‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
Autor(a) principal: | |
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Data de Publicação: | 2023 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Letras Raras |
Texto Completo: | https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204 |
Resumo: | This study aims at establishing theoretical and analytical dialogues between intermedial studies and adaptation studies in the analysis of the conceptual album Shadow of the Raven (2007), by the American band, Nox Arcana, which is a reference to Edgar Allan Poe’s literary text. Considering the importance of going beyond the traditional vector literature-cinema and elaborating a metalanguage able to involve other textual architectures, as suggested by Hattnher (2010) concerning the circulation of literature in conceptual albums, intermedial studies collaborate on thinking about the role of convergence among different media in the production of meanings; besides, it contributes to overcoming a binary reading of medial transpositions in adaptations (DINIZ, 2018). Guided by the construction of collaborative knowledge between theoretical perspectives and research interests, we outline our first reflections on the transition of a predominantly written medium, the literary, to a hearing and non-alphabetical medium, the instrumental music. The theoretical framework is based on authors from adaptation studies (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), intermedial studies (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018), and music (WISNIK, 1989; SHUKER, 2002) |
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‘(Shadow of) The Raven’: an intermedial adaptation from literature to music(Shadow of) The Raven:uma adaptação intermidiática da literatura para a músicaEstudos da adaptaçãoEstudos de intermidialidadeLiteraturaMúsicaShadow of the RavenAdaptation studiesIntermedial studiesLiteratureMusicShadow of the RavenThis study aims at establishing theoretical and analytical dialogues between intermedial studies and adaptation studies in the analysis of the conceptual album Shadow of the Raven (2007), by the American band, Nox Arcana, which is a reference to Edgar Allan Poe’s literary text. Considering the importance of going beyond the traditional vector literature-cinema and elaborating a metalanguage able to involve other textual architectures, as suggested by Hattnher (2010) concerning the circulation of literature in conceptual albums, intermedial studies collaborate on thinking about the role of convergence among different media in the production of meanings; besides, it contributes to overcoming a binary reading of medial transpositions in adaptations (DINIZ, 2018). Guided by the construction of collaborative knowledge between theoretical perspectives and research interests, we outline our first reflections on the transition of a predominantly written medium, the literary, to a hearing and non-alphabetical medium, the instrumental music. The theoretical framework is based on authors from adaptation studies (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), intermedial studies (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018), and music (WISNIK, 1989; SHUKER, 2002)DOI: https://dx.doi.org/10.35572/rlr.v9i3.1828 Este estudo tem como objetivo estabelecer diálogos teóricos e analíticos entre os estudos de intermidialidade e de adaptação na análise do álbum conceitual Shadow of the Raven (2007), da banda estadunidense Nox Arcana, que faz referência às obras de Edgar Allan Poe. Ao considerar a importância de ir além do vetor tradicional literaturacinema e de elaborar uma metalinguagem capaz de abarcar outras arquiteturas textuais, como sugere Hattnher (2010) em relação à circulação da literatura em álbuns conceituais, os estudos de intermidialidade colaboram para pensarmos o papel das convergências entre diferentes mídias na produção de sentidos; além disso, contribuem também para superarmos uma leitura binária das transposições midiáticas nas adaptações (DINIZ, 2018). A partir da construção de um conhecimento compartilhado entre abordagens teóricas e interesses de pesquisa, esboçamos um ensaio inicial sobre a passagem de um meio predominantemente verbal, o literário, para um meio auditivo e não alfabético, o musical-instrumental. O aporte que fundamenta nossas discussões está baseado em teóricos dos estudos da adaptação (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), dos estudos de intermidialidade (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018) e da música (WISNIK, 1989; SHUKER, 2002)Editora Universitaria da UFCG2023-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-902317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1061https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1062© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMarins, Liliam Cristina Pardo, Fernando da Silva 2024-01-05T00:10:18Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1204Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-05T00:10:18Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false |
dc.title.none.fl_str_mv |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music (Shadow of) The Raven:uma adaptação intermidiática da literatura para a música |
title |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music |
spellingShingle |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music Marins, Liliam Cristina Estudos da adaptação Estudos de intermidialidade Literatura Música Shadow of the Raven Adaptation studies Intermedial studies Literature Music Shadow of the Raven |
title_short |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music |
title_full |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music |
title_fullStr |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music |
title_full_unstemmed |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music |
title_sort |
‘(Shadow of) The Raven’: an intermedial adaptation from literature to music |
author |
Marins, Liliam Cristina |
author_facet |
Marins, Liliam Cristina Pardo, Fernando da Silva |
author_role |
author |
author2 |
Pardo, Fernando da Silva |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Marins, Liliam Cristina Pardo, Fernando da Silva |
dc.subject.por.fl_str_mv |
Estudos da adaptação Estudos de intermidialidade Literatura Música Shadow of the Raven Adaptation studies Intermedial studies Literature Music Shadow of the Raven |
topic |
Estudos da adaptação Estudos de intermidialidade Literatura Música Shadow of the Raven Adaptation studies Intermedial studies Literature Music Shadow of the Raven |
description |
This study aims at establishing theoretical and analytical dialogues between intermedial studies and adaptation studies in the analysis of the conceptual album Shadow of the Raven (2007), by the American band, Nox Arcana, which is a reference to Edgar Allan Poe’s literary text. Considering the importance of going beyond the traditional vector literature-cinema and elaborating a metalanguage able to involve other textual architectures, as suggested by Hattnher (2010) concerning the circulation of literature in conceptual albums, intermedial studies collaborate on thinking about the role of convergence among different media in the production of meanings; besides, it contributes to overcoming a binary reading of medial transpositions in adaptations (DINIZ, 2018). Guided by the construction of collaborative knowledge between theoretical perspectives and research interests, we outline our first reflections on the transition of a predominantly written medium, the literary, to a hearing and non-alphabetical medium, the instrumental music. The theoretical framework is based on authors from adaptation studies (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), intermedial studies (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018), and music (WISNIK, 1989; SHUKER, 2002) |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-09-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204 |
url |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1061 https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1062 |
dc.rights.driver.fl_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
© 2023 Revista Letras Raras https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
publisher.none.fl_str_mv |
Editora Universitaria da UFCG |
dc.source.none.fl_str_mv |
Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90 Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90 Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90 Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90 2317-2347 reponame:Revista Letras Raras instname:Universidade Federal de Campina Grande (UFCG) instacron:UFCG |
instname_str |
Universidade Federal de Campina Grande (UFCG) |
instacron_str |
UFCG |
institution |
UFCG |
reponame_str |
Revista Letras Raras |
collection |
Revista Letras Raras |
repository.name.fl_str_mv |
Revista Letras Raras - Universidade Federal de Campina Grande (UFCG) |
repository.mail.fl_str_mv |
||letrasrarasufcg@gmail.com |
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