A The laboratory logic of art and the metascience of the ignorant master

Detalhes bibliográficos
Autor(a) principal: Mourão, Rui
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Poiésis (Niterói. Online)
Texto Completo: https://periodicos.uff.br/poiesis/article/view/59019
Resumo: This article establishes a parallelism between art and science, underlining the ability of art to also allow to obtain forms of knowledge according to laboratory processes. It focuses on a certain metascience of art as a research on the operative logics of artistic research that, if there is a real commitment to understanding certain aspects of sensitive reality, provides existential knowledge. Starting from the concept of the ignorant master developed by Jacques Rancière, the artistic process will be approached as a producer of experiences in complementary processes of interpretation and expression, which can be identified with the experimental logic of sciences that takes place in the laboratory. Art as a place of experimentation seeks to be apart from the real but aims at the real, in a double logic of separation and connection that distances itself to understand and deduce, like when samples are taken for scientific study. 
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spelling A The laboratory logic of art and the metascience of the ignorant masterLa lógica laboratorial del arte y la metaciencia del maestro ignoranteA LÓGICA LABORATORIAL DA ARTE E A METACIÊNCIA DO MESTRE IGNORANTEArt ScienceLaboratoryKnowledgeMetaphorArte CienciaLaboratorioConocimientoMetáforaArte CiênciaLaboratórioConhecimentoMetáforaThis article establishes a parallelism between art and science, underlining the ability of art to also allow to obtain forms of knowledge according to laboratory processes. It focuses on a certain metascience of art as a research on the operative logics of artistic research that, if there is a real commitment to understanding certain aspects of sensitive reality, provides existential knowledge. Starting from the concept of the ignorant master developed by Jacques Rancière, the artistic process will be approached as a producer of experiences in complementary processes of interpretation and expression, which can be identified with the experimental logic of sciences that takes place in the laboratory. Art as a place of experimentation seeks to be apart from the real but aims at the real, in a double logic of separation and connection that distances itself to understand and deduce, like when samples are taken for scientific study. Este artículo establece un paralelismo entre arte y ciencia, subrayando la capacidad del arte para también permitirobtener formas de conocimiento según procesos laboratoriales. Se centra en una cierta metaciencia del arte comoinvestigación sobre las lógicas operativas de la investigación artística que, si existe un compromiso real por comprender ciertos aspectos de la realidad sensible, proporciona conocimiento existencial. Partiendo del concepto de maestro ignorante desarrollado por Jacques Rancière, se abordará el proceso artístico como productor de experienciasen procesos complementarios de interpretación y expresión, que pueden identificarse con la lógica experimental delas ciencias que se desarrolla en laboratorio. El arte como lugar de experimentación busca apartarse de lo real, perose destina a lo real, en una doble lógica separadora y relacional que se distancia para comprender y deducir, similara cuando se toman muestras para estudio científico. Este artigo estabelece um paralelismo entre arte e ciência, sublinhando a capacidade da arte também permitir obter formas de conhecimento segundo processos laboratoriais. Foca-se numa certa metaciência da arte enquanto pesquisa sobre as lógicas operativas da pesquisa artística que, caso haja um compromisso verdadeiro na compreensão de determinados aspetos da realidade sensível, faculta conhecimento existencial. Partindo do conceito de mestre ignorante desenvolvido por Jacques Rancière será abordado o processo artístico como produtor de experiências em processos complementares de interpretação e expressão, que se podem identificar com a lógica experimental das ciências que acontece em laboratório. A arte enquanto lugar de experimentação busca estar à parte do real mas visa o real, numa dupla lógica separadora e relacional que se distancia para compreender e deduzir, semelhante a quando se retiram amostras para estudo científico. Editora do PPGCA-UFF2023-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/poiesis/article/view/5901910.22409/poiesis.v24i41.59019REVISTA POIÉSIS; Vol. 