Tensive Semiotics and the Nathalie Sarraute’s “nouveau roman”

• Autor(a) principal: Mancini, Renata
• Data de Publicação: 2007
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Gragoatá
• Texto Completo: https://periodicos.uff.br/gragoata/article/view/33179
• topic: French semiotics. Tensivity. Rhythm. Enunciation. Contemporary literature; Semiótica francesa. Tensividade. Ritmo. Enunciação. Literatura contemporânea

Amongst the new developments of the French Semiotics in recent years, the works of Claude Zilberberg and Jacques Fontanille have attempted (also) to acknowledge sensitive contents in the processes of generation of text meaning. This new theoretical field – known as tensive semiotics – explains sensible contents in terms of continuous categories such as tempo, tonicity, intensity etc., paving the way for approaching the text as a process. Although this new conceptual framework does not introduce any drastic change in the classic analytical procedures, it has been showing to be particularly productive for treating contemporary texts whose main feature appears to be the sensitive manipulation of the enunciatée. The work of French writer Nathalie Sarraute seems to follow these very guidelines. In this essay we present an analysis of “Je ne comprends pas” (in L’usage de la parole, 1980), in which the enunciator and the enunciatée are skewed from their “classical” positions and are immersed into a first hand interaction. We intend to show that the strategy behind this text comes as a result of an entanglement of the discourse actant voices (enunciator / enunciatée, narrator / narratée, interlocutor / interlocutée) in a way to force them to share the same content rhythm. Here lies the effect of meaning of a piece of work intended to be “experienced” rather than being simply understood.