the well-defined dichotomies of the West traditions and epistemologies. It breaks with the taboos and establishes a new order, erotic-sacred action that alludes to the tree of life and the fertile enjoyment of Exu. Then, who incites (excites) to Life is Exu, a God trickster to invite: come. In this works will be used different texts genres, such as tale, poem, painting, Researching a dangerous ambivalent such as Madame Satã, Maria Navalha and Zé Pelintra, Exu’s face: transvestite, naughty, erotic-sacred, hybrid, whose continuous metamorphoses Plagiarized itself, like it is easily found on trans calendar. Keywords: Exu, Sacred, Profane, Trickster.
publishDate 2017
dc.date.none.fl_str_mv 2017-07-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed article
Artículo revisado por pares
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos2.uesb.br/index.php/odeere/article/view/1573
10.22481/odeere.v3i3.1573
url https://periodicos2.uesb.br/index.php/odeere/article/view/1573
identifier_str_mv 10.22481/odeere.v3i3.1573
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos2.uesb.br/index.php/odeere/article/view/1573/1356
dc.rights.driver.fl_str_mv Copyright (c) 2021 ODEERE
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 ODEERE
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edições UESB
publisher.none.fl_str_mv Edições UESB
dc.source.none.fl_str_mv ODEERE; Vol. 2 Núm. 3 (2017): Legados Africanos e Experiências do Sagrado; 53-76
ODEERE; Vol. 2 No. 3 (2017): African Legacies and Experiences of the Sacred; 53-76
ODEERE; v. 2 n. 3 (2017): Legados Africanos e Experiências do Sagrado; 53-76
ODEERE; Vol. 2 No. 3 (2017): Legados Africanos e Experiências do Sagrado; 53-76
2525-4715
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