24 No. 41 (2023): Science, Art, and the Dissolution of Boundaries; 23-38REVISTA POIÉSIS; Vol. 24 Núm. 41 (2023): La ciencia, el arte y la disolución de las fronteras; 23-38REVISTA POIÉSIS; v. 24 n. 41 (2023): Ciência, arte e a dissolução das fronteiras: Revista do Programa de Pós-Graduação em Estudos Contemporâneos das Artes da UFF Volume 24, Número 41, Jan./Jun. 2023; 23-382177-856610.22409/poiesis.v24i41reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/59019/34564Copyright (c) 2023 Rui Mourãohttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessMourão, Rui 2023-07-01T04:13:14Zoai:ojs.pkp.sfu.ca:article/59019Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2023-07-01T04:13:14Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false
dc.title.none.fl_str_mv A The laboratory logic of art and the metascience of the ignorant master
La lógica laboratorial del arte y la metaciencia del maestro ignorante
A LÓGICA LABORATORIAL DA ARTE E A METACIÊNCIA DO MESTRE IGNORANTE
title A The laboratory logic of art and the metascience of the ignorant master
spellingShingle A The laboratory logic of art and the metascience of the ignorant master
Mourão, Rui
Art Science
Laboratory
Knowledge
Metaphor
Arte Ciencia
Laboratorio
Conocimiento
Metáfora
Arte Ciência
Laboratório
Conhecimento
Metáfora
title_short A The laboratory logic of art and the metascience of the ignorant master
title_full A The laboratory logic of art and the metascience of the ignorant master
title_fullStr A The laboratory logic of art and the metascience of the ignorant master
title_full_unstemmed A The laboratory logic of art and the metascience of the ignorant master
title_sort A The laboratory logic of art and the metascience of the ignorant master
author Mourão, Rui
author_facet Mourão, Rui
author_role author
dc.contributor.author.fl_str_mv Mourão, Rui
dc.subject.por.fl_str_mv Art Science
Laboratory
Knowledge
Metaphor
Arte Ciencia
Laboratorio
Conocimiento
Metáfora
Arte Ciência
Laboratório
Conhecimento
Metáfora
topic Art Science
Laboratory
Knowledge
Metaphor
Arte Ciencia
Laboratorio
Conocimiento
Metáfora
Arte Ciência
Laboratório
Conhecimento
Metáfora
description This article establishes a parallelism between art and science, underlining the ability of art to also allow to obtain forms of knowledge according to laboratory processes. It focuses on a certain metascience of art as a research on the operative logics of artistic research that, if there is a real commitment to understanding certain aspects of sensitive reality, provides existential knowledge. Starting from the concept of the ignorant master developed by Jacques Rancière, the artistic process will be approached as a producer of experiences in complementary processes of interpretation and expression, which can be identified with the experimental logic of sciences that takes place in the laboratory. Art as a place of experimentation seeks to be apart from the real but aims at the real, in a double logic of separation and connection that distances itself to understand and deduce, like when samples are taken for scientific study. 
publishDate 2023
dc.date.none.fl_str_mv 2023-06-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uff.br/poiesis/article/view/59019
10.22409/poiesis.v24i41.59019
url https://periodicos.uff.br/poiesis/article/view/59019
identifier_str_mv 10.22409/poiesis.v24i41.59019
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.uff.br/poiesis/article/view/59019/34564
dc.rights.driver.fl_str_mv Copyright (c) 2023 Rui Mourão
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Rui Mourão
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora do PPGCA-UFF
publisher.none.fl_str_mv Editora do PPGCA-UFF
dc.source.none.fl_str_mv REVISTA POIÉSIS; Vol. 24 No. 41 (2023): Science, Art, and the Dissolution of Boundaries; 23-38
REVISTA POIÉSIS; Vol. 24 Núm. 41 (2023): La ciencia, el arte y la disolución de las fronteras; 23-38
REVISTA POIÉSIS; v. 24 n. 41 (2023): Ciência, arte e a dissolução das fronteiras: Revista do Programa de Pós-Graduação em Estudos Contemporâneos das Artes da UFF Volume 24, Número 41, Jan./Jun. 2023; 23-38
2177-8566
10.22409/poiesis.v24i41
reponame:Poiésis (Niterói. Online)
instname:Universidade Federal Fluminense (UFF)
instacron:UFF
instname_str Universidade Federal Fluminense (UFF)
instacron_str UFF
institution UFF
reponame_str Poiésis (Niterói. Online)
collection Poiésis (Niterói. Online)
repository.name.fl_str_mv Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)
repository.mail.fl_str_mv poiesis.uff@gmail.com||oliveira@vm.uff.br
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