A The laboratory logic of art and the metascience of the ignorant master
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Poiésis (Niterói. Online) |
Texto Completo: | https://periodicos.uff.br/poiesis/article/view/59019 |
Resumo: | This article establishes a parallelism between art and science, underlining the ability of art to also allow to obtain forms of knowledge according to laboratory processes. It focuses on a certain metascience of art as a research on the operative logics of artistic research that, if there is a real commitment to understanding certain aspects of sensitive reality, provides existential knowledge. Starting from the concept of the ignorant master developed by Jacques Rancière, the artistic process will be approached as a producer of experiences in complementary processes of interpretation and expression, which can be identified with the experimental logic of sciences that takes place in the laboratory. Art as a place of experimentation seeks to be apart from the real but aims at the real, in a double logic of separation and connection that distances itself to understand and deduce, like when samples are taken for scientific study. |
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A The laboratory logic of art and the metascience of the ignorant masterLa lógica laboratorial del arte y la metaciencia del maestro ignoranteA LÓGICA LABORATORIAL DA ARTE E A METACIÊNCIA DO MESTRE IGNORANTEArt ScienceLaboratoryKnowledgeMetaphorArte CienciaLaboratorioConocimientoMetáforaArte CiênciaLaboratórioConhecimentoMetáforaThis article establishes a parallelism between art and science, underlining the ability of art to also allow to obtain forms of knowledge according to laboratory processes. It focuses on a certain metascience of art as a research on the operative logics of artistic research that, if there is a real commitment to understanding certain aspects of sensitive reality, provides existential knowledge. Starting from the concept of the ignorant master developed by Jacques Rancière, the artistic process will be approached as a producer of experiences in complementary processes of interpretation and expression, which can be identified with the experimental logic of sciences that takes place in the laboratory. Art as a place of experimentation seeks to be apart from the real but aims at the real, in a double logic of separation and connection that distances itself to understand and deduce, like when samples are taken for scientific study. Este artículo establece un paralelismo entre arte y ciencia, subrayando la capacidad del arte para también permitirobtener formas de conocimiento según procesos laboratoriales. Se centra en una cierta metaciencia del arte comoinvestigación sobre las lógicas operativas de la investigación artística que, si existe un compromiso real por comprender ciertos aspectos de la realidad sensible, proporciona conocimiento existencial. Partiendo del concepto de maestro ignorante desarrollado por Jacques Rancière, se abordará el proceso artístico como productor de experienciasen procesos complementarios de interpretación y expresión, que pueden identificarse con la lógica experimental delas ciencias que se desarrolla en laboratorio. El arte como lugar de experimentación busca apartarse de lo real, perose destina a lo real, en una doble lógica separadora y relacional que se distancia para comprender y deducir, similara cuando se toman muestras para estudio científico. Este artigo estabelece um paralelismo entre arte e ciência, sublinhando a capacidade da arte também permitir obter formas de conhecimento segundo processos laboratoriais. Foca-se numa certa metaciência da arte enquanto pesquisa sobre as lógicas operativas da pesquisa artística que, caso haja um compromisso verdadeiro na compreensão de determinados aspetos da realidade sensível, faculta conhecimento existencial. Partindo do conceito de mestre ignorante desenvolvido por Jacques Rancière será abordado o processo artístico como produtor de experiências em processos complementares de interpretação e expressão, que se podem identificar com a lógica experimental das ciências que acontece em laboratório. A arte enquanto lugar de experimentação busca estar à parte do real mas visa o real, numa dupla lógica separadora e relacional que se distancia para compreender e deduzir, semelhante a quando se retiram amostras para estudo científico. Editora do PPGCA-UFF2023-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://periodicos.uff.br/poiesis/article/view/5901910.22409/poiesis.v24i41.59019REVISTA POIÉSIS; Vol. 24 No. 41 (2023): Science, Art, and the Dissolution of Boundaries; 23-38REVISTA POIÉSIS; Vol. 24 Núm. 41 (2023): La ciencia, el arte y la disolución de las fronteras; 23-38REVISTA POIÉSIS; v. 24 n. 41 (2023): Ciência, arte e a dissolução das fronteiras: Revista do Programa de Pós-Graduação em Estudos Contemporâneos das Artes da UFF Volume 24, Número 41, Jan./Jun. 2023; 23-382177-856610.22409/poiesis.v24i41reponame:Poiésis (Niterói. Online)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/poiesis/article/view/59019/34564Copyright (c) 2023 Rui Mourãohttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessMourão, Rui 2023-07-01T04:13:14Zoai:ojs.pkp.sfu.ca:article/59019Revistahttps://periodicos.uff.br/poiesisPUBhttps://periodicos.uff.br/poiesis/oaipoiesis.uff@gmail.com||oliveira@vm.uff.br2177-85661517-5677opendoar:2023-07-01T04:13:14Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
A The laboratory logic of art and the metascience of the ignorant master La lógica laboratorial del arte y la metaciencia del maestro ignorante A LÓGICA LABORATORIAL DA ARTE E A METACIÊNCIA DO MESTRE IGNORANTE |
title |
A The laboratory logic of art and the metascience of the ignorant master |
spellingShingle |
A The laboratory logic of art and the metascience of the ignorant master Mourão, Rui Art Science Laboratory Knowledge Metaphor Arte Ciencia Laboratorio Conocimiento Metáfora Arte Ciência Laboratório Conhecimento Metáfora |
title_short |
A The laboratory logic of art and the metascience of the ignorant master |
title_full |
A The laboratory logic of art and the metascience of the ignorant master |
title_fullStr |
A The laboratory logic of art and the metascience of the ignorant master |
title_full_unstemmed |
A The laboratory logic of art and the metascience of the ignorant master |
title_sort |
A The laboratory logic of art and the metascience of the ignorant master |
author |
Mourão, Rui |
author_facet |
Mourão, Rui |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mourão, Rui |
dc.subject.por.fl_str_mv |
Art Science Laboratory Knowledge Metaphor Arte Ciencia Laboratorio Conocimiento Metáfora Arte Ciência Laboratório Conhecimento Metáfora |
topic |
Art Science Laboratory Knowledge Metaphor Arte Ciencia Laboratorio Conocimiento Metáfora Arte Ciência Laboratório Conhecimento Metáfora |
description |
This article establishes a parallelism between art and science, underlining the ability of art to also allow to obtain forms of knowledge according to laboratory processes. It focuses on a certain metascience of art as a research on the operative logics of artistic research that, if there is a real commitment to understanding certain aspects of sensitive reality, provides existential knowledge. Starting from the concept of the ignorant master developed by Jacques Rancière, the artistic process will be approached as a producer of experiences in complementary processes of interpretation and expression, which can be identified with the experimental logic of sciences that takes place in the laboratory. Art as a place of experimentation seeks to be apart from the real but aims at the real, in a double logic of separation and connection that distances itself to understand and deduce, like when samples are taken for scientific study. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-06-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/59019 10.22409/poiesis.v24i41.59019 |
url |
https://periodicos.uff.br/poiesis/article/view/59019 |
identifier_str_mv |
10.22409/poiesis.v24i41.59019 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/poiesis/article/view/59019/34564 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Rui Mourão https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Rui Mourão https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
publisher.none.fl_str_mv |
Editora do PPGCA-UFF |
dc.source.none.fl_str_mv |
REVISTA POIÉSIS; Vol. 24 No. 41 (2023): Science, Art, and the Dissolution of Boundaries; 23-38 REVISTA POIÉSIS; Vol. 24 Núm. 41 (2023): La ciencia, el arte y la disolución de las fronteras; 23-38 REVISTA POIÉSIS; v. 24 n. 41 (2023): Ciência, arte e a dissolução das fronteiras: Revista do Programa de Pós-Graduação em Estudos Contemporâneos das Artes da UFF Volume 24, Número 41, Jan./Jun. 2023; 23-38 2177-8566 10.22409/poiesis.v24i41 reponame:Poiésis (Niterói. Online) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Poiésis (Niterói. Online) |
collection |
Poiésis (Niterói. Online) |
repository.name.fl_str_mv |
Poiésis (Niterói. Online) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
poiesis.uff@gmail.com||oliveira@vm.uff.br |
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