TRAVEL GEOGRAPHY IN THE AGE OF STREAMING
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Geosaberes |
Texto Completo: | http://www.geosaberes.ufc.br/geosaberes/article/view/1309 |
Resumo: | Geographical knowledge was built through voyages of discovery. Travel therefore soon became a preoccupation of geographers. In the same way, cinema has gained prominence in Geography, since it is conceived as a way of thinking about space. Therefore, it is necessary to analyze the relationships between films, travel and spaces. This becomes more relevant today, when travel films gain space on streaming platforms, changing the geographical imaginary about the act of traveling, as well as about the world itself. In fact, image media, including movies, are modern ways of reading the world. Thus, this article aims to analyze the geographical discourses present in Toscana (2022), a travel film from the streaming platform Netflix. To do this, in addition to a bibliographic review on travel, film geographies and the Geography of communications, the article elaborates an interpretation of the film elements. It is concluded that the geographical imaginaries in the film are articulated in a game of otherness, in which there is an encounter / disagreement of the traveler with the local resident and, consequently, of their worldviews, their geographies, their ways of being. |
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TRAVEL GEOGRAPHY IN THE AGE OF STREAMING GEOGRAFÍA DE VIAJES EN LA ERA DEL STREAMING GEOGRAFIA DE VIAGENS NA ERA DO STREAMINGGeographical knowledge was built through voyages of discovery. Travel therefore soon became a preoccupation of geographers. In the same way, cinema has gained prominence in Geography, since it is conceived as a way of thinking about space. Therefore, it is necessary to analyze the relationships between films, travel and spaces. This becomes more relevant today, when travel films gain space on streaming platforms, changing the geographical imaginary about the act of traveling, as well as about the world itself. In fact, image media, including movies, are modern ways of reading the world. Thus, this article aims to analyze the geographical discourses present in Toscana (2022), a travel film from the streaming platform Netflix. To do this, in addition to a bibliographic review on travel, film geographies and the Geography of communications, the article elaborates an interpretation of the film elements. It is concluded that the geographical imaginaries in the film are articulated in a game of otherness, in which there is an encounter / disagreement of the traveler with the local resident and, consequently, of their worldviews, their geographies, their ways of being.El conocimiento geográfico se construyó a través de los viajes de descubrimiento. Los viajes, por tanto, pronto se convirtieron en una preocupación de los geógrafos. Del mismo modo, el cine ha ganado protagonismo en la Geografía, ya que se concibe como una forma de pensar el espacio. Por lo tanto, es necesario analizar las relaciones entre las películas, los viajes y los espacios. Esto adquiere mayor relevancia hoy en día, cuando las películas de viajes ganan espacio en las plataformas de streaming, cambiando el imaginario geográfico sobre el acto de viajar, así como sobre el propio mundo. De hecho, los medios de comunicación de la imagen, incluidas las películas, son formas modernas de leer el mundo. Así, este artículo pretende analizar los discursos geográficos presentes en Toscana (2022), una película de viajes de la plataforma de streaming Netflix. Para ello, además de una revisión bibliográfica sobre los viajes, las geografías fílmicas y la Geografía de las comunicaciones, el artículo elabora una interpretación de los elementos fílmicos. Se concluye que los imaginarios geográficos en la película se articulan en un juego de alteridad, en el que hay un encuentro/desencuentro del viajero con el residente local y, en consecuencia, de sus cosmovisiones, sus geografías, sus formas de ser.O conhecimento geográfico foi construído através de viagens de descoberta. Viajar, então, logo se tornou uma preocupação dos geógrafos. Do mesmo modo, os filmes têm ganhado relevo na Geografia, posto que são pensados como formas de se pensar o espaço. Assim, as relações entre filmes, viagens e espaços precisam ser analisadas. Isso ganha mais relevância atualmente, quando os filmes de viagem ganham espaço nas plataformas de streaming, modificando imaginações geográficas sobre o ato de viajar como também sobre o próprio mundo. Com efeito, as mídias imagéticas, incluindo os filmes, são modos modernos de ler o mundo. Assim, este artigo objetiva analisar os discursos geográficos presentes em Toscana (2022), um filme de viagens da plataforma de streaming Netflix. Para tanto, além de uma revisão bibliográfica sobre as viagens, as geografias fílmicas e a Geografia das comunicações, o artigo elabora uma interpretação dos elementos fílmicos. Conclui-se que as imaginações geográficas no filme são articuladas num jogo de alteridade, no qual há um encontro/embate do viajante com o residente local e, consequentemente, de suas visões de mundo, de suas geografias, de seus modos de ser.Universidade Federal do Ceará2024-03-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.geosaberes.ufc.br/geosaberes/article/view/130910.26895/geosaberes.v15i0.1309Geosaberes; Vol 15 (2024); 102 - 115Geosaberes; Vol 15 (2024); 102 - 115Geosaberes; Vol 15 (2024); 102 - 1152178-0463reponame:Geosaberesinstname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.geosaberes.ufc.br/geosaberes/article/view/1309/918Copyright (c) 2024 Geosabereshttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessNascimento, Francyjonison Custodio do2024-03-27T21:06:36Zoai:geosaberes.www.geosaberes.ufc.br:article/1309Revistahttp://www.geosaberes.ufc.br/geosaberes/PUBhttp://www.geosaberes.ufc.br/geosaberes/oaigeosaberes@ufc.br||jose.z.candido@gmail.com||fabiomoria@yahoo.com.br2178-04632178-0463opendoar:2024-03-27T21:06:36Geosaberes - Universidade Federal do Ceará (UFC)false |
dc.title.none.fl_str_mv |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING GEOGRAFÍA DE VIAJES EN LA ERA DEL STREAMING GEOGRAFIA DE VIAGENS NA ERA DO STREAMING |
title |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING |
spellingShingle |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING Nascimento, Francyjonison Custodio do |
title_short |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING |
title_full |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING |
title_fullStr |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING |
title_full_unstemmed |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING |
title_sort |
TRAVEL GEOGRAPHY IN THE AGE OF STREAMING |
author |
Nascimento, Francyjonison Custodio do |
author_facet |
Nascimento, Francyjonison Custodio do |
author_role |
author |
dc.contributor.author.fl_str_mv |
Nascimento, Francyjonison Custodio do |
description |
Geographical knowledge was built through voyages of discovery. Travel therefore soon became a preoccupation of geographers. In the same way, cinema has gained prominence in Geography, since it is conceived as a way of thinking about space. Therefore, it is necessary to analyze the relationships between films, travel and spaces. This becomes more relevant today, when travel films gain space on streaming platforms, changing the geographical imaginary about the act of traveling, as well as about the world itself. In fact, image media, including movies, are modern ways of reading the world. Thus, this article aims to analyze the geographical discourses present in Toscana (2022), a travel film from the streaming platform Netflix. To do this, in addition to a bibliographic review on travel, film geographies and the Geography of communications, the article elaborates an interpretation of the film elements. It is concluded that the geographical imaginaries in the film are articulated in a game of otherness, in which there is an encounter / disagreement of the traveler with the local resident and, consequently, of their worldviews, their geographies, their ways of being. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-03-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.geosaberes.ufc.br/geosaberes/article/view/1309 10.26895/geosaberes.v15i0.1309 |
url |
http://www.geosaberes.ufc.br/geosaberes/article/view/1309 |
identifier_str_mv |
10.26895/geosaberes.v15i0.1309 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.geosaberes.ufc.br/geosaberes/article/view/1309/918 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Geosaberes http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Geosaberes http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Ceará |
publisher.none.fl_str_mv |
Universidade Federal do Ceará |
dc.source.none.fl_str_mv |
Geosaberes; Vol 15 (2024); 102 - 115 Geosaberes; Vol 15 (2024); 102 - 115 Geosaberes; Vol 15 (2024); 102 - 115 2178-0463 reponame:Geosaberes instname:Universidade Federal do Ceará (UFC) instacron:UFC |
instname_str |
Universidade Federal do Ceará (UFC) |
instacron_str |
UFC |
institution |
UFC |
reponame_str |
Geosaberes |
collection |
Geosaberes |
repository.name.fl_str_mv |
Geosaberes - Universidade Federal do Ceará (UFC) |
repository.mail.fl_str_mv |
geosaberes@ufc.br||jose.z.candido@gmail.com||fabiomoria@yahoo.com.br |
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1798329642226024448 |