Between Portraits and Landscapes: Essay on Face in Cinema

Detalhes bibliográficos
Autor(a) principal: Diego Hoefel de Vasconcellos
Data de Publicação: 2013
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFC
Texto Completo: http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12568
Resumo: The research is divided into three parts. The first is a study of the face and its relationship with the portrait, from classical definitions and approaches between the two concepts in art history. The second part of the dissertation deals with the face in film and concatenates the analysis of a few filmic propositions with different theoretical approaches as a way to reflect on the face in silent, classic and modern films. The vectorized face of classic cinema, treated as the main space of identification with the characters, operates differently from the deep face of modern cinema, which reveals internal movements, anxieties, nauseas. Both are, in the third part of the dissertation, confronted with the contemporary face. Space in which intensities and affects emerge, the face that appears in a certain recent film production is closer to the landscape than to the portrait.
id UFC_26846571f0754aed48bfb9a7d24b389f
oai_identifier_str oai:www.teses.ufc.br:7018
network_acronym_str UFC
network_name_str Biblioteca Digital de Teses e Dissertações da UFC
spelling info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisBetween Portraits and Landscapes: Essay on Face in CinemaEntre Retratos e Paisagens: Ensaio sobre Rosto no Cinema2013-07-15Marcelo DÃdimo Souza Vieira49116401387http://lattes.cnpq.br/3854747435598002Sylvia Beatriz Bezerra Furtado12012572391http://lattes.cnpq.br/4063502391331604Cezar Avila Migliorin01670063712http://lattes.cnpq.br/620910972520766282725675049http://lattes.cnpq.br/6677605738817807Diego Hoefel de VasconcellosUniversidade Federal do CearÃPrograma de PÃs-GraduaÃÃo em ComunicaÃÃo SocialUFCBRface no cinema face na arte afetoFace in Cinema Face in Art Affect.CINEMAThe research is divided into three parts. The first is a study of the face and its relationship with the portrait, from classical definitions and approaches between the two concepts in art history. The second part of the dissertation deals with the face in film and concatenates the analysis of a few filmic propositions with different theoretical approaches as a way to reflect on the face in silent, classic and modern films. The vectorized face of classic cinema, treated as the main space of identification with the characters, operates differently from the deep face of modern cinema, which reveals internal movements, anxieties, nauseas. Both are, in the third part of the dissertation, confronted with the contemporary face. Space in which intensities and affects emerge, the face that appears in a certain recent film production is closer to the landscape than to the portrait.A pesquisa à dividida em trÃs partes. A primeira consiste em um estudo sobre a relaÃÃo entre rosto e retrato, proposto com base em definiÃÃes clÃssicas e aproximaÃÃes entre os dois conceitos na histÃria da arte. A segunda parte da dissertaÃÃo aborda o rosto no cinema e encadeia a anÃlise de algumas proposiÃÃes fÃlmicas com distintas abordagens teÃricas para discutir o primeiro plano nos cinemas mudo, clÃssico e moderno. O rosto vetorizado do cinema clÃssico, tratado como espaÃo principal de identificaÃÃo com o personagem, opera de forma distinta do rosto profundo do cinema moderno, nos quais se revelam movimentos internos, angÃstias, nÃuseas. Ambos sÃo, na terceira parte da dissertaÃÃo, confrontados com o rosto contemporÃneo. EspaÃo de intensidades e afetos, o rosto que surge em uma determinada produÃÃo cinematogrÃfica recente aproxima-se mais da paisagem do que do retrato. nÃo hÃhttp://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12568application/pdfinfo:eu-repo/semantics/openAccessporreponame:Biblioteca Digital de Teses e Dissertações da UFCinstname:Universidade Federal do Cearáinstacron:UFC2019-01-21T11:25:45Zmail@mail.com -
dc.title.en.fl_str_mv Between Portraits and Landscapes: Essay on Face in Cinema
dc.title.alternative.pt.fl_str_mv Entre Retratos e Paisagens: Ensaio sobre Rosto no Cinema
title Between Portraits and Landscapes: Essay on Face in Cinema
spellingShingle Between Portraits and Landscapes: Essay on Face in Cinema
Diego Hoefel de Vasconcellos
face no cinema
face na arte
afeto
Face in Cinema
Face in Art
Affect.
