O estatuto da música tonal em Susanne Langer
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da Universidade Federal do Ceará (UFC) |
Texto Completo: | http://www.repositorio.ufc.br/handle/riufc/51464 |
Resumo: | This article aims to understand in terms of music, for Susanne Langer, interpreted in the light of a Symbolic Forms Philosophy. This expression, in turn, is a project or theoretical program of its master, Ernst Cassirer. A theory of art that Langer proposes in Philosophy in the New Key and in Feeling and Form is thought to be a continuity of Cassirer’s critique of culture, an idea based on the conception that once the need for symbolism has been demonstrated (function without which there is no culture), it is up to philosophy to understand and follow the historical development of the modes of manifestation of the Spirit. The Music, while the most abstract of the arts, is a particular mode of symbolism, whose maturity is its internal way of transmitting in what we now call tonal music. The tonalism is the stage in which music reaches its older age only because it has been able to operate from the laws of execution, thus being the result of a long process of constitution of the musical form. |
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O estatuto da música tonal em Susanne LangerThe statute of tonal music in Susanne LangerSimbolismoMúsicaForma simbólicaLanger, Susanne, 1895-1985This article aims to understand in terms of music, for Susanne Langer, interpreted in the light of a Symbolic Forms Philosophy. This expression, in turn, is a project or theoretical program of its master, Ernst Cassirer. A theory of art that Langer proposes in Philosophy in the New Key and in Feeling and Form is thought to be a continuity of Cassirer’s critique of culture, an idea based on the conception that once the need for symbolism has been demonstrated (function without which there is no culture), it is up to philosophy to understand and follow the historical development of the modes of manifestation of the Spirit. The Music, while the most abstract of the arts, is a particular mode of symbolism, whose maturity is its internal way of transmitting in what we now call tonal music. The tonalism is the stage in which music reaches its older age only because it has been able to operate from the laws of execution, thus being the result of a long process of constitution of the musical form.É lugar comum a ideia de que vivemos uma crise moral, que nos assola de maneira radical nos dias de hoje. Neste sentido, um fluxo grande de trabalhos, no campo da Saúde, procura delinear os contornos específicos desta crise, bem como esboçar algumas possibilidades de enfrentamento aos seus desdobramentos, com ênfase no que se consagrou na literatura como “educação moral”. Na esteira destas questões, propomos este artigo cujo objetivo é estabelecer uma perspectiva diferente para a crise. Através de um esforço de natureza filosófica, e tendo o filósofo Martin Heidegger como guia desta caminhada, procuramos discutir a referida crise, abordando sua natureza mais essencial e denunciando a insuficiência da “educação moral” contemporânea face à natureza da crise.Argumentos Revista de Filosofia2020-04-27T19:08:15Z2020-04-27T19:08:15Z2020info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfAZEVEDO JÚNIOR, Ivânio Lopes de; AMARAL, Ilana Viana do. O estatuto da música tonal em Susanne Langer. Argumentos Revista de Filosofia, Fortaleza, ano 12, n. 23, p. 42-52, jan./jun. 2020.1984-4255http://www.repositorio.ufc.br/handle/riufc/51464Azevedo Júnior, Ivânio Lopes deAmaral, Ilana Viana doporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccess2020-04-27T19:17:04Zoai:repositorio.ufc.br:riufc/51464Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2024-09-11T18:21:44.096031Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false |
dc.title.none.fl_str_mv |
O estatuto da música tonal em Susanne Langer The statute of tonal music in Susanne Langer |
title |
O estatuto da música tonal em Susanne Langer |
spellingShingle |
O estatuto da música tonal em Susanne Langer Azevedo Júnior, Ivânio Lopes de Simbolismo Música Forma simbólica Langer, Susanne, 1895-1985 |
title_short |
O estatuto da música tonal em Susanne Langer |
title_full |
O estatuto da música tonal em Susanne Langer |
title_fullStr |
O estatuto da música tonal em Susanne Langer |
title_full_unstemmed |
O estatuto da música tonal em Susanne Langer |
title_sort |
O estatuto da música tonal em Susanne Langer |
author |
Azevedo Júnior, Ivânio Lopes de |
author_facet |
Azevedo Júnior, Ivânio Lopes de Amaral, Ilana Viana do |
author_role |
author |
author2 |
Amaral, Ilana Viana do |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Azevedo Júnior, Ivânio Lopes de Amaral, Ilana Viana do |
dc.subject.por.fl_str_mv |
Simbolismo Música Forma simbólica Langer, Susanne, 1895-1985 |
topic |
Simbolismo Música Forma simbólica Langer, Susanne, 1895-1985 |
description |
This article aims to understand in terms of music, for Susanne Langer, interpreted in the light of a Symbolic Forms Philosophy. This expression, in turn, is a project or theoretical program of its master, Ernst Cassirer. A theory of art that Langer proposes in Philosophy in the New Key and in Feeling and Form is thought to be a continuity of Cassirer’s critique of culture, an idea based on the conception that once the need for symbolism has been demonstrated (function without which there is no culture), it is up to philosophy to understand and follow the historical development of the modes of manifestation of the Spirit. The Music, while the most abstract of the arts, is a particular mode of symbolism, whose maturity is its internal way of transmitting in what we now call tonal music. The tonalism is the stage in which music reaches its older age only because it has been able to operate from the laws of execution, thus being the result of a long process of constitution of the musical form. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-04-27T19:08:15Z 2020-04-27T19:08:15Z 2020 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
AZEVEDO JÚNIOR, Ivânio Lopes de; AMARAL, Ilana Viana do. O estatuto da música tonal em Susanne Langer. Argumentos Revista de Filosofia, Fortaleza, ano 12, n. 23, p. 42-52, jan./jun. 2020. 1984-4255 http://www.repositorio.ufc.br/handle/riufc/51464 |
identifier_str_mv |
AZEVEDO JÚNIOR, Ivânio Lopes de; AMARAL, Ilana Viana do. O estatuto da música tonal em Susanne Langer. Argumentos Revista de Filosofia, Fortaleza, ano 12, n. 23, p. 42-52, jan./jun. 2020. 1984-4255 |
url |
http://www.repositorio.ufc.br/handle/riufc/51464 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Argumentos Revista de Filosofia |
publisher.none.fl_str_mv |
Argumentos Revista de Filosofia |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da Universidade Federal do Ceará (UFC) instname:Universidade Federal do Ceará (UFC) instacron:UFC |
instname_str |
Universidade Federal do Ceará (UFC) |
instacron_str |
UFC |
institution |
UFC |
reponame_str |
Repositório Institucional da Universidade Federal do Ceará (UFC) |
collection |
Repositório Institucional da Universidade Federal do Ceará (UFC) |
repository.name.fl_str_mv |
Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC) |
repository.mail.fl_str_mv |
bu@ufc.br || repositorio@ufc.br |
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1813028771707486208 |