Punchlines in North-american Rap Music
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Trabalho de conclusão de curso |
Idioma: | eng |
Título da fonte: | Repositório Institucional da UFBA |
Texto Completo: | http://repositorio.ufba.br/ri/handle/ri/17147 |
Resumo: | The objective of this writing is that of contextualizing, defining and analyzing punchlines in North-American rap music, as well as making clear what their importance is. To do so, first, a selection of important moments to the emergence of hip-hop and then, second, rap music have been selected to help in a better comprehension of the information contained within the punchlines here analyzed and also to give punchlines a sense of context, for they are strongly connected to the culture in which they gained form. Next, a selection of rappers is made, in terms of reducing the enormous quantity of punchlines that there are to a size that is possible to be analyzed at the same time of providing a variety concerning the types of punchline that there are. Lastly, and more importantly, a definition of the moment and environment in which punchlines were created is made, followed by a definition of what punchlines are, what leads them to the analysis per se of punchlines and their division into categories, categories which are defined by the way punchlines are constructed. |
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Rodrigues, Alexandre CésarRodrigues, Alexandre CésarFrança, Denise Carrascosa2015-03-12T17:19:46Z2015-03-12T17:19:46Z2015-03-122014-12TCChttp://repositorio.ufba.br/ri/handle/ri/17147The objective of this writing is that of contextualizing, defining and analyzing punchlines in North-American rap music, as well as making clear what their importance is. To do so, first, a selection of important moments to the emergence of hip-hop and then, second, rap music have been selected to help in a better comprehension of the information contained within the punchlines here analyzed and also to give punchlines a sense of context, for they are strongly connected to the culture in which they gained form. Next, a selection of rappers is made, in terms of reducing the enormous quantity of punchlines that there are to a size that is possible to be analyzed at the same time of providing a variety concerning the types of punchline that there are. Lastly, and more importantly, a definition of the moment and environment in which punchlines were created is made, followed by a definition of what punchlines are, what leads them to the analysis per se of punchlines and their division into categories, categories which are defined by the way punchlines are constructed.Submitted by Colegiado de Letras - Língua Estrangeira Moderna ou Clássica 403 (cl403@ufba.br) on 2015-03-12T11:42:08Z No. of bitstreams: 1 PUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf: 730707 bytes, checksum: ebeb0ca49e02213db2a98dae3eef161c (MD5)Approved for entry into archive by Alda Lima da Silva (sivalda@ufba.br) on 2015-03-12T17:19:46Z (GMT) No. of bitstreams: 1 PUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf: 730707 bytes, checksum: ebeb0ca49e02213db2a98dae3eef161c (MD5)Made available in DSpace on 2015-03-12T17:19:46Z (GMT). No. of bitstreams: 1 PUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf: 730707 bytes, checksum: ebeb0ca49e02213db2a98dae3eef161c (MD5)LetrasPunchlinesRap MusicUnited StatesNorth-AmericaHip-HopPunchlines in North-american Rap Musicinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisInstituto de LetrasUFBABrasilinfo:eu-repo/semantics/openAccessengreponame:Repositório Institucional da UFBAinstname:Universidade Federal da Bahia (UFBA)instacron:UFBAORIGINALPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdfPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdfapplication/pdf730707https://repositorio.ufba.br/bitstream/ri/17147/1/PUNCHLINES%20IN%20NORTH%20AMERICAN%20RAP%20MUSIC%20-%20ALEXANDRE%20RODRIGUES.pdfebeb0ca49e02213db2a98dae3eef161cMD51LICENSElicense.txtlicense.txttext/plain1345https://repositorio.ufba.br/bitstream/ri/17147/2/license.txtff6eaa8b858ea317fded99f125f5fcd0MD52TEXTPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf.txtPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf.txtExtracted texttext/plain211779https://repositorio.ufba.br/bitstream/ri/17147/3/PUNCHLINES%20IN%20NORTH%20AMERICAN%20RAP%20MUSIC%20-%20ALEXANDRE%20RODRIGUES.pdf.txtac1a6a94ea662ed129bbdc038c46f5c8MD53ri/171472022-07-05 14:03:35.628oai:repositorio.ufba.br:ri/17147VGVybW8gZGUgTGljZW7vv71hLCBu77+9byBleGNsdXNpdm8sIHBhcmEgbyBkZXDvv71zaXRvIG5vIFJlcG9zaXTvv71yaW8gSW5zdGl0dWNpb25hbCBkYSBVRkJBLgoKIFBlbG8gcHJvY2Vzc28gZGUgc3VibWlzc++/vW8gZGUgZG9jdW1lbnRvcywgbyBhdXRvciBvdSBzZXUgcmVwcmVzZW50YW50ZSBsZWdhbCwgYW8gYWNlaXRhciAKZXNzZSB0ZXJtbyBkZSBsaWNlbu+/vWEsIGNvbmNlZGUgYW8gUmVwb3NpdO+/vXJpbyBJbnN0aXR1Y2lvbmFsIGRhIFVuaXZlcnNpZGFkZSBGZWRlcmFsIGRhIEJhaGlhIApvIGRpcmVpdG8gZGUgbWFudGVyIHVtYSBj77+9cGlhIGVtIHNldSByZXBvc2l077+9cmlvIGNvbSBhIGZpbmFsaWRhZGUsIHByaW1laXJhLCBkZSBwcmVzZXJ2Ye+/ve+/vW8uIApFc3NlcyB0ZXJtb3MsIG7vv71vIGV4Y2x1c2l2b3MsIG1hbnTvv71tIG9zIGRpcmVpdG9zIGRlIGF1dG9yL2NvcHlyaWdodCwgbWFzIGVudGVuZGUgbyBkb2N1bWVudG8gCmNvbW8gcGFydGUgZG8gYWNlcnZvIGludGVsZWN0dWFsIGRlc3NhIFVuaXZlcnNpZGFkZS4KCiBQYXJhIG9zIGRvY3VtZW50b3MgcHVibGljYWRvcyBjb20gcmVwYXNzZSBkZSBkaXJlaXRvcyBkZSBkaXN0cmlidWnvv73vv71vLCBlc3NlIHRlcm1vIGRlIGxpY2Vu77+9YSAKZW50ZW5kZSBxdWU6CgogTWFudGVuZG8gb3MgZGlyZWl0b3MgYXV0b3JhaXMsIHJlcGFzc2Fkb3MgYSB0ZXJjZWlyb3MsIGVtIGNhc28gZGUgcHVibGljYe+/ve+/vWVzLCBvIHJlcG9zaXTvv71yaW8KcG9kZSByZXN0cmluZ2lyIG8gYWNlc3NvIGFvIHRleHRvIGludGVncmFsLCBtYXMgbGliZXJhIGFzIGluZm9ybWHvv73vv71lcyBzb2JyZSBvIGRvY3VtZW50bwooTWV0YWRhZG9zIGVzY3JpdGl2b3MpLgoKIERlc3RhIGZvcm1hLCBhdGVuZGVuZG8gYW9zIGFuc2Vpb3MgZGVzc2EgdW5pdmVyc2lkYWRlIGVtIG1hbnRlciBzdWEgcHJvZHXvv73vv71vIGNpZW5077+9ZmljYSBjb20gCmFzIHJlc3Ryae+/ve+/vWVzIGltcG9zdGFzIHBlbG9zIGVkaXRvcmVzIGRlIHBlcmnvv71kaWNvcy4KCiBQYXJhIGFzIHB1YmxpY2Hvv73vv71lcyBzZW0gaW5pY2lhdGl2YXMgcXVlIHNlZ3VlbSBhIHBvbO+/vXRpY2EgZGUgQWNlc3NvIEFiZXJ0bywgb3MgZGVw77+9c2l0b3MgCmNvbXB1bHPvv71yaW9zIG5lc3NlIHJlcG9zaXTvv71yaW8gbWFudO+/vW0gb3MgZGlyZWl0b3MgYXV0b3JhaXMsIG1hcyBtYW5077+9bSBhY2Vzc28gaXJyZXN0cml0byAKYW8gbWV0YWRhZG9zIGUgdGV4dG8gY29tcGxldG8uIEFzc2ltLCBhIGFjZWl0Ye+/ve+/vW8gZGVzc2UgdGVybW8gbu+/vW8gbmVjZXNzaXRhIGRlIGNvbnNlbnRpbWVudG8KIHBvciBwYXJ0ZSBkZSBhdXRvcmVzL2RldGVudG9yZXMgZG9zIGRpcmVpdG9zLCBwb3IgZXN0YXJlbSBlbSBpbmljaWF0aXZhcyBkZSBhY2Vzc28gYWJlcnRvLgo=Repositório InstitucionalPUBhttp://192.188.11.11:8080/oai/requestopendoar:19322022-07-05T17:03:35Repositório Institucional da UFBA - Universidade Federal da Bahia (UFBA)false |
dc.title.pt_BR.fl_str_mv |
Punchlines in North-american Rap Music |
title |
Punchlines in North-american Rap Music |
spellingShingle |
Punchlines in North-american Rap Music Rodrigues, Alexandre César Letras Punchlines Rap Music United States North-America Hip-Hop |
title_short |
Punchlines in North-american Rap Music |
title_full |
Punchlines in North-american Rap Music |
title_fullStr |
Punchlines in North-american Rap Music |
title_full_unstemmed |
Punchlines in North-american Rap Music |
title_sort |
Punchlines in North-american Rap Music |
author |
Rodrigues, Alexandre César |
author_facet |
Rodrigues, Alexandre César |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rodrigues, Alexandre César Rodrigues, Alexandre César |
dc.contributor.advisor1.fl_str_mv |
França, Denise Carrascosa |
contributor_str_mv |
França, Denise Carrascosa |
dc.subject.cnpq.fl_str_mv |
Letras |
topic |
Letras Punchlines Rap Music United States North-America Hip-Hop |
dc.subject.por.fl_str_mv |
Punchlines Rap Music United States North-America Hip-Hop |
description |
The objective of this writing is that of contextualizing, defining and analyzing punchlines in North-American rap music, as well as making clear what their importance is. To do so, first, a selection of important moments to the emergence of hip-hop and then, second, rap music have been selected to help in a better comprehension of the information contained within the punchlines here analyzed and also to give punchlines a sense of context, for they are strongly connected to the culture in which they gained form. Next, a selection of rappers is made, in terms of reducing the enormous quantity of punchlines that there are to a size that is possible to be analyzed at the same time of providing a variety concerning the types of punchline that there are. Lastly, and more importantly, a definition of the moment and environment in which punchlines were created is made, followed by a definition of what punchlines are, what leads them to the analysis per se of punchlines and their division into categories, categories which are defined by the way punchlines are constructed. |
publishDate |
2014 |
dc.date.submitted.none.fl_str_mv |
2014-12 |
dc.date.accessioned.fl_str_mv |
2015-03-12T17:19:46Z |
dc.date.available.fl_str_mv |
2015-03-12T17:19:46Z |
dc.date.issued.fl_str_mv |
2015-03-12 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/bachelorThesis |
format |
bachelorThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufba.br/ri/handle/ri/17147 |
dc.identifier.other.none.fl_str_mv |
TCC |
identifier_str_mv |
TCC |
url |
http://repositorio.ufba.br/ri/handle/ri/17147 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Instituto de Letras |
dc.publisher.initials.fl_str_mv |
UFBA |
dc.publisher.country.fl_str_mv |
Brasil |
publisher.none.fl_str_mv |
Instituto de Letras |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFBA instname:Universidade Federal da Bahia (UFBA) instacron:UFBA |
instname_str |
Universidade Federal da Bahia (UFBA) |
instacron_str |
UFBA |
institution |
UFBA |
reponame_str |
Repositório Institucional da UFBA |
collection |
Repositório Institucional da UFBA |
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