CINEMA
title_short Between Portraits and Landscapes: Essay on Face in Cinema
title_full Between Portraits and Landscapes: Essay on Face in Cinema
title_fullStr Between Portraits and Landscapes: Essay on Face in Cinema
title_full_unstemmed Between Portraits and Landscapes: Essay on Face in Cinema
title_sort Between Portraits and Landscapes: Essay on Face in Cinema
author Diego Hoefel de Vasconcellos
author_facet Diego Hoefel de Vasconcellos
author_role author
dc.contributor.advisor1.fl_str_mv Marcelo DÃdimo Souza Vieira
dc.contributor.advisor1ID.fl_str_mv 49116401387
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/3854747435598002
dc.contributor.referee1.fl_str_mv Sylvia Beatriz Bezerra Furtado
dc.contributor.referee1ID.fl_str_mv 12012572391
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/4063502391331604
dc.contributor.referee2.fl_str_mv Cezar Avila Migliorin
dc.contributor.referee2ID.fl_str_mv 01670063712
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/6209109725207662
dc.contributor.authorID.fl_str_mv 82725675049
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6677605738817807
dc.contributor.author.fl_str_mv Diego Hoefel de Vasconcellos
contributor_str_mv Marcelo DÃdimo Souza Vieira
Sylvia Beatriz Bezerra Furtado
Cezar Avila Migliorin
dc.subject.por.fl_str_mv face no cinema
face na arte
afeto
topic face no cinema
face na arte
afeto
Face in Cinema
Face in Art
Affect.
CINEMA
dc.subject.eng.fl_str_mv Face in Cinema
Face in Art
Affect.
dc.subject.cnpq.fl_str_mv CINEMA
dc.description.sponsorship.fl_txt_mv nÃo hÃ
dc.description.abstract.por.fl_txt_mv The research is divided into three parts. The first is a study of the face and its relationship with the portrait, from classical definitions and approaches between the two concepts in art history. The second part of the dissertation deals with the face in film and concatenates the analysis of a few filmic propositions with different theoretical approaches as a way to reflect on the face in silent, classic and modern films. The vectorized face of classic cinema, treated as the main space of identification with the characters, operates differently from the deep face of modern cinema, which reveals internal movements, anxieties, nauseas. Both are, in the third part of the dissertation, confronted with the contemporary face. Space in which intensities and affects emerge, the face that appears in a certain recent film production is closer to the landscape than to the portrait.
A pesquisa à dividida em trÃs partes. A primeira consiste em um estudo sobre a relaÃÃo entre rosto e retrato, proposto com base em definiÃÃes clÃssicas e aproximaÃÃes entre os dois conceitos na histÃria da arte. A segunda parte da dissertaÃÃo aborda o rosto no cinema e encadeia a anÃlise de algumas proposiÃÃes fÃlmicas com distintas abordagens teÃricas para discutir o primeiro plano nos cinemas mudo, clÃssico e moderno. O rosto vetorizado do cinema clÃssico, tratado como espaÃo principal de identificaÃÃo com o personagem, opera de forma distinta do rosto profundo do cinema moderno, nos quais se revelam movimentos internos, angÃstias, nÃuseas. Ambos sÃo, na terceira parte da dissertaÃÃo, confrontados com o rosto contemporÃneo. EspaÃo de intensidades e afetos, o rosto que surge em uma determinada produÃÃo cinematogrÃfica recente aproxima-se mais da paisagem do que do retrato.
description The research is divided into three parts. The first is a study of the face and its relationship with the portrait, from classical definitions and approaches between the two concepts in art history. The second part of the dissertation deals with the face in film and concatenates the analysis of a few filmic propositions with different theoretical approaches as a way to reflect on the face in silent, classic and modern films. The vectorized face of classic cinema, treated as the main space of identification with the characters, operates differently from the deep face of modern cinema, which reveals internal movements, anxieties, nauseas. Both are, in the third part of the dissertation, confronted with the contemporary face. Space in which intensities and affects emerge, the face that appears in a certain recent film production is closer to the landscape than to the portrait.
publishDate 2013
dc.date.issued.fl_str_mv 2013-07-15
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
status_str publishedVersion
format masterThesis
dc.identifier.uri.fl_str_mv http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12568
url http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12568
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do CearÃ
dc.publisher.program.fl_str_mv Programa de PÃs-GraduaÃÃo em ComunicaÃÃo Social
dc.publisher.initials.fl_str_mv UFC
dc.publisher.country.fl_str_mv BR
publisher.none.fl_str_mv Universidade Federal do CearÃ
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UFC
instname:Universidade Federal do Ceará
instacron:UFC
reponame_str Biblioteca Digital de Teses e Dissertações da UFC
collection Biblioteca Digital de Teses e Dissertações da UFC
instname_str Universidade Federal do Ceará
instacron_str UFC
institution UFC
repository.name.fl_str_mv -
repository.mail.fl_str_mv mail@mail.com
_version_ 1643295193050382336

Registros relacionados