Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo

Detalhes bibliográficos
Autor(a) principal: Leite, Rossana Martins Furtado
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)
Texto Completo: http://repositorio.ufes.br/handle/10/1618
Resumo: Considering that advertising moves the whole society and its subjects and interfer in behavior, identities and cultures, our research aims to understand how the advertising discourse relies on the interdiscourse to compose spectacularized scenographies in order to give a socially responsible institutional ethos to companies such as banco Itaú, which is seen through the analysis of a corpus from #issomudaomundo advertising campaign, in circulation from 2013 to 2015. For methodological reasons, the analysis of this study was divided according to the pillars suggested by the advertising campaign: education, culture and urban mobility. The theoretical perspective used is based on the French Discourse Analysis, in general, with dialogues between theories that make up this discipline, and also with those that served or still serve as theoretical support. The cutting to deepen the analysis is based on the categories of scenography and ethos by Dominique Maingueneau; the work also includes a sociological view of post-modern society, based on theories by M. Sodré (2006), N. Canclini (2010) and Z. Bauman (2001,2009). The results show us that the institutional publicitary discourse has been using scenographies carefully elaborated to create ads associated with ethical socially-responsible worlds which long for touching emotionally consumers who share the same yearnings, consolidating a citizen institutional ethos to the brand 'Itaú' and hiding the commercial / financial senses that are constitutive of it.
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spelling Almeida, Júlia Maria Costa deLeite, Rossana Martins FurtadoBenites, Sonia Aparecida LopesVidon, Luciano Novaes2015-11-23T18:09:03Z2016-06-24T06:00:07Z2015-08-192015-08-19Considering that advertising moves the whole society and its subjects and interfer in behavior, identities and cultures, our research aims to understand how the advertising discourse relies on the interdiscourse to compose spectacularized scenographies in order to give a socially responsible institutional ethos to companies such as banco Itaú, which is seen through the analysis of a corpus from #issomudaomundo advertising campaign, in circulation from 2013 to 2015. For methodological reasons, the analysis of this study was divided according to the pillars suggested by the advertising campaign: education, culture and urban mobility. The theoretical perspective used is based on the French Discourse Analysis, in general, with dialogues between theories that make up this discipline, and also with those that served or still serve as theoretical support. The cutting to deepen the analysis is based on the categories of scenography and ethos by Dominique Maingueneau; the work also includes a sociological view of post-modern society, based on theories by M. Sodré (2006), N. Canclini (2010) and Z. Bauman (2001,2009). The results show us that the institutional publicitary discourse has been using scenographies carefully elaborated to create ads associated with ethical socially-responsible worlds which long for touching emotionally consumers who share the same yearnings, consolidating a citizen institutional ethos to the brand 'Itaú' and hiding the commercial / financial senses that are constitutive of it.Considerando que a publicidade tende a movimentar toda a sociedade e seus sujeitos e interferir em seus comportamentos, suas identidades e suas culturas, nossa pesquisa objetiva entender como o discurso publicitário tem buscado no interdiscurso sustentação para compor cenografias espetacularizadas, de modo a conferir um ethos institucional socialmente responsável a empresas, no caso o banco Itaú, a partir da análise do corpus composto pela campanha publicitária #issomudaomundo, em circulação entre 2013 a 2015. Para fins metodológicos, dividimos as análises em consonância com os pilares propostos pela própria campanha publicitária, sendo eles: educação, cultura e mobilidade urbana. A perspectiva teórica utilizada para realizar este estudo é embasada na Análise do Discurso Francesa de modo geral, com diálogos entre os teóricos que compõem esta disciplina e, também, com aqueles que serviram e/ou ainda servem de suporte teórico. O recorte para aprofundar as análises é baseado nas categorias de cenografia e ethos propostas por D. Maingueneau; o trabalho também inclui um panorama sociológico da sociedade pós-moderna, apoiada em teóricos como M. Sodré (2006), N. Canclini (2010) e Z. Bauman (2001, 2009). Os resultados apontam que o discurso publicitário institucional tem se utilizado de cenografias cuidadosamente elaboradas para criar anúncios associados a mundos éticos socialmente responsáveis, e, assim, ensejam tocar emocionalmente consumidores que partilham dos mesmos anseios, edificando um ethos institucional cidadão para a marca Itaú e ocultando os sentidos comerciais/financeiros que lhe são constitutivos.Texthttp://repositorio.ufes.br/handle/10/1618porUniversidade Federal do Espírito SantoMestrado em Estudos LinguísticosPrograma de Pós-Graduação em LinguísticaUFESBRAnálise do discursoDiscurso publicitárioCenografiaEthosInterdiscursoCampanhas publicitárias - AnáliseLinguística80Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da Universidade Federal do Espírito Santo (riUfes)instname:Universidade Federal do Espírito Santo (UFES)instacron:UFESORIGINALUMA ANÁLISE DO DISCURSO PUBLICITÁRIO EM TEMPOS DE ESPETÁCULO CENOGRAFIAS E ETHOS DO ITAÚ NA CAMPANHA #ISSOMUDAOMUNDO.pdfUMA ANÁLISE DO DISCURSO PUBLICITÁRIO EM TEMPOS DE ESPETÁCULO CENOGRAFIAS E ETHOS DO ITAÚ NA CAMPANHA #ISSOMUDAOMUNDO.pdfapplication/pdf2298411http://repositorio.ufes.br/bitstreams/2f964cfe-2aeb-47bc-8276-bf0ead1fb08a/download48ad100ace0afcf9a620b6f6988fb6fcMD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748http://repositorio.ufes.br/bitstreams/89d96d8f-d111-452a-b624-81a7f3e85ed2/download8a4605be74aa9ea9d79846c1fba20a33MD55CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.ufes.br/bitstreams/56b8d143-ab56-43a2-8fb5-bbf1dd5501e7/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-821468http://repositorio.ufes.br/bitstreams/c1315f17-5ca7-465b-a09e-2e7c4df02504/downloadae2fe251842ade1134c5d9bb99b6eefeMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-823148http://repositorio.ufes.br/bitstreams/5f52708f-67b3-489f-98a4-12e880570912/download9da0b6dfac957114c6a7714714b86306MD5410/16182024-07-01 20:21:00.323oai:repositorio.ufes.br:10/1618http://repositorio.ufes.brRepositório InstitucionalPUBhttp://repositorio.ufes.br/oai/requestopendoar:21082024-07-11T14:27:50.539990Repositório Institucional da Universidade Federal do Espírito Santo (riUfes) - Universidade Federal do Espírito Santo (UFES)falseTk9URTogUExBQ0UgWU9VUiBPV04gTElDRU5TRSBIRVJFClRoaXMgc2FtcGxlIGxpY2Vuc2UgaXMgcHJvdmlkZWQgZm9yIGluZm9ybWF0aW9uYWwgcHVycG9zZXMgb25seS4KCk5PTi1FWENMVVNJVkUgRElTVFJJQlVUSU9OIExJQ0VOU0UKCkJ5IHNpZ25pbmcgYW5kIHN1Ym1pdHRpbmcgdGhpcyBsaWNlbnNlLCB5b3UgKHRoZSBhdXRob3Iocykgb3IgY29weXJpZ2h0Cm93bmVyKSBncmFudHMgdG8gRFNwYWNlIFVuaXZlcnNpdHkgKERTVSkgdGhlIG5vbi1leGNsdXNpdmUgcmlnaHQgdG8gcmVwcm9kdWNlLAp0cmFuc2xhdGUgKGFzIGRlZmluZWQgYmVsb3cpLCBhbmQvb3IgZGlzdHJpYnV0ZSB5b3VyIHN1Ym1pc3Npb24gKGluY2x1ZGluZwp0aGUgYWJzdHJhY3QpIHdvcmxkd2lkZSBpbiBwcmludCBhbmQgZWxlY3Ryb25pYyBmb3JtYXQgYW5kIGluIGFueSBtZWRpdW0sCmluY2x1ZGluZyBidXQgbm90IGxpbWl0ZWQgdG8gYXVkaW8gb3IgdmlkZW8uCgpZb3UgYWdyZWUgdGhhdCBEU1UgbWF5LCB3aXRob3V0IGNoYW5naW5nIHRoZSBjb250ZW50LCB0cmFuc2xhdGUgdGhlCnN1Ym1pc3Npb24gdG8gYW55IG1lZGl1bSBvciBmb3JtYXQgZm9yIHRoZSBwdXJwb3NlIG9mIHByZXNlcnZhdGlvbi4KCllvdSBhbHNvIGFncmVlIHRoYXQgRFNVIG1heSBrZWVwIG1vcmUgdGhhbiBvbmUgY29weSBvZiB0aGlzIHN1Ym1pc3Npb24gZm9yCnB1cnBvc2VzIG9mIHNlY3VyaXR5LCBiYWNrLXVwIGFuZCBwcmVzZXJ2YXRpb24uCgpZb3UgcmVwcmVzZW50IHRoYXQgdGhlIHN1Ym1pc3Npb24gaXMgeW91ciBvcmlnaW5hbCB3b3JrLCBhbmQgdGhhdCB5b3UgaGF2ZQp0aGUgcmlnaHQgdG8gZ3JhbnQgdGhlIHJpZ2h0cyBjb250YWluZWQgaW4gdGhpcyBsaWNlbnNlLiBZb3UgYWxzbyByZXByZXNlbnQKdGhhdCB5b3VyIHN1Ym1pc3Npb24gZG9lcyBub3QsIHRvIHRoZSBiZXN0IG9mIHlvdXIga25vd2xlZGdlLCBpbmZyaW5nZSB1cG9uCmFueW9uZSdzIGNvcHlyaWdodC4KCklmIHRoZSBzdWJtaXNzaW9uIGNvbnRhaW5zIG1hdGVyaWFsIGZvciB3aGljaCB5b3UgZG8gbm90IGhvbGQgY29weXJpZ2h0LAp5b3UgcmVwcmVzZW50IHRoYXQgeW91IGhhdmUgb2J0YWluZWQgdGhlIHVucmVzdHJpY3RlZCBwZXJtaXNzaW9uIG9mIHRoZQpjb3B5cmlnaHQgb3duZXIgdG8gZ3JhbnQgRFNVIHRoZSByaWdodHMgcmVxdWlyZWQgYnkgdGhpcyBsaWNlbnNlLCBhbmQgdGhhdApzdWNoIHRoaXJkLXBhcnR5IG93bmVkIG1hdGVyaWFsIGlzIGNsZWFybHkgaWRlbnRpZmllZCBhbmQgYWNrbm93bGVkZ2VkCndpdGhpbiB0aGUgdGV4dCBvciBjb250ZW50IG9mIHRoZSBzdWJtaXNzaW9uLgoKSUYgVEhFIFNVQk1JU1NJT04gSVMgQkFTRUQgVVBPTiBXT1JLIFRIQVQgSEFTIEJFRU4gU1BPTlNPUkVEIE9SIFNVUFBPUlRFRApCWSBBTiBBR0VOQ1kgT1IgT1JHQU5JWkFUSU9OIE9USEVSIFRIQU4gRFNVLCBZT1UgUkVQUkVTRU5UIFRIQVQgWU9VIEhBVkUKRlVMRklMTEVEIEFOWSBSSUdIVCBPRiBSRVZJRVcgT1IgT1RIRVIgT0JMSUdBVElPTlMgUkVRVUlSRUQgQlkgU1VDSApDT05UUkFDVCBPUiBBR1JFRU1FTlQuCgpEU1Ugd2lsbCBjbGVhcmx5IGlkZW50aWZ5IHlvdXIgbmFtZShzKSBhcyB0aGUgYXV0aG9yKHMpIG9yIG93bmVyKHMpIG9mIHRoZQpzdWJtaXNzaW9uLCBhbmQgd2lsbCBub3QgbWFrZSBhbnkgYWx0ZXJhdGlvbiwgb3RoZXIgdGhhbiBhcyBhbGxvd2VkIGJ5IHRoaXMKbGljZW5zZSwgdG8geW91ciBzdWJtaXNzaW9uLgo=
dc.title.none.fl_str_mv Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
title Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
spellingShingle Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
Leite, Rossana Martins Furtado
Análise do discurso
Discurso publicitário
Cenografia
Ethos
Interdiscurso
Campanhas publicitárias - Análise
Linguística
80
title_short Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
title_full Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
title_fullStr Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
title_full_unstemmed Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
title_sort Uma análise do discurso publicitário em tempos de espetáculo : cenografia e ethos do Itaú na campanha #issomudaomundo
author Leite, Rossana Martins Furtado
author_facet Leite, Rossana Martins Furtado
author_role author
dc.contributor.advisor1.fl_str_mv Almeida, Júlia Maria Costa de
dc.contributor.author.fl_str_mv Leite, Rossana Martins Furtado
dc.contributor.referee1.fl_str_mv Benites, Sonia Aparecida Lopes
dc.contributor.referee2.fl_str_mv Vidon, Luciano Novaes
contributor_str_mv Almeida, Júlia Maria Costa de
Benites, Sonia Aparecida Lopes
Vidon, Luciano Novaes
dc.subject.por.fl_str_mv Análise do discurso
Discurso publicitário
Cenografia
Ethos
Interdiscurso
Campanhas publicitárias - Análise
topic Análise do discurso
Discurso publicitário
Cenografia
Ethos
Interdiscurso
Campanhas publicitárias - Análise
Linguística
80
dc.subject.cnpq.fl_str_mv Linguística
dc.subject.udc.none.fl_str_mv 80
description Considering that advertising moves the whole society and its subjects and interfer in behavior, identities and cultures, our research aims to understand how the advertising discourse relies on the interdiscourse to compose spectacularized scenographies in order to give a socially responsible institutional ethos to companies such as banco Itaú, which is seen through the analysis of a corpus from #issomudaomundo advertising campaign, in circulation from 2013 to 2015. For methodological reasons, the analysis of this study was divided according to the pillars suggested by the advertising campaign: education, culture and urban mobility. The theoretical perspective used is based on the French Discourse Analysis, in general, with dialogues between theories that make up this discipline, and also with those that served or still serve as theoretical support. The cutting to deepen the analysis is based on the categories of scenography and ethos by Dominique Maingueneau; the work also includes a sociological view of post-modern society, based on theories by M. Sodré (2006), N. Canclini (2010) and Z. Bauman (2001,2009). The results show us that the institutional publicitary discourse has been using scenographies carefully elaborated to create ads associated with ethical socially-responsible worlds which long for touching emotionally consumers who share the same yearnings, consolidating a citizen institutional ethos to the brand 'Itaú' and hiding the commercial / financial senses that are constitutive of it.
publishDate 2015
dc.date.submitted.none.fl_str_mv 2015-08-19
dc.date.accessioned.fl_str_mv 2015-11-23T18:09:03Z
dc.date.issued.fl_str_mv 2015-08-19
dc.date.available.fl_str_mv 2016-06-24T06:00:07Z
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dc.publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Mestrado em Estudos Linguísticos
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publisher.none.fl_str_mv Universidade Federal do Espírito Santo
Mestrado em Estudos Linguísticos
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