O estatuto da música tonal em Susanne Langer

Detalhes bibliográficos
Autor(a) principal: Azevedo Júnior, Ivânio Lopes de
Data de Publicação: 2020
Outros Autores: Amaral, Ilana Viana do
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da Universidade Federal do Ceará (UFC)
Texto Completo: http://www.repositorio.ufc.br/handle/riufc/51464
Resumo: This article aims to understand in terms of music, for Susanne Langer, interpreted in the light of a Symbolic Forms Philosophy. This expression, in turn, is a project or theoretical program of its master, Ernst Cassirer. A theory of art that Langer proposes in Philosophy in the New Key and in Feeling and Form is thought to be a continuity of Cassirer’s critique of culture, an idea based on the conception that once the need for symbolism has been demonstrated (function without which there is no culture), it is up to philosophy to understand and follow the historical development of the modes of manifestation of the Spirit. The Music, while the most abstract of the arts, is a particular mode of symbolism, whose maturity is its internal way of transmitting in what we now call tonal music. The tonalism is the stage in which music reaches its older age only because it has been able to operate from the laws of execution, thus being the result of a long process of constitution of the musical form.
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spelling O estatuto da música tonal em Susanne LangerThe statute of tonal music in Susanne LangerSimbolismoMúsicaForma simbólicaLanger, Susanne, 1895-1985This article aims to understand in terms of music, for Susanne Langer, interpreted in the light of a Symbolic Forms Philosophy. This expression, in turn, is a project or theoretical program of its master, Ernst Cassirer. A theory of art that Langer proposes in Philosophy in the New Key and in Feeling and Form is thought to be a continuity of Cassirer’s critique of culture, an idea based on the conception that once the need for symbolism has been demonstrated (function without which there is no culture), it is up to philosophy to understand and follow the historical development of the modes of manifestation of the Spirit. The Music, while the most abstract of the arts, is a particular mode of symbolism, whose maturity is its internal way of transmitting in what we now call tonal music. The tonalism is the stage in which music reaches its older age only because it has been able to operate from the laws of execution, thus being the result of a long process of constitution of the musical form.É lugar comum a ideia de que vivemos uma crise moral, que nos assola de maneira radical nos dias de hoje. Neste sentido, um fluxo grande de trabalhos, no campo da Saúde, procura delinear os contornos específicos desta crise, bem como esboçar algumas possibilidades de enfrentamento aos seus desdobramentos, com ênfase no que se consagrou na literatura como “educação moral”. Na esteira destas questões, propomos este artigo cujo objetivo é estabelecer uma perspectiva diferente para a crise. Através de um esforço de natureza filosófica, e tendo o filósofo Martin Heidegger como guia desta caminhada, procuramos discutir a referida crise, abordando sua natureza mais essencial e denunciando a insuficiência da “educação moral” contemporânea face à natureza da crise.Argumentos Revista de Filosofia2020-04-27T19:08:15Z2020-04-27T19:08:15Z2020info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfAZEVEDO JÚNIOR, Ivânio Lopes de; AMARAL, Ilana Viana do. O estatuto da música tonal em Susanne Langer. Argumentos Revista de Filosofia, Fortaleza, ano 12, n. 23, p. 42-52, jan./jun. 2020.1984-4255http://www.repositorio.ufc.br/handle/riufc/51464Azevedo Júnior, Ivânio Lopes deAmaral, Ilana Viana doporreponame:Repositório Institucional da Universidade Federal do Ceará (UFC)instname:Universidade Federal do Ceará (UFC)instacron:UFCinfo:eu-repo/semantics/openAccess2020-04-27T19:17:04Zoai:repositorio.ufc.br:riufc/51464Repositório InstitucionalPUBhttp://www.repositorio.ufc.br/ri-oai/requestbu@ufc.br || repositorio@ufc.bropendoar:2024-09-11T18:21:44.096031Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv O estatuto da música tonal em Susanne Langer
The statute of tonal music in Susanne Langer
title O estatuto da música tonal em Susanne Langer
spellingShingle O estatuto da música tonal em Susanne Langer
Azevedo Júnior, Ivânio Lopes de
Simbolismo
Música
Forma simbólica
Langer, Susanne, 1895-1985
title_short O estatuto da música tonal em Susanne Langer
title_full O estatuto da música tonal em Susanne Langer
title_fullStr O estatuto da música tonal em Susanne Langer
title_full_unstemmed O estatuto da música tonal em Susanne Langer
title_sort O estatuto da música tonal em Susanne Langer
author Azevedo Júnior, Ivânio Lopes de
author_facet Azevedo Júnior, Ivânio Lopes de
Amaral, Ilana Viana do
author_role author
author2 Amaral, Ilana Viana do
author2_role author
dc.contributor.author.fl_str_mv Azevedo Júnior, Ivânio Lopes de
Amaral, Ilana Viana do
dc.subject.por.fl_str_mv Simbolismo
Música
Forma simbólica
Langer, Susanne, 1895-1985
topic Simbolismo
Música
Forma simbólica
Langer, Susanne, 1895-1985
description This article aims to understand in terms of music, for Susanne Langer, interpreted in the light of a Symbolic Forms Philosophy. This expression, in turn, is a project or theoretical program of its master, Ernst Cassirer. A theory of art that Langer proposes in Philosophy in the New Key and in Feeling and Form is thought to be a continuity of Cassirer’s critique of culture, an idea based on the conception that once the need for symbolism has been demonstrated (function without which there is no culture), it is up to philosophy to understand and follow the historical development of the modes of manifestation of the Spirit. The Music, while the most abstract of the arts, is a particular mode of symbolism, whose maturity is its internal way of transmitting in what we now call tonal music. The tonalism is the stage in which music reaches its older age only because it has been able to operate from the laws of execution, thus being the result of a long process of constitution of the musical form.
publishDate 2020
dc.date.none.fl_str_mv 2020-04-27T19:08:15Z
2020-04-27T19:08:15Z
2020
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv AZEVEDO JÚNIOR, Ivânio Lopes de; AMARAL, Ilana Viana do. O estatuto da música tonal em Susanne Langer. Argumentos Revista de Filosofia, Fortaleza, ano 12, n. 23, p. 42-52, jan./jun. 2020.
1984-4255
http://www.repositorio.ufc.br/handle/riufc/51464
identifier_str_mv AZEVEDO JÚNIOR, Ivânio Lopes de; AMARAL, Ilana Viana do. O estatuto da música tonal em Susanne Langer. Argumentos Revista de Filosofia, Fortaleza, ano 12, n. 23, p. 42-52, jan./jun. 2020.
1984-4255
url http://www.repositorio.ufc.br/handle/riufc/51464
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Argumentos Revista de Filosofia
publisher.none.fl_str_mv Argumentos Revista de Filosofia
dc.source.none.fl_str_mv reponame:Repositório Institucional da Universidade Federal do Ceará (UFC)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Repositório Institucional da Universidade Federal do Ceará (UFC)
collection Repositório Institucional da Universidade Federal do Ceará (UFC)
repository.name.fl_str_mv Repositório Institucional da Universidade Federal do Ceará (UFC) - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv bu@ufc.br || repositorio@ufc.br
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