TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Sistemas & Gestão |
Texto Completo: | https://www.revistasg.uff.br/sg/article/view/V7N2A4 |
Resumo: | This article explores the organization of the productive chain, with the intention of offering input for a strategic discussion about the music market of the XXI Century. This analysis starts with a historical survey of the musical market up until the use of the internet, in music label business models, introducing the agents present in the chain and the existing relations from pre-production until the consumption of CDs. Thereafter, changes in the recent years of this chain are identified, considering technological innovations and consequently, alterations in habits of music consumption. Based on these new industry aspects, an updated productive chain is presented, demonstrating new agents and business models. The final stage of this article consisted of a study founded in the most recent technological innovations and current tendencies of music consumption, with the objective of identifying possibilities for the future, where the recording industry will only be a small part a new music industry that allows the exploration of its content by different roads. |
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TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURYTECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURYInovações Tecnológicas na Cadeia Produtiva da Música no Século XXIProductive ChainMusic MarketRecord IndustryTechnological InnovationsProductive ChainMusic MarketRecord IndustryTechnological InnovationsThis article explores the organization of the productive chain, with the intention of offering input for a strategic discussion about the music market of the XXI Century. This analysis starts with a historical survey of the musical market up until the use of the internet, in music label business models, introducing the agents present in the chain and the existing relations from pre-production until the consumption of CDs. Thereafter, changes in the recent years of this chain are identified, considering technological innovations and consequently, alterations in habits of music consumption. Based on these new industry aspects, an updated productive chain is presented, demonstrating new agents and business models. The final stage of this article consisted of a study founded in the most recent technological innovations and current tendencies of music consumption, with the objective of identifying possibilities for the future, where the recording industry will only be a small part a new music industry that allows the exploration of its content by different roads.This article explores the organization of the productive chain, with the intention of offering input for a strategic discussion about the music market of the XXI Century. This analysis starts with a historical survey of the musical market up until the use of the internet, in music label business models, introducing the agents present in the chain and the existing relations from pre-production until the consumption of CDs. Thereafter, changes in the recent years of this chain are identified, considering technological innovations and consequently, alterations in habits of music consumption. Based on these new industry aspects, an updated productive chain is presented, demonstrating new agents and business models. The final stage of this article consisted of a study founded in the most recent technological innovations and current tendencies of music consumption, with the objective of identifying possibilities for the future, where the recording industry will only be a small part a new music industry that allows the exploration of its content by different roads.O trabalho consiste na estruturação da cadeia produtiva com o intuito de oferecer insumos para uma discussão estratégica sobre o mercado da música para o século XXI. Esta análise tem início com um levantamento histórico do mercado musical até o início do uso da internet nos modelos de negócios das gravadoras, apresentando-se os agentes presentes na cadeia e as relações existentes desde a pré-produção até o consumo dos discos. Em seguida, são identificadas as mudanças nos últimos anos nessa cadeia, considerando as inovações tecnológicas e, consequentemente, as mudanças na forma de se consumir música. Baseando-se nesses novos aspectos da indústria, é apresentada, então, uma cadeia produtiva mais atualizada, mostrando-se os novos agentes e modelos de negócios. A etapa final do trabalho consistiu no estudo baseado em inovações tecnológicas mais recentes e tendências atuais de consumo da música, com o objetivo de identificar possibilidades para o futuro, onde a indústria fonográfica passa a ser apenas uma parte da nova indústria da música que permite a exploração de seu conteúdo por diferentes caminhos.ABEC2012-10-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistasg.uff.br/sg/article/view/V7N2A410.7177/sg.2012.V7.N2.A4Sistemas & Gestão; v. 7 n. 2 (2012): Junho/2012; 174-1911980-516010.7177/sg.2012.v7.n2reponame:Sistemas & Gestãoinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://www.revistasg.uff.br/sg/article/view/V7N2A4/V7N2A4Copyright (c) 2015 Sistemas & Gestãoinfo:eu-repo/semantics/openAccessGenes, FelipeCraveiro, Rodolfo UchôaProença, Adriano2023-01-09T18:18:59Zoai:ojs.www.revistasg.uff.br:article/379Revistahttps://www.revistasg.uff.br/sgPUBhttps://www.revistasg.uff.br/sg/oai||sg.revista@gmail.com|| periodicos@proppi.uff.br1980-51601980-5160opendoar:2023-01-09T18:18:59Sistemas & Gestão - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY Inovações Tecnológicas na Cadeia Produtiva da Música no Século XXI |
title |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY |
spellingShingle |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY Genes, Felipe Productive Chain Music Market Record Industry Technological Innovations Productive Chain Music Market Record Industry Technological Innovations |
title_short |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY |
title_full |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY |
title_fullStr |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY |
title_full_unstemmed |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY |
title_sort |
TECHNOLOGICAL INNOVATION IN THE PRODUCTIVE MUSIC CHAIN IN THE XXI CENTURY |
author |
Genes, Felipe |
author_facet |
Genes, Felipe Craveiro, Rodolfo Uchôa Proença, Adriano |
author_role |
author |
author2 |
Craveiro, Rodolfo Uchôa Proença, Adriano |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Genes, Felipe Craveiro, Rodolfo Uchôa Proença, Adriano |
dc.subject.por.fl_str_mv |
Productive Chain Music Market Record Industry Technological Innovations Productive Chain Music Market Record Industry Technological Innovations |
topic |
Productive Chain Music Market Record Industry Technological Innovations Productive Chain Music Market Record Industry Technological Innovations |
description |
This article explores the organization of the productive chain, with the intention of offering input for a strategic discussion about the music market of the XXI Century. This analysis starts with a historical survey of the musical market up until the use of the internet, in music label business models, introducing the agents present in the chain and the existing relations from pre-production until the consumption of CDs. Thereafter, changes in the recent years of this chain are identified, considering technological innovations and consequently, alterations in habits of music consumption. Based on these new industry aspects, an updated productive chain is presented, demonstrating new agents and business models. The final stage of this article consisted of a study founded in the most recent technological innovations and current tendencies of music consumption, with the objective of identifying possibilities for the future, where the recording industry will only be a small part a new music industry that allows the exploration of its content by different roads. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-10-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistasg.uff.br/sg/article/view/V7N2A4 10.7177/sg.2012.V7.N2.A4 |
url |
https://www.revistasg.uff.br/sg/article/view/V7N2A4 |
identifier_str_mv |
10.7177/sg.2012.V7.N2.A4 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistasg.uff.br/sg/article/view/V7N2A4/V7N2A4 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Sistemas & Gestão info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Sistemas & Gestão |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
Sistemas & Gestão; v. 7 n. 2 (2012): Junho/2012; 174-191 1980-5160 10.7177/sg.2012.v7.n2 reponame:Sistemas & Gestão instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Sistemas & Gestão |
collection |
Sistemas & Gestão |
repository.name.fl_str_mv |
Sistemas & Gestão - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||sg.revista@gmail.com|| periodicos@proppi.uff.br |
_version_ |
1798320143285092352 |