‘(Shadow of) The Raven’: an intermedial adaptation from literature to music

Detalhes bibliográficos
Autor(a) principal: Marins, Liliam Cristina
Data de Publicação: 2023
Outros Autores: Pardo, Fernando da Silva
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Letras Raras
Texto Completo: https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204
Resumo: This study aims at establishing theoretical and analytical dialogues between intermedial studies and adaptation studies in the analysis of the conceptual album Shadow of the Raven (2007), by the American band, Nox Arcana, which is a reference to Edgar Allan Poe’s literary text. Considering the importance of going beyond the traditional vector literature-cinema and elaborating a metalanguage able to involve other textual architectures, as suggested by Hattnher (2010) concerning the circulation of literature in conceptual albums, intermedial studies collaborate on thinking about the role of convergence among different media in the production of meanings; besides, it contributes to overcoming a binary reading of medial transpositions in adaptations (DINIZ, 2018). Guided by the construction of collaborative knowledge between theoretical perspectives and research interests, we outline our first reflections on the transition of a predominantly written medium, the literary, to a hearing and non-alphabetical medium, the instrumental music. The theoretical framework is based on authors from adaptation studies (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), intermedial studies (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018), and music (WISNIK, 1989; SHUKER, 2002)
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spelling ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music(Shadow of) The Raven:uma adaptação intermidiática da literatura para a músicaEstudos da adaptaçãoEstudos de intermidialidadeLiteraturaMúsicaShadow of the RavenAdaptation studiesIntermedial studiesLiteratureMusicShadow of the RavenThis study aims at establishing theoretical and analytical dialogues between intermedial studies and adaptation studies in the analysis of the conceptual album Shadow of the Raven (2007), by the American band, Nox Arcana, which is a reference to Edgar Allan Poe’s literary text. Considering the importance of going beyond the traditional vector literature-cinema and elaborating a metalanguage able to involve other textual architectures, as suggested by Hattnher (2010) concerning the circulation of literature in conceptual albums, intermedial studies collaborate on thinking about the role of convergence among different media in the production of meanings; besides, it contributes to overcoming a binary reading of medial transpositions in adaptations (DINIZ, 2018). Guided by the construction of collaborative knowledge between theoretical perspectives and research interests, we outline our first reflections on the transition of a predominantly written medium, the literary, to a hearing and non-alphabetical medium, the instrumental music. The theoretical framework is based on authors from adaptation studies (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), intermedial studies (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018), and music (WISNIK, 1989; SHUKER, 2002)DOI: https://dx.doi.org/10.35572/rlr.v9i3.1828 Este estudo tem como objetivo estabelecer diálogos teóricos e analíticos entre os estudos de intermidialidade e de adaptação na análise do álbum conceitual Shadow of the Raven (2007), da banda estadunidense Nox Arcana, que faz referência às obras de Edgar Allan Poe. Ao considerar a importância de ir além do vetor tradicional literaturacinema e de elaborar uma metalinguagem capaz de abarcar outras arquiteturas textuais, como sugere Hattnher (2010) em relação à circulação da literatura em álbuns conceituais, os estudos de intermidialidade colaboram para pensarmos o papel das convergências entre diferentes mídias na produção de sentidos; além disso, contribuem também para superarmos uma leitura binária das transposições midiáticas nas adaptações (DINIZ, 2018). A partir da construção de um conhecimento compartilhado entre abordagens teóricas e interesses de pesquisa, esboçamos um ensaio inicial sobre a passagem de um meio predominantemente verbal, o literário, para um meio auditivo e não alfabético, o musical-instrumental. O aporte que fundamenta nossas discussões está baseado em teóricos dos estudos da adaptação (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), dos estudos de intermidialidade (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018) e da música (WISNIK, 1989; SHUKER, 2002)Editora Universitaria da UFCG2023-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfapplication/pdfhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-902317-2347reponame:Revista Letras Rarasinstname:Universidade Federal de Campina Grande (UFCG)instacron:UFCGporhttps://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1061https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1062© 2023 Revista Letras Rarashttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMarins, Liliam Cristina Pardo, Fernando da Silva 2024-01-05T00:10:18Zoai:ojs2.revistas.editora.ufcg.edu.br:article/1204Revistahttps://revistas.editora.ufcg.edu.br/index.php/RLRPUBhttps://revistas.editora.ufcg.edu.br/index.php/RLR/oai||letrasrarasufcg@gmail.com2317-23472317-2347opendoar:2024-01-05T00:10:18Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)false
dc.title.none.fl_str_mv ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
(Shadow of) The Raven:uma adaptação intermidiática da literatura para a música
title ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
spellingShingle ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
Marins, Liliam Cristina
Estudos da adaptação
Estudos de intermidialidade
Literatura
Música
Shadow of the Raven
Adaptation studies
Intermedial studies
Literature
Music
Shadow of the Raven
title_short ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
title_full ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
title_fullStr ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
title_full_unstemmed ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
title_sort ‘(Shadow of) The Raven’: an intermedial adaptation from literature to music
author Marins, Liliam Cristina
author_facet Marins, Liliam Cristina
Pardo, Fernando da Silva
author_role author
author2 Pardo, Fernando da Silva
author2_role author
dc.contributor.author.fl_str_mv Marins, Liliam Cristina
Pardo, Fernando da Silva
dc.subject.por.fl_str_mv Estudos da adaptação
Estudos de intermidialidade
Literatura
Música
Shadow of the Raven
Adaptation studies
Intermedial studies
Literature
Music
Shadow of the Raven
topic Estudos da adaptação
Estudos de intermidialidade
Literatura
Música
Shadow of the Raven
Adaptation studies
Intermedial studies
Literature
Music
Shadow of the Raven
description This study aims at establishing theoretical and analytical dialogues between intermedial studies and adaptation studies in the analysis of the conceptual album Shadow of the Raven (2007), by the American band, Nox Arcana, which is a reference to Edgar Allan Poe’s literary text. Considering the importance of going beyond the traditional vector literature-cinema and elaborating a metalanguage able to involve other textual architectures, as suggested by Hattnher (2010) concerning the circulation of literature in conceptual albums, intermedial studies collaborate on thinking about the role of convergence among different media in the production of meanings; besides, it contributes to overcoming a binary reading of medial transpositions in adaptations (DINIZ, 2018). Guided by the construction of collaborative knowledge between theoretical perspectives and research interests, we outline our first reflections on the transition of a predominantly written medium, the literary, to a hearing and non-alphabetical medium, the instrumental music. The theoretical framework is based on authors from adaptation studies (HATTNHER, 2010; HUTCHEON, 2011; MILTON, 2015), intermedial studies (RAJEWSKY, 2005; CLÜVER, 2006; DINIZ, 2018), and music (WISNIK, 1989; SHUKER, 2002)
publishDate 2023
dc.date.none.fl_str_mv 2023-09-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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Artigo avaliado pelos pares
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dc.identifier.uri.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204
url https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1061
https://revistas.editora.ufcg.edu.br/index.php/RLR/article/view/1204/1062
dc.rights.driver.fl_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv © 2023 Revista Letras Raras
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
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dc.publisher.none.fl_str_mv Editora Universitaria da UFCG
publisher.none.fl_str_mv Editora Universitaria da UFCG
dc.source.none.fl_str_mv Revista Letras Raras; Vol. 9 No. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90
Revista Letras Raras; Vol. 9 Núm. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90
Revista Letras Raras; Vol. 9 No 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90
Revista Letras Raras; v. 9 n. 3 (2020): Intermidialidade e referências intermidiáticas; Port. 72-91 / Eng. 73-90
2317-2347
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institution UFCG
reponame_str Revista Letras Raras
collection Revista Letras Raras
repository.name.fl_str_mv Revista Letras Raras - Universidade Federal de Campina Grande (UFCG)
repository.mail.fl_str_mv ||letrasrarasufcg@gmail.com
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