A tensive reading of the poem Romance Sonámbulo
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Entrepalavras |
Texto Completo: | http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/1862 |
Resumo: | The title of this paper makes a direct reference, as a tribute, to a fundamental text of the semiotician Claude Zilberberg, published in 1972, in the famous essay collection organized by A. J. Greimas (Essais de Sémiotique Poétique). So, this paper, following the logic of your inspiring text, intents to approach poetry from de poem Romance Sonámbulo (1928) by Spanish poet Federico García Lorca and, in the case of semiotics, from the tensive point of view, preferred term by Zilberberg to describe own theory, known as tensive semiotics. Moving away from the narrative structure gradually and approaching the articulation between intensivity and extensivity, as well as its by-products, surely the tensive model has a lot to say about an unexpected event, as we intend to interpret Lorca’s poem, which causes not the only one but several moments of break of implicative logic, building a true ode towards the concession sense. |
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A tensive reading of the poem Romance SonámbuloUma leitura tensiva do poema Romance SonámbuloSemiotic. Tensivity. Poetry.Semiótica. Tensividade. Poesia.The title of this paper makes a direct reference, as a tribute, to a fundamental text of the semiotician Claude Zilberberg, published in 1972, in the famous essay collection organized by A. J. Greimas (Essais de Sémiotique Poétique). So, this paper, following the logic of your inspiring text, intents to approach poetry from de poem Romance Sonámbulo (1928) by Spanish poet Federico García Lorca and, in the case of semiotics, from the tensive point of view, preferred term by Zilberberg to describe own theory, known as tensive semiotics. Moving away from the narrative structure gradually and approaching the articulation between intensivity and extensivity, as well as its by-products, surely the tensive model has a lot to say about an unexpected event, as we intend to interpret Lorca’s poem, which causes not the only one but several moments of break of implicative logic, building a true ode towards the concession sense.O título desse artigo faz referência direta, em tom de homenagem, a um texto seminal do semioticista Claude Zilberberg, publicado em 1972, na célebre coletânea de ensaios organizada por A. J. Greimas (Essais de Sémiotique Poétique). Portanto, este trabalho, seguindo a lógica do seu texto inspirador, pretende tocar na poesia, nesse caso, a partir do poema Romance Sonámbulo (1928), do espanhol Federico García Lorca, e na semiótica, a partir do ponto de vista tensivo, termo preferido por Zilberberg para descrever sua própria teoria, a atualmente também chamada semiótica zilberberguiana. Afastando-se gradativamente da estrutura narratológica e aproximando-se da articulação entre intensidade e extensidade, bem como de seus subprodutos, seguramente, o modelo tensivo tem muito a dizer de um acontecimento inesperado, como pretende-se ler aqui o poema de Lorca, o qual provoca não somente um, mas vários momentos de ruptura da lógica implicativa, erigindo uma verdadeira ode ao sentido da concessão.Universidade Federal do CearáCampos, Alexandre Silveira2020-07-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/186210.22168/2237-6321-21862Entrepalavras; v. 10, n. 2 (10)Entrepalavras; v. 10, n. 2 (10)Entrepalavras; v. 10, n. 2 (10)Entrepalavras; v. 10, n. 2 (10)Entrepalavras; v. 10, n. 2 (10)2237-6321reponame:Entrepalavrasinstname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/1862/715Direitos autorais 2020 Entrepalavrasinfo:eu-repo/semantics/openAccess2020-09-01T00:32:14Zoai:ojs.localhost:article/1862Revistahttp://www.entrepalavras.ufc.br/revista/index.php/Revista/indexPUBhttp://www.entrepalavras.ufc.br/revista/index.php/Revista/oaiwebmaster@entrepalavras.ufc.br||editor@entrepalavras.ufc.br2237-63212237-6321opendoar:2020-09-01T00:32:14Entrepalavras - Universidade Federal do Ceará (UFC)false |
dc.title.none.fl_str_mv |
A tensive reading of the poem Romance Sonámbulo Uma leitura tensiva do poema Romance Sonámbulo |
title |
A tensive reading of the poem Romance Sonámbulo |
spellingShingle |
A tensive reading of the poem Romance Sonámbulo Campos, Alexandre Silveira Semiotic. Tensivity. Poetry. Semiótica. Tensividade. Poesia. |
title_short |
A tensive reading of the poem Romance Sonámbulo |
title_full |
A tensive reading of the poem Romance Sonámbulo |
title_fullStr |
A tensive reading of the poem Romance Sonámbulo |
title_full_unstemmed |
A tensive reading of the poem Romance Sonámbulo |
title_sort |
A tensive reading of the poem Romance Sonámbulo |
author |
Campos, Alexandre Silveira |
author_facet |
Campos, Alexandre Silveira |
author_role |
author |
dc.contributor.none.fl_str_mv |
|
dc.contributor.author.fl_str_mv |
Campos, Alexandre Silveira |
dc.subject.por.fl_str_mv |
Semiotic. Tensivity. Poetry. Semiótica. Tensividade. Poesia. |
topic |
Semiotic. Tensivity. Poetry. Semiótica. Tensividade. Poesia. |
description |
The title of this paper makes a direct reference, as a tribute, to a fundamental text of the semiotician Claude Zilberberg, published in 1972, in the famous essay collection organized by A. J. Greimas (Essais de Sémiotique Poétique). So, this paper, following the logic of your inspiring text, intents to approach poetry from de poem Romance Sonámbulo (1928) by Spanish poet Federico García Lorca and, in the case of semiotics, from the tensive point of view, preferred term by Zilberberg to describe own theory, known as tensive semiotics. Moving away from the narrative structure gradually and approaching the articulation between intensivity and extensivity, as well as its by-products, surely the tensive model has a lot to say about an unexpected event, as we intend to interpret Lorca’s poem, which causes not the only one but several moments of break of implicative logic, building a true ode towards the concession sense. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-22 |
dc.type.none.fl_str_mv |
|
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/1862 10.22168/2237-6321-21862 |
url |
http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/1862 |
identifier_str_mv |
10.22168/2237-6321-21862 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.entrepalavras.ufc.br/revista/index.php/Revista/article/view/1862/715 |
dc.rights.driver.fl_str_mv |
Direitos autorais 2020 Entrepalavras info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos autorais 2020 Entrepalavras |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Ceará |
publisher.none.fl_str_mv |
Universidade Federal do Ceará |
dc.source.none.fl_str_mv |
Entrepalavras; v. 10, n. 2 (10) Entrepalavras; v. 10, n. 2 (10) Entrepalavras; v. 10, n. 2 (10) Entrepalavras; v. 10, n. 2 (10) Entrepalavras; v. 10, n. 2 (10) 2237-6321 reponame:Entrepalavras instname:Universidade Federal do Ceará (UFC) instacron:UFC |
instname_str |
Universidade Federal do Ceará (UFC) |
instacron_str |
UFC |
institution |
UFC |
reponame_str |
Entrepalavras |
collection |
Entrepalavras |
repository.name.fl_str_mv |
Entrepalavras - Universidade Federal do Ceará (UFC) |
repository.mail.fl_str_mv |
webmaster@entrepalavras.ufc.br||editor@entrepalavras.ufc.br |
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1798329730566455296 |