On Booze: a representation of The Roaring Twenties in the great Gatsby

Detalhes bibliográficos
Autor(a) principal: Santos, Jenison Alisson dos
Data de Publicação: 2023
Outros Autores: Gomes, Caio Antônio de Medeiros Nóbrega Nunes, Nóbrega, Elisa Mariana de Medeiros
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Letras Raras
Texto Completo: https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1784
Resumo: DOI: https://dx.doi.org/10.35572/rlr.v4i2.431 Fitzgerald is considered by many to be the spokesperson of the 1920’s post-World War I, offering his readers a distinctive look into the Golden Age of the U.S.A.. This article focuses on F. Scott Fitzgerald’s masterpiece The great Gatsby (2001) and its representation and criticism of the historical context in which author and novel are inserted: the Jazz Age or the Roaring Twenties of the United States of America. For this purpose, our critical framework is based on Bloom’s (2006) and Heise’s (2001) studies on the subject, targeting a pertinent dialogue with Fitzgerald’ s work. As a result of our articulation between the critical framework and the corpus, we were able to recognize how the American author managed to express in his work a keen perception of the social conventions and the morals of the Jazz Age, of both the overt (the parties and the ostentation) and the covert aspects (the emptiness of that society and the unspoken post-war dread) of his time.
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spelling On Booze: a representation of The Roaring Twenties in the great GatsbyLiteratura norte-americanaF. Scott FitzgeraldO grande GatsbyEra do jazzDOI: https://dx.doi.org/10.35572/rlr.v4i2.431 Fitzgerald is considered by many to be the spokesperson of the 1920’s post-World War I, offering his readers a distinctive look into the Golden Age of the U.S.A.. This article focuses on F. Scott Fitzgerald’s masterpiece The great Gatsby (2001) and its representation and criticism of the historical context in which author and novel are inserted: the Jazz Age or the Roaring Twenties of the United States of America. For this purpose, our critical framework is based on Bloom’s (2006) and Heise’s (2001) studies on the subject, targeting a pertinent dialogue with Fitzgerald’ s work. As a result of our articulation between the critical framework and the corpus, we were able to recognize how the American author managed to express in his work a keen perception of the social conventions and the morals of the Jazz Age, of both the overt (the parties and the ostentation) and the covert aspects (the emptiness of that society and the unspoken post-war dread) of his time. Editora Universitaria da UFCG2023-10-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1784Revista Letras Raras; Vol. 4 No. 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-164Revista Letras Raras; Vol. 4 Núm. 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-164Revista Letras Raras; Vol. 4 No 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-164Revista Letras Raras; v. 4 n. 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-1642317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1784/1705© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSantos, Jenison Alisson dos Gomes, Caio Antônio de Medeiros Nóbrega Nunes Nóbrega, Elisa Mariana de Medeiros 2024-01-04T23:50:27Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1784Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-04T23:50:27Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false
dc.title.none.fl_str_mv On Booze: a representation of The Roaring Twenties in the great Gatsby
title On Booze: a representation of The Roaring Twenties in the great Gatsby
spellingShingle On Booze: a representation of The Roaring Twenties in the great Gatsby
Santos, Jenison Alisson dos
Literatura norte-americana
F. Scott Fitzgerald
O grande Gatsby
Era do jazz
title_short On Booze: a representation of The Roaring Twenties in the great Gatsby
title_full On Booze: a representation of The Roaring Twenties in the great Gatsby
title_fullStr On Booze: a representation of The Roaring Twenties in the great Gatsby
title_full_unstemmed On Booze: a representation of The Roaring Twenties in the great Gatsby
title_sort On Booze: a representation of The Roaring Twenties in the great Gatsby
author Santos, Jenison Alisson dos
author_facet Santos, Jenison Alisson dos
Gomes, Caio Antônio de Medeiros Nóbrega Nunes
Nóbrega, Elisa Mariana de Medeiros
author_role author
author2 Gomes, Caio Antônio de Medeiros Nóbrega Nunes
Nóbrega, Elisa Mariana de Medeiros
author2_role author
author
dc.contributor.author.fl_str_mv Santos, Jenison Alisson dos
Gomes, Caio Antônio de Medeiros Nóbrega Nunes
Nóbrega, Elisa Mariana de Medeiros
dc.subject.por.fl_str_mv Literatura norte-americana
F. Scott Fitzgerald
O grande Gatsby
Era do jazz
topic Literatura norte-americana
F. Scott Fitzgerald
O grande Gatsby
Era do jazz
description DOI: https://dx.doi.org/10.35572/rlr.v4i2.431 Fitzgerald is considered by many to be the spokesperson of the 1920’s post-World War I, offering his readers a distinctive look into the Golden Age of the U.S.A.. This article focuses on F. Scott Fitzgerald’s masterpiece The great Gatsby (2001) and its representation and criticism of the historical context in which author and novel are inserted: the Jazz Age or the Roaring Twenties of the United States of America. For this purpose, our critical framework is based on Bloom’s (2006) and Heise’s (2001) studies on the subject, targeting a pertinent dialogue with Fitzgerald’ s work. As a result of our articulation between the critical framework and the corpus, we were able to recognize how the American author managed to express in his work a keen perception of the social conventions and the morals of the Jazz Age, of both the overt (the parties and the ostentation) and the covert aspects (the emptiness of that society and the unspoken post-war dread) of his time.
publishDate 2023
dc.date.none.fl_str_mv 2023-10-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1784
url https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1784
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dc.relation.none.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1784/1705
dc.rights.driver.fl_str_mv © 2023 Revista Letras Raras
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https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Editora Universitaria da UFCG
publisher.none.fl_str_mv Editora Universitaria da UFCG
dc.source.none.fl_str_mv Revista Letras Raras; Vol. 4 No. 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-164
Revista Letras Raras; Vol. 4 Núm. 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-164
Revista Letras Raras; Vol. 4 No 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-164
Revista Letras Raras; v. 4 n. 2 (2015): Estudos sobre a Língua Inglesa: ensino e outras perspectivas; 152-164
2317-2347
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repository.name.fl_str_mv Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)
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