Punchlines in North-american Rap Music

Detalhes bibliográficos
Autor(a) principal: Rodrigues, Alexandre César
Data de Publicação: 2014
Tipo de documento: Trabalho de conclusão de curso
Idioma: eng
Título da fonte: Repositório Institucional da UFBA
Texto Completo: http://repositorio.ufba.br/ri/handle/ri/17147
Resumo: The objective of this writing is that of contextualizing, defining and analyzing punchlines in North-American rap music, as well as making clear what their importance is. To do so, first, a selection of important moments to the emergence of hip-hop and then, second, rap music have been selected to help in a better comprehension of the information contained within the punchlines here analyzed and also to give punchlines a sense of context, for they are strongly connected to the culture in which they gained form. Next, a selection of rappers is made, in terms of reducing the enormous quantity of punchlines that there are to a size that is possible to be analyzed at the same time of providing a variety concerning the types of punchline that there are. Lastly, and more importantly, a definition of the moment and environment in which punchlines were created is made, followed by a definition of what punchlines are, what leads them to the analysis per se of punchlines and their division into categories, categories which are defined by the way punchlines are constructed.
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spelling Rodrigues, Alexandre CésarRodrigues, Alexandre CésarFrança, Denise Carrascosa2015-03-12T17:19:46Z2015-03-12T17:19:46Z2015-03-122014-12TCChttp://repositorio.ufba.br/ri/handle/ri/17147The objective of this writing is that of contextualizing, defining and analyzing punchlines in North-American rap music, as well as making clear what their importance is. To do so, first, a selection of important moments to the emergence of hip-hop and then, second, rap music have been selected to help in a better comprehension of the information contained within the punchlines here analyzed and also to give punchlines a sense of context, for they are strongly connected to the culture in which they gained form. Next, a selection of rappers is made, in terms of reducing the enormous quantity of punchlines that there are to a size that is possible to be analyzed at the same time of providing a variety concerning the types of punchline that there are. Lastly, and more importantly, a definition of the moment and environment in which punchlines were created is made, followed by a definition of what punchlines are, what leads them to the analysis per se of punchlines and their division into categories, categories which are defined by the way punchlines are constructed.Submitted by Colegiado de Letras - Língua Estrangeira Moderna ou Clássica 403 (cl403@ufba.br) on 2015-03-12T11:42:08Z No. of bitstreams: 1 PUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf: 730707 bytes, checksum: ebeb0ca49e02213db2a98dae3eef161c (MD5)Approved for entry into archive by Alda Lima da Silva (sivalda@ufba.br) on 2015-03-12T17:19:46Z (GMT) No. of bitstreams: 1 PUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf: 730707 bytes, checksum: ebeb0ca49e02213db2a98dae3eef161c (MD5)Made available in DSpace on 2015-03-12T17:19:46Z (GMT). No. of bitstreams: 1 PUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf: 730707 bytes, checksum: ebeb0ca49e02213db2a98dae3eef161c (MD5)LetrasPunchlinesRap MusicUnited StatesNorth-AmericaHip-HopPunchlines in North-american Rap Musicinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisInstituto de LetrasUFBABrasilinfo:eu-repo/semantics/openAccessengreponame:Repositório Institucional da UFBAinstname:Universidade Federal da Bahia (UFBA)instacron:UFBAORIGINALPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdfPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdfapplication/pdf730707https://repositorio.ufba.br/bitstream/ri/17147/1/PUNCHLINES%20IN%20NORTH%20AMERICAN%20RAP%20MUSIC%20-%20ALEXANDRE%20RODRIGUES.pdfebeb0ca49e02213db2a98dae3eef161cMD51LICENSElicense.txtlicense.txttext/plain1345https://repositorio.ufba.br/bitstream/ri/17147/2/license.txtff6eaa8b858ea317fded99f125f5fcd0MD52TEXTPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf.txtPUNCHLINES IN NORTH AMERICAN RAP MUSIC - ALEXANDRE RODRIGUES.pdf.txtExtracted texttext/plain211779https://repositorio.ufba.br/bitstream/ri/17147/3/PUNCHLINES%20IN%20NORTH%20AMERICAN%20RAP%20MUSIC%20-%20ALEXANDRE%20RODRIGUES.pdf.txtac1a6a94ea662ed129bbdc038c46f5c8MD53ri/171472022-07-05 14:03:35.628oai:repositorio.ufba.br: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Repositório InstitucionalPUBhttp://192.188.11.11:8080/oai/requestopendoar:19322022-07-05T17:03:35Repositório Institucional da UFBA - Universidade Federal da Bahia (UFBA)false
dc.title.pt_BR.fl_str_mv Punchlines in North-american Rap Music
title Punchlines in North-american Rap Music
spellingShingle Punchlines in North-american Rap Music
Rodrigues, Alexandre César
Letras
Punchlines
Rap Music
United States
North-America
Hip-Hop
title_short Punchlines in North-american Rap Music
title_full Punchlines in North-american Rap Music
title_fullStr Punchlines in North-american Rap Music
title_full_unstemmed Punchlines in North-american Rap Music
title_sort Punchlines in North-american Rap Music
author Rodrigues, Alexandre César
author_facet Rodrigues, Alexandre César
author_role author
dc.contributor.author.fl_str_mv Rodrigues, Alexandre César
Rodrigues, Alexandre César
dc.contributor.advisor1.fl_str_mv França, Denise Carrascosa
contributor_str_mv França, Denise Carrascosa
dc.subject.cnpq.fl_str_mv Letras
topic Letras
Punchlines
Rap Music
United States
North-America
Hip-Hop
dc.subject.por.fl_str_mv Punchlines
Rap Music
United States
North-America
Hip-Hop
description The objective of this writing is that of contextualizing, defining and analyzing punchlines in North-American rap music, as well as making clear what their importance is. To do so, first, a selection of important moments to the emergence of hip-hop and then, second, rap music have been selected to help in a better comprehension of the information contained within the punchlines here analyzed and also to give punchlines a sense of context, for they are strongly connected to the culture in which they gained form. Next, a selection of rappers is made, in terms of reducing the enormous quantity of punchlines that there are to a size that is possible to be analyzed at the same time of providing a variety concerning the types of punchline that there are. Lastly, and more importantly, a definition of the moment and environment in which punchlines were created is made, followed by a definition of what punchlines are, what leads them to the analysis per se of punchlines and their division into categories, categories which are defined by the way punchlines are constructed.
publishDate 2014
dc.date.submitted.none.fl_str_mv 2014-12
dc.date.accessioned.fl_str_mv 2015-03-12T17:19:46Z
dc.date.available.fl_str_mv 2015-03-12T17:19:46Z
dc.date.issued.fl_str_mv 2015-03-12
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/bachelorThesis
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dc.language.iso.fl_str_mv eng
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dc.publisher.none.fl_str_mv Instituto de Letras
dc.publisher.initials.fl_str_mv UFBA
dc.publisher.country.fl_str_mv Brasil